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The study of Gothic literature
The study of Gothic literature
The study of Gothic literature
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American Psycho is a novel written by the American author Bret Easton Ellis. Ellis, as an author, has written and published seven literary works. American Psycho was written already in the 1980s, but it was published only in 1991. The novel had drawn a great deal of criticism even prior to its official release. When the novel was published in 1991 it was received with heavy criticism. Because of the novel’s dark nature Ellis had received death threats which suggested that Ellis should be dismembered as the victims of the novel’s fictional killer Patrick Bateman. The opinion on the novel among literary critics has changed ever since the novel had achieved cult status among readers. However, American Psycho still remains known primarily for the …show more content…
American Psycho contains references to many brand names, companies and famous people. Companies such as American Express considered the possibility to take legal action against the book because the book’s protagonist Patrick Bateman in several cases uses his American Express platinum card to scoop cocaine and in a couple of cases orders prostitutes, with his American Express platinum card, that he will later kill. Before publishing the book, Vintage Books made some changes and one of them was the name of the company that Bateman works for. In the Simon & Schuster version he was working in the American Express’s Shearson unit, but in the Vintage Books version he was working for a fictional firm Pierce & Pierce. (Baelo-Allue, …show more content…
Big names such as The Wall Street Journal, Vanity Fair, The New York Times, Publishers Weekly, Rolling Stone, The New Republic and The Nation wrote and printed articles on the publication process and the controversy the book was generating. Because of all the critics and the articles American Psycho turned into an excuse to discuss more general issues like censorship, the limits of serious fiction and the role of corporations. Many reviews were written, but very few of them were explained and most of them did not seriously analyse the book’s stylistic features or literary choices. The critics and reviewers feared that Ellis was changing the boundary between what was acceptable and what was not acceptable in serious literature. The fact that Ellis was bringing the lowest type of writing, namely gore and pornography, into a higher type of writing was too much for the book to be given serious consideration. Bret Easton Ellis redraws the limits with his novel American Psycho and he deserves a more serious consideration than the one he received after the initial
Rebello, Stephen. Alfred Hitchcock and the Making of Psycho. New York: Red Dembner Enterprises Corporation, 1990.
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
“Force is all-conquering, but its victories are short-lived.” Stated Abraham Lincoln. That quotes applies to Slaughterhouse-Five because even when you think you have conquered something and achieve the victory doesn’t mean that it will last long. Billy Pilgrim is the protagonist of Kurt Vonnegut Jr. anti-war novel, Slaughterhouse-Five. Billy Pilgrim is non-heroic in the anti-war novel which makes the theme of the book Slaughterhouse-Five a man who is “unstuck” in time.
In Slaughterhouse Five written by Kurt Vonnegut, war and life are two very important aspects. The war that is taking place during this time period in Slaughterhouse Five is World War II. Being in the war can affect many different people in different ways for the good, or for the bad. The war has an affect on two men named Billy Pilgrim, and Eliot Rosewater.
Kurt Vonnegut is the author of Slaughterhouse Five and he was a soldier during World War II. Slaughterhouse Five is a fictional story of what a man named Billy Pilgrim went through as a prisoner of war in Germany during World War II. Vonnegut experienced the bombing of Dresden in Germany when was a prisoner of war. Vonnegut's prison in Dresden, Germany was a slaughterhouse that the Germans forced the prisoners of war to live in. He relates some of his experiences during World War II to help him create the fictional story about Billy Pilgrim. Billy Pilgrim is a fictional character that Vonnegut created in order to somehow tell his store of Dresden. Most of Billy Pilgrim's experiences are similar to what Vonnegut actually experienced as a prisoner of war during World War II. PTSD is a disorder that disrupts someone's life keeping them from having an normal life because of a traumatic event that they experienced. PTSD is very common among soldiers returning from war because they went through many traumatic events during their deployment. It is very obvious to see that Vonnegut and Billy Pilgrim are suffering from PTSD after their deployment in Germany during World War II.
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
The 1960 horror film Psycho, directed by Alfred Hitchcock, explores the idea of duality and conflicting sides of human nature. The characters are conflicted in several ways and as the narrative unfolds are faced with decisions which ultimately uncover the predominant side to their contrasting personalities. Immediately, the opening credits and scene foreshadows the idea of duality, presenting Marion Crane as the first conflicted character. Hitchcock cleverly utilizes images and mirrors, to explore the characters dualities - establishing a difference between their moral and immoral behaviour. Furthermore, showing the audience two sides of the characters, perhaps the most obvious is the character Norman Bates.
Ken Kesey in his novel One Flew Over the Cuckoo 's Nest question a lot of things that you think almost everyday. With this famous portrait of a mental institute its rebellious patients and domineering caretakers counter-culture icon Kesey is doing a whole lot more than just spinning a great yarn. He is asking us to stop and consider how what we call "normal" is forced upon each and every one of us. Stepping out of line, going against the grain, swimming upstream whatever your metaphor, there is a steep price to pay for that kind of behavior. The novel tells McMurphys tale, along with the tales of other inmates who suffer under the yoke of the authoritarian Nurse Ratched it is the story of any person who has felt suffocated and confined by our
The two films Psycho and The Birds, both directed by Alfred Hitchcock, share similar themes and elements. These recurring themes and elements are often prevalent in many of Hitchcock’s works. In Psycho and The Birds, Hitchcock uses thematic elements like the ideal blonde woman, “the motherly figure”, birds, and unusual factors that often leave the viewer thinking. Hitchcock’s works consist of melodramatic films, while also using pure cinema to help convey messages throughout the film.
You are running up the stairs, gasping for air not stopping because if you slow down just a little, that thing behind you is right there about to grab your foot. You make it to the top, slam the door and fall to the ground because you realize you escaped near death. Just from this scenario is your heart is beating; Edgar Allan Poe and Alfred Hitchcock used this and many other scenarios in their literature to illustrate suspense and an eerie mood. It has been known for years that Alfred Hitchcock based his thriller Psycho off some of Edgar Allen Poe’s works of literature. Before Alfred Hitchcock’s time, Edgar Allan Poe was a master at mysterious and eerie writings. His works, “The Raven” and “Tell Tale Heart”, were definitely of a mysterious
The texts Psycho, directed by Alfred Hitchcock and The Shining, written by Stephen King, both explore the theme of horror through the use of psychologically disturbed protagonists and key techniques. Psycho surrounds the lives of Marion Crane, who is on the run after stealing $40,000, and psychopathic motel owner, Norman Bates. Bates is unable to handle the guilt encompassing his mother’s murder, resulting in the murder of anyone he feels sexually attracted to. The Shining explores Jack Torrance’s occupation of the isolated Overlook Hotel, as well as his wife, Wendy and son, Danny. As Jack’s writing continues to render unsuccessful, Danny’s psychic premonitions gradually become disturbing. This ends up resulting in Jack realising how much he loves Danny, letting him escape, and blowing himself up using the hotel boiler. Alfred Hitchcock and Stephen King both explore the theme of horror using techniques such as characterisations, stylistic features, symbols, motifs and setting.
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
Psychopathy; the trait that truly distinguishes humans from ¨machines¨, emotionful to emotionless. Within the novel American Psycho by Bret Easton Ellis, one may logically assume that the protagonist, Patrick Bateman is indeed implied to be a psycho as the title suggests. However upon further analyzation, Bateman is revealed to be an unreliable narrator, he does not captivate the reader with all of his emotions verbally, for they are revealed through his actions. Bateman certainly does murder people, however, clinically murder doesn´t rule somebody to be a psychopath. Bateman feels no visible remorse for the victims he kills, because Bateman lives in an artificial hyperbole of a yuppie world where no love is shown, all relationships superficial.
Alfred Hitchcock was one of the most revolutionary directors in the history of cinema. His technique is so unique that his directing style has become a staple in pop culture since the 1960’s. This could not be more evident than in his hit film, “Psycho”. Instead of using cheap jump scares or ridiculous amounts of gore, Hitchcock uses a deep character driven plot and clever visual and technical cues to increase the heart rates of his projected audience. It is truly the complexity of the characters of the film that drive the story allowing for the audience to feel the emotions of these characters as the film presses forward.
Hitchcock’s film had touched strikingly similar themes and ideas as Powell’s film, arguably had more immoral subject matter than Peeping Tom and was certainly a less decorous, more graphic and more violent film. While Peeping Tom defamed its creator by deeply wounding itself, Psycho climaxed Hitchcock’s career and was a major success. This was, most certainly, due to the audience anticipating eerie films from the renowned Hitchcock, because of the persona he had created for himself, whereas Powell was identified with elegant and conventionalized films, and was nowhere near Hitchcock’s reputation. The audience did not expect to see an ingratiating homicidal pervert and his afflicted urges. While both films depicted murderers and both pronounced voyeurism as a central theme, Psycho does not underscore voyeurism, whereas Peeping Tom does by defining it in the film.