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Case study copyright law
Case study copyright law
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Along with the development of a file format (MP3) to store digital audio recordings, came one of the new millennium’s most continuous debates – peer-to-peer piracy – file sharing. Internet companies such as Napster and Grokster became involved in notable legal cases in regards to copyright laws in cyberspace. These two cases are similar in nature, yet decidedly different. In order to understand the differences and similarities, one should have an understanding of each case as well as the court’s ruling. According to the text A Gift of Fire, Napster “opened on the Web in 1999 as a service that allowed its users to copy songs in MP3 files from the hard disks of other users” (Baase, 2013, p. 192, Section 4.1.6 Sharing Music: The Napster Case). Napster was, however, “copying and distributing most of the songs they traded without authorization” (A Gift of Fire, Section 4.1.6 Sharing Music: The Napster Case). This unauthorized file sharing resulted in a lawsuit - “eighteen record companies sued for contributory infringement claiming that Napster users were blatantly infringing copyrights by digitally reproducing and distributing music without a license” (Communications Law: Liberties, Restraints and the Modern Media, 2011, p. 359). In 2001, the case of A &M Records, Inc. v. Napster, Inc. was first heard in the United States District Court of Northern California where Napster claimed that the record companies were, in fact, violating their First Amendment rights. The court disagreed with this argument, held, and ruled in favor of the record companies saying that they indeed had a valid argument. Napster appealed the ruling of the lower court and the case then landed before the United States Court of Appeals for the Ninth Cir... ... middle of paper ... ...entertainment industry is saying that intellectual property is just as real as physical property. The digital age faces a true balancing act a digital dilemma if you will- the right to freedom of expression while protecting intellectual property. References: Zelezny, J. (2011). Communications Law: Liberties, Restraints, and the Modern Media. Boston, MA: Wadsworth-Cengage Learning. Baase, S. (2013) A Gift of Fire. 4th Edition. Upper Saddle River, NJ: Pearson Education, Inc. Washington University in St. Louis School of Law. (2013, Aug. 28). “Washington University Law Blog”. Case Study: A & M Records v. Napster, Inc. Retrieved from http://onlinelaw.wustl.edu/case-study-am-records-inc-v-napster-inc/ The Oyez Project at IIT Chicago-Kent College of Law. (2014, May 3). MGM Studios v. Grokster. Retrieved from http://www.oyez.org/cases/2000-2009/2004/2004_04_480
Today is the day of the trial for the Faden vs Walt Disney, I am Mister Faden's attorney. This should be an easy case to win, its so obvious that Mister Faden’s video was fair, that doesn't mean I won’t take it seriously, just that i am confident. When i arrive at the courtroom my client is already seated along with most of the jury and the judge. As i am sitting there i can’t help but to think about how ironic this entire case is, the video itself was about copyright, its almost as if he wanted this to happen. Its time to make our opening statements, defendants are up first. “Ladies and gentlemen of the jury, my client is innocent, and has not committed any crimes against Disney. As i am sure you know, Mister Faden made a video concerning
Dioso-Villa, Simon A. Cole & Rachel. "INVESTIGATING THE ‘CSI EFFECT’ EFFECT:MEDIA AND LITIGATION CRISIS IN CRIMINAL LAW." Stanford Law Review 61.6 (2009): 1335-1374.
What trends in networking in the 1990’s and early 2000’s drove the popularity of Napster? What other technologies contributed to Napster’s success?
Business Tort Michael Robertson is the CEO of MP3.com. Over the past few years, he has established a flourishing business, which had a market value of around $1.8 Billion. In February 2002, a case was filed against mp3.com by a nonprofit trade organization that represents the recording industry, namely the Recording Industry Association of America (RIAA). Robertson claimed that RIAA was presenting a false picture to his stockholders and lying to his partners. RIAA sued him for copyright violation. Robertson sued them back on charges of defamation, trade libel, intrusion with potential economic benefit, and undue business practices. If the situation is analyzed, the Recording Industry Association of America (RIAA) suit against MP3.com actually points out the fact that Mp3.com had illegally copied around 45,000 CDs. Through this, MP3.com could offer an instant "Beam-it" feature that would upload the contents of the CDs from your personal library to MP3.com's Website. Beam-it software is a revolutionary program that lets MP3.com instantly identify the CDs you own so they can add them to your My.MP3.com account. With Beam-it, a visitor never has to upload song files or convert their CDs to MP3s. There's no ripping or encoding involved. While it takes hours to upload an album to other sites, Beam-it allows one to start listening to music from their My.MP3 account in less than a minute. Hence, users can store their music online and listen to it from anywhere. Record companies all over the world carried out a large- scale revolt. There were press releases against this venture. Artists and singers favored the record companies whose profits started to fall. Everyone thought MP3.com was becoming a giant in the music world, just like Micr...
