Living in a modern time, our lives can hardly be separated from creativity and culture. Creative industries have increasingly influenced our daily lives, not just the products we use, but also the money we make. According to DCMS (2014), creative industries in Britain are worth more than £70 billion to its economy every year, not to mention creative industries in other countries. In the following, the seven economic properties as stated in Caves (2000) will be applied to the creative industry, ‘New Media’. ‘New Media’ is one of the nine creative industries proposed in the UNCTAD’s model, which includes ‘online books, online newspaper and periodicals, musical audio downloads, streamed audio content, films and other video downloads, streamed video content, online games and online software’(UNCTAD, 2010).
Infinite Variety Property
For new media, the creative goods are very diverse, having a wide range of products for consumers to choose from. Video games serve as good example, as they are further categorized into action game, adventure game, board game, puzzle game, to name but a few. Even in the game itself, players or users can choose different modes to play, and customize their games as they are allowed to choose different themes or create their own Sims. Such property allows the consumers to have infinite choices and hence, infinite consumption. Also, by having all kinds of products available to them, they can enjoy the privilege, as there are higher chances for them to find the products that suit them the most.
Nobody Knows Property
Internet is a free platform where everyone can launch or release whatever they want to that market. With such characteristic of the Internet, the products, services or creations may, in a se...
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...y as people and government have increasingly invested large sum of money to new media. According to UNCTAD (2010), new media does have a great potential in the global market. It is then worth noting that even though new media is becoming more and more important and popular, the intellectual property rights should still be respected.
Reference
Caves, R. E. (2000). Creative industries : contracts between art and commerce / Richard E. Caves. Cambridge, Mass. ; London: Harvard University Press.
DCMS. (2014). Creative Industries Economic Estimates. London: Department for Culture, Media & Sport.
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UNCTAD. (2010). Creative Economy: A Feasible Development Option: United Nation.
Products of the culture economy take on the appearance of artwork but are in fact dependant on industry and economy, meaning that they are subjected to the interests of money and power and producing a profit “The whole world is passed through the filter of the culture industry” . To Adorno the production of art and consumerism is driven and shaped by the logic of capitalist rationality, meaning consumer products are created on the basis of whatever will sell best.
Hughes, Robert. American Visions: The Epic History of Art in America. 1st ed. New York: Alfred A. Knopf, Inc., 1997. Print.
...entertainment industry is saying that intellectual property is just as real as physical property. The digital age faces a true balancing act a digital dilemma if you will- the right to freedom of expression while protecting intellectual property.
In the spectrum of entrepreneurs, an artist is someone who thinks about opportunities abstractly and uses “big ideas” to form deep, emotional connections with various groups of people. Furthermore, an artist is someone who is prepared to explore opportunities without becoming deterred by uncertainty and enjoys seeing where an ambiguous idea or opportunity can lead. One entrepreneur that exemplifies these qualities is Richard Branson of the Virgin Group and throughout this paper we will discover who he is, why he typifies an artist, and what others can learn from him.
Theodore Adorno and Max Horkheimer were two renowned Jewish representatives of the Frankfurt School of Critical Theory; they were particularly dominant during the early 20th century, approximately around the time of the 1920’s to 1960s. They took refuge in America after Adolf Hitler’s rise in Germany. These to philosophers developed the ‘Culture Industry Theory’ in the 1940s, in light of the disturbed society they had seen during this time. They witnessed how Nazi Fascism used mass media such as films, radio and newspapers to brainwash millions into partaking in this ideology. Similarly they saw the rise of Capitalism in America, which also used mass media such as Hollywood films and advertising to disseminate the masses into the capitalist Ideology. This essay will evaluate how the ‘culture industry’ had profound social impacts in society and examine weather it is valid in contemporary society.
... (1996). Commercial Scenarios for the Web: Opportunities and Challenges. Journal of Computer-Mediated Communication. Retrieved July 15, 2014, from http://www.labeee.ufsc.br/~luis/egcec/artigosdoc/CE-comercial%20scenarios-hoffman.PDF
...wild beast, a tiger or some such, with whom I am trapped in a small room. There are many factors which may influence the tiger in one way or another, and while these factors, such as my experience of tigers (traditionalism), or clever new ways to influence them (innovation), are of deadly importance, the tiger remains the primary focus, or reality, in the room. Often, however, we confuse the factors for the art itself, the means for the ends, the cause for the effect. We talk of our difficulty about defining art in empirical terms, as if it were an elusive fog of wraiths, a "veil of unknowing", or an ethereal mist of fleeting experiences: we are unable to ever really grasp the identity of what we seek to define. Maybe this is true, but every now and again I am sure I see something strangely beautiful, terrifyingly real, gracefully elusive, gliding through the vapours.
A recent debate tackled a particular aspect of creativity studies that focused on whether creativity studies should be included in the core curriculum of education or should be integrated into existing courses. Though some colleges and other institutions have already implemented creativity studies programs. The question of whether this is the right decision is yet to be answered. Many professionals and authors have made claims regarding this issue of creativity studies and have provided effective arguments. Since each one of them has different assumptions about creativity studies and agree only on few aspects of the
In The Political of Cultural Work (2007), Banks joins the debate on the ‘art-commerce’ relation by focusing on cultural work in the micro-level and addressing the importance of space and place, explores the possibility of alternatives creativity under the capitalist context, and further suggests to considering the political and social implication of cultural work.
The Importance of Creative and Cultural Industries in Britain Today The creative and cultural industries play a huge part in the everyday life of British society. In London, there is a variety of creative industries ranging from musical theatre in the west end, to mime artists working on the streets. There is dance, plays and much more for an audience to choose. This can be considered important, as these industries bring society together, and create a means of entertainment for the people of Britain today. The Arts Council of Great Britain was founded in 1946, one of the first national organisations of its kind in the world (Hill, O’Sullivan & O’Sullivan, 1995).
Other than the arts, it is an industry which represents a lovely blend between bureaucratic business and colorful creativity. Just my cup of tea. Most specifically, I wish to be the Creative Director of an agency, the catalyst to creation. Everything passes through them and in turn by their team. With this combination of creative and social skills, I felt it to be a perfect fit for my wondering mind. However, what intrigues me the most about this position and mystifies me with the same intensity is the director’s involvement with the creative process. A process distinctly human and free thinking, sometimes random and inappropriate, but always necessary. How creativity comes about in advertising and the means by which it is formed, intrigues me the most about this phenomena.
Organizations that do not change with the times will soon find themselves behind or more seriously—non-existent. Different things motivate them and money is no longer the top motivator for creatives. Looking at creatives from another view, this group, also referred to as the creative class, represents a powerful economic force. Not economic force in terms of ownership of property or the means of production but their creative capacity which is an intangible because it is literally in their heads.
For the recent last decades, art market has become very popular with a boom in total sale revenue worldwide. People start to participate and pay attention to the art world more interactively and frequently. For example, art institutions have gained more admissions than ever before; museum visits surged globally and more people are willing to pursue an art-related career. Generally speaking, art world is broader than the art market. The art world is a overlapping subcultures held by a belief in art. They spread out globally but cluster in art capitals such as New York, London, Los Angeles, Berlin, and the emerging market such as Hong Kong, Beijing and Dubai. The market refers to the people who participate in the art business transaction that is artists, first and second market dealers, curators, collectors and auction houses experts. However in the business operation side, dealers are responsible for channeling and deflecting the power of all the other players, while critics, curators and artists are not directly involved in commercial activities on a regular basis. Most importantly, the art world is a sphere that the cultures and art works themselves play the most fundamental parts while wealth and powers also have a crucial influence on market.
In recent years, digital media has become more popular, and is one of the reasons why print media is facing a financial crunch. The average American adult spends five hou...
There are many people who believe and consider that creativity is affected by culture, the way that ideas, how concepts are introduced, and developed into a reality. In today’s market, creativity is linked to innovation, which is an appreciated and sought after skill to have in todays changing world. I agree with this statement and declaration with four reasons. The first reason is if we did not let people think of ways to be improve items, then we would not be currently in a place in society with the advancement of technology and new ideas that come out everyday from the people of the world. Secondly, the believed notion that “More Energy is equaled to Better Moods”, which is appropriately true about how creativity is affected by culture. Another reason why creativity is affected by culture is allowing the possibilities and opportunities created by creative minds of our culture. The final reason why creativity is affected by culture is one learns persistence and dedication from the journey they take to be unique and creative; while they create and find new answers that they never knew before using creativity to