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Stephen King fascination with horror
Psychological analysis of norman bates
Norman bates analysis
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Recommended: Stephen King fascination with horror
The texts Psycho, directed by Alfred Hitchcock and The Shining, written by Stephen King, both explore the theme of horror through the use of psychologically disturbed protagonists and key techniques. Psycho surrounds the lives of Marion Crane, who is on the run after stealing $40,000, and psychopathic motel owner, Norman Bates. Bates is unable to handle the guilt encompassing his mother’s murder, resulting in the murder of anyone he feels sexually attracted to. The Shining explores Jack Torrance’s occupation of the isolated Overlook Hotel, as well as his wife, Wendy and son, Danny. As Jack’s writing continues to render unsuccessful, Danny’s psychic premonitions gradually become disturbing. This ends up resulting in Jack realising how much he loves Danny, letting him escape, and blowing himself up using the hotel boiler. Alfred Hitchcock and Stephen King both explore the theme of horror using techniques such as characterisations, stylistic features, symbols, motifs and setting.
Jack Torrance (The Shining) and Norman Bates (Psycho) both share one key characteristic; they are both
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As Norman Bates is divided into two characters, “Norma” and “Norman,” so is the Bates Motel. There is the hotel where the residents stay, and then there is where Norma stays. It is also divided into city areas and rural areas. The city areas are filled with normal people, living normal lives, whereas the rural areas comprising of dark roads and ominous dangers; stormy weather and eerily unoccupied motel. Diverting off of Main Street leads to areas of madness and terror. The Overlook Hotel has a history of violence and questionable deaths. It is distant from civilisation, which leads to the development of Jack Torrance’s insanity. Psycho and The Shining were set within a similar time period. The Shining is written in two significant time eras, 1945, the end of World War 2 and 1975, marking the end of the Vietnam
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
The two films Psycho and The Birds, both directed by Alfred Hitchcock, share similar themes and elements. These recurring themes and elements are often prevalent in many of Hitchcock’s works. In Psycho and The Birds, Hitchcock uses thematic elements like the ideal blonde woman, “the motherly figure”, birds, and unusual factors that often leave the viewer thinking. Hitchcock’s works consist of melodramatic films, while also using pure cinema to help convey messages throughout the film.
The Shinning, a horror movie that was released in 1980, featured Jack Nicholson, as a writer who is left in charge of the Overlook hotel during the winter. During this time Jack began to developed schizophrenia among many other personality and mood disorders and attempts to murder his own family. After reviewing this film it became apparent that there was a mixture of accuracy and exaggeration of the development of schizophrenia. Jack had this disorder, but also had symptoms of other personality and mood disorders. For the sake of Hollywood the film did take schizophrenia to entirely new levels. Some of this hype was generated around Jack becoming a full fledge killer. The delusions that he suffered from were undeniably crazed and did have a central theme; however, they were induced by other substances. The themes that ran strong throughout this movie were persuasion. Jack was constantly told by his delusions that he needed to take control and steer his family in his own direction. When his family urged him to leave this hotel, it only generated more hostility and anxiety, which pushed the decline of his mental health.
Writers have changed the lives of many people over the years. In times of situation that people do not want to be in, times of wars, poverty, near death experience causing one to be immobile, or even just to get out of this world the works they create gives people those opportunities to do so. Stephen King is a big contributor of his published works to people in every on every continent. He is a writer of both novels and short stories, a film director, actor and even screen writer of most of his novels that turn into movies, but is he mainly known because of his works in the genre of horror. Going from his first published novel, Carrie and one of his famous selling The Shining King have made history as the king of
Norman’s mind housed two personalities, his and his mother’s. After his father had died, Norman and his mother had lived “as if there was no one else in the world.” A few years later, Norman’s mother met a man that she planned to marry. Driven with jealousy, Norman murdered both the man and his mother because he had felt replaced. The guilt ate him up and caused him to pretend that his mother was still alive. In order to do this, half of him became his mother. Just as Norman was jealous of any man who came near his mother, the mother half of Norman was also jealous of anyone that aroused Norman himself. Therefore, when Marion came to stay at the Bates Motel, owned by Norman, he was attracted to her, and his attraction spurred the mother half of him to become jealous and murder Marion. Sometimes Norman would dress up as his mother when reality came too close and threatened his illusion. Since his mind was housing two personalities, there was a battle, and eventually his mother won and completely took over Norman. Norman was gone, and his mother has fully taken over (Psycho). The viewers realize that Norman Bates never meant to hurt anyone. It was his jealous emotions stemming from his mother that caused him to murder Marion. In Norman’s case, his mental illness was to blame for his vile crime. Through this portrayal, the viewers are more likely to view mental illnesses negatively. Because Norman’s
Inspired by the life of the demented, cannibalistic Wisconsin killer Ed Gein (whose heinous acts would also inspire THE TEXAS CHAINSAW MASSACRE, 1974 and DERANGED, 1974), PSYCHO is probably Hitchcock's most gruesome and dark film. Its importance to its genre cannot be overestimated. PSYCHO's enduring influence comes not only from the Norman Bates character (who has since been reincarnated in a staggering variety of forms), but also from the psychological themes Hitchcock develops.