...insella, N. Stephan. ?In Defense of Napster and Against the Second Homesteading Rule?. LewRockwell.com. 4 Sept 2000. URL: http://www.lewrockwell.com/orig/kinsella2.html
Herard, Ludwig. "Brown V. Entertainment Merchants Association 131 S. Ct. 2729 (2011)." Journal Of Art, Technology & Intellectual Property Law 22.2 (2012): 515-526. Academic Search Complete. Web. 14 Nov. 2013.
Shawn Fanning brought the first example of illegal downloading to us in the summer of 1999 (Abbott 2003). Fanning provided the public with downloadable tracks of music using a program known as Napster. At its prime, there were over 80 million registered users downloading from Napster (Lam 2001). Only 6 months after operation, the RIAA (the Recording Industry Association of America) filed a lawsuit against Shawn Fanning and Napster for $100,000 per each downloaded song. The legal problem with Napster was that downloaders were not paying the due royalties to the artist and producers. Napster and its contemporary, Audiogalaxy, were not exact forms of shareware, so the RIAA was able to sue them as companies. The people who were actually doing the downloading got off scotch-free with thousands of free downloaded music tracks. As a result of the case Napster was shut down. Today we are introduced to subsequent forms of downloading, like KaZaA,Bearshare, and limewire would create a whole new kind of trouble f...
Most recently the Supreme Court had to decide whether it was fair or not for music fans to download their favorite songs free of any royalties to the artists. The program, design by two college students, is named Napster and its designed to allow the sharing of mp3 music files over the Internet. Currently, the program is still available and operating with much support from its users.
The first issue revolves around copyright infringement. The RIAA argue that Napster's users are engaging in noncommercial sharing/copying of music, an illegal activity that Napster should be responsible for. Napster argues that this kind of noncommercial consumer copying is recognized as fair use under common-law theories and doctrines, and under the Supreme Court's criteria. With respect to audio recordings, the Audio Home Recording Act directly says that noncommercial copying by consumers is lawful. The 9th Circuit, in RIAA v. Diamond Multimedia Systems, in 1999, read that statute as permitting noncommercial consumer copying as lawful.
From a distance, this recent crackdown appears to be not only acceptable, but also morally unquestionable. Upon closer inspection of the issue, it becomes readily apparent that scapgoating P2P networks is not only an unnecessary and ‘unwinable’ battle, (as the RIAA can attest), but also a waste of anti-piracy resources away from real piracy threats. Before any discussion on the actions of MPAA can be broached, it is necessary to deliver a brief historical primer on the intellectual property laws, in particular copyrights. To begin with, copyright is used to protect creative rather than industrial forms. No formal registration is required to gain protection of a creation.
A&M Records, Inc. v. Napster Inc., 239 f.3d 1004 (U.S. Court of Appeals For The 9th Circuit 2 12, 2001).
The censorship of film has been an issue since the Supreme Court made the notorious ruling on the case of Mutual Film Corporation v. Industrial commission of Ohio on February 23, 1915. The case, which was initially about restricting commerce rather then freedom of speech, was brought to the Supreme Court after being rejected at the state level. In 1915, film censorship was done on the state level and The Mutual Fil...
The story really begins with Napster and its free software that allowed users to swap music across the Internet for free using peer-to-peer networks. While Shawn Fanning was attending Northeastern University in Boston, he wanted an easier method of finding music than by searching IRC or Lycos. John Fanning of Hull, Massachusetts, who is Shawn's uncle, struck an agreement which gave Shawn 30% control of the company, with the rest going to his uncle. Napster began to build an office and executive team in San Mateo, California, in September of 1999. Napster was the first of the massively popular peer-to-peer file sharing systems, although it was not fully peer-to-peer since it used central servers to maintain lists of connected systems and the files they provideddirectories, effectivelywhile actual transactions were conducted directly between machines. Although there were already media which facilitated the sharing of files across the Internet, such as IRC, Hotline, and USENET, Napster specialized exclusively in music in the form of MP3 files and presented a user-friendly interface. The result was a system whose popularity generated an enormous selection of music to download. Napster became the launching pad for the explosive growth of the MP3 format and the proliferation of unlicensed copyrights.
Nowadays, it is extremely easy to download free music from the internet. All someone has to do is download some peer to peer file-sharing application such as Kazaa, Edonkey, Blubster, or Bearshare, and you have unlimited access to download just about anything that you please. But is downloading free music from one of these applications legal? I think that it is. This paper will look at both sides of the argument.
Middleton, Kent, and William E. Lee. The Law of Public Communication. N.p.: Pearson Education, 2014. Print.