The Legend of Ed Gein and His Filmic Rebirth
So you want to hear a legend hmm? Well, I'll give you what you want, but taint nothin' ‘bout it fiction. Now, you one of them scholarly types ain't ya–college and libraries and all that crap, right? Well, college kiddy you may think you know it all, but I know a thing or two about a thing or two. You haven't seen nothin'. You don't know a damn thing until you step right into the path of a cold-blooded killer. ‘Til you look that crazy sumabitch right in his red eyes and send him back to hell! My name is Deputy Sheriff Frank Worden. I'm old now. When I was young, I was the Deputy Sheriff of this here great town of Plainfield, Wisconsin. I know whatcha thinkin'. I ain't no drunk and ain't crazy. Crazy is man who massacres dozens of women–alive and dead. Crazy is a man who eats human hearts for dinner. Crazy is the way your generation made that bastard one of the most famous movie characters in the world. Crazy...is Edward Gein!
Ed...well, he was born and raised in Plainfield. His daddy ran a farm just a few miles outside town. It wasn't long before his daddy up and died–left Ed and his brother alone with that crazy ass momma of their's. That woman was nuts. She went around tellin' them boys that all women was evil. She'd beat'em if they even thought ‘bout courting. When his momma died Ed was near on to thirty years old and still living in his momma's house. He finally took a liking to some gals in town. I guess it was finally safe to talk to ‘em.
I don't think no one thought much of Ed. He was real quite like. You know? Kinda kept to himself. I didn't pay much attention to him until that day. I guess it was round ‘bout November of ‘57. Early one morning I thou...
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...ual narrative makes the legend more appealing and provides a means for experiencing pleasure in film. Still, however bland the oral legend may have become the horror genre owes its popularity to Ed Gein. His legend is the basis for Texas Chainsaw Massacre, Friday the 13th, Halloween, When a Stranger Calls, Psycho, Silence of the Lambs, and just about every other psychopathic character ever to have graced the silver screen.
Works Cited
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Rebello, Stephen. Alfred Hitchcock and the Making of Psycho. New York: Red Dembner Enterprises Corporation, 1990.
Rothman, William. Hitchcock–The Murderous Gaze. Cambridge: Harvard University Press, 1982.
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Petrie, Dennis and Boggs, Joseph. The Art of Watching Films. New York: McGraw Hill, 2012.
The movie Psycho was created in 1960, and directed by Alfred Hitchcock. This film has many meaningful moments behind it, which all lead up to a shocking yet interesting twist for an ending. Many clips corresponded well with Bill Nichols thoughts, and opinions on how “Every movie is a Documentary.” By comparing both the Nichols reading, and the film Psycho, it is easy to see that this film is a wish-fulfillment documentary. This film shows what could be a scary reality in many people’s lives. It gives us examples of what could be our deepest nightmares and dreads, influences an opinion over people who have multiple personalities, and even feeds some people’s interests.
The movie Psycho was created in 1960, and directed by Alfred Hitchcock. The film had many meaningful moments behind it, which all led up to a shocking yet interesting twist for an end. Many clips corresponded well with Bill Nichols thoughts and opinions on how “Every movie is a Documentary.” By comparing both the Nichols reading, and the film Psycho, it is easy to see that this film is a wish-fulfillment documentary. This film shows what could be a scary reality in many people’s lives. It gives us examples of what could be our deepest nightmares and dreads, influences an opinion over people who have multiple personalities, and even feeds some peoples interests.
Psycho is an American horror film directed by Alfred Hitchcock in 1960 based on a 1959 novel with the same name. Alfred Hitchcock typically uses certain elements in almost all of his films. In Psycho the following elements appear; blonde woman, conversation that is not important to the story, alcohol, Hitchcock appearance, Mcguffin, pursuit, the camera looks around, a P.O.V., creating suspense by letting the audience in on a secret, mother figure, birds, stairs, and a narrow escape.
For this paper I chose to explore Alfred Hitchcock’s Psycho because it has remained the only horror movie I’ve seen to date. I went into a couple others but immediately left; let’s just say horror is not my favorite genre of film. People may or may not always call Psycho a horror film, it may be more of a thriller to people nowadays, but I still believe the correct genre analysis is horror because it should always refer to the genre at the time the film was created and released. I chose Psycho because I spent multiple weeks in high school studying Hitchcock, and Psycho specifically, so I feel comfortable writing on it. I also thoroughly enjoy the film, its backstory, and the character development. Plus, it’s been roughly adapted into one of my favorite shows: Bates Motel, which I will also briefly explore.
The 1960s film Psycho directed by Alfred Hitchcock was groundbreaking and continues to influence film making to this day. The film has been credited as being the foundation for modern day horror films and launching the “slasher” sub-genre. Alfred Hitchcock was known as the master of suspense, which definitely proved to be true through all of his movies, especially his most influential film, Psycho, which surprised the audience with shocking bursts of violence and provocative sexual explicitness, thus changing cinema forever. Although it may not have been his best film, it became one of his most successful. Psycho was a change of pace for Hitchcock.
One of the most telling traits of a society is how it entertains itself. Although Americans of the late twentieth century have many choices for distraction, one medium has had a particularly significant impact upon the fabric of American culture: film. Through pandering to the ideas and beliefs of the audience, filmmakers parallel those ideas and beliefs in their creations. This correlation was demonstrated in the glut of so-called "slasher" films during the period 1974-1984. Although the films were diverse in form and execution, the basic plot of these movies involved some sort of deranged psychopath gleefully stalking and killing a number of unfortunate teenage victims. Within this sub-genre there can be found a number of basic character styles, or archetypes. These archetypes not only serve to bind certain movies into the slasher category, but also to provide a window into the culture that they cater to.
...e a leather-faced, chainsaw carrying lunatic, a little boy, or even the local owner of a motel down your highway. In the case of Alfred Hitchcock’s 1960 thriller Psycho, our monster was Norman Bates, a psychopathic killer. A killer shaped by his front of normalcy, his ability to attract sympathy from the audience, the relations he has to the things he stuffs, his mothers oppression, and consequently the actions formed by his years of sexual repression. All these aspects solidify the formula presented in “An Introduction to the America Horror Film” (183-208).
hooks, bell. Reel to Real: Sex and The Class At The Movies. New York: Routledge, 1996. 1-244.
Athletic trainers are mainly responsible for injury recovery and injury prevention. However, these responsibilities are physical concerns, but what about the mental concerns? There is a movement within the athletic training field to approach sport injuries with a more holistic perspective. Many athletic trainers have had inadequate education in sport psychology to institute any sort of psychological initiative in their rehabilitation programs. This paper will discuss some of the prospective ideas and various methods of rehabilitation tactics that could be used in the field, as well as how to perhaps properly train athletic trainers to administer these mental treatments, along with the physical treatments. These mental treatments will be related back to sport and exercise psychology concepts, such as strategies for setting realistic goals, methods for enc...
Bordwell Thomson, David. “Sex in Science Fiction Films: Romance or Enginnering?”. (New York: BFI Publishing, 1984)
In the article “Visual Pleasure and Narrative Cinema,” Laura Mulvey discusses the relationships amongst psychoanalysis (primarily Freudian theory), cinema (as she observed it in the mid 1970s), and the symbolism of the female body. Taking some of her statements and ideas slightly out of their context, it is interesting to compare her thoughts to the continuum of