Given that Norman Bates takes on the identity of his mother in response to a strange attachment that he has to her, as Norman himself says, “a boy’s best friend is his mother,” and that his mother is his “trap” that he “was born into,” it appears that Hitchcock’s lifelong interest in Freudian psychology is very intense in that Norman Bates had an Oedipus complex. If this is true, Psycho contains the emasculation of Norman at the hands of a woman, who happens to be his mother. The idea that Norman Bates remained in love with his mother and that Marion has the power to provoke this pathology, Psycho is another example of a female having power over a man, or a “boy”—in the case of Norman Bates.
Stanley Kubrick’s “The Shining” presents the audience a twisted tale of a man named Jack Torrance and his wife Wendy and son Danny, who spend a few winter months in isolation as caretakers of the Overlook hotel. This is no typical horror movie. Viewers are slowly lead though a slow film journey following the Torrance family in their moments of horror and insanity with help from bizarre events connected to the haunted Overlook Hotel.
What is horror? Webster's Collegiate Dictionary gives the primary definition of horror as "a painful and intense fear, dread, or dismay." It stands to reason then that "horror fiction" is fiction that elicits those emotions in the reader. An example of a horror film is "The Shining", directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say that The Shining was not his best work and he could have done better yet, there are still those who would say otherwise. This film was not meant to be a “scary pop-up” terror film but instead, it turned into a spectacular psychological, horor film in which Kubrick deeply thought about each scene and every line.
The character of Norman Bates deviated from the book's original character, a forty year old pervert, to Anthony Perkins' character 'a tender vulnerable young man' one could almost feel sorry for. Perkins plays Norman Bates as if the role were written for him, with his nervous voice used throughout the movie and his awkward appearance and actions. A distinct part of Norman's character is his subtle lapses in which he shows signs of the ever present 'Mother'. The parlour scene is an excellent example of these lapses. The lines 'a boy's best friend is his mother' and 'we all go a little mad sometimes' are e...
It is not a spirit, a monster who killed Marion Cranes in ‘psycho.' It is a man who had a bad a strict childhood, bad living situation what turns him into a serial killer. If ‘psycho’ were a horror movie, it would have more violence and bloodshed without any reason. The scariest part of this movie is Norman Bates behavior. There are no supernatural activities in this film. When Norman Bates ends up in jail, there is not any sign that shows he could come back to the world again. That means the suspects is gone for good which makes the Psycho is opposite of a horror movie. Because of the crime they commit, ‘Psycho’ goes under crime and thriller genre of movies. ‘Psycho’ has an explanation of each murder which makes it more of a crime and thriller than a horror
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.
Looking for peace and quiet to write his novel, Jack Torrance (Jack Nicholson) becomes the winter caretaker of Colorado’s desolate Overlook Hotel. Despite learning about the previous caretaker’s descent to madness, and the slaughtering of his family, Jack decides to bring along his wife, Wendy (Shelley Duvall), and his son, Danny (Danny Lloyd), to keep him company during the stay. But shortly after acclimating to life in the Overlook Hotel, the family’s sanity begins to deteriorate. Danny begins to use “The Shining,” a telepathic ability that allows him to read minds and experience premonitions, and Jack starts to succumb to cabin-fever, growing more and more aggressive as time goes on. Finally, when the previous caretaker confronts Jack, things take a turn for the worst, and the only force that can save Danny and Wendy is “The Shining.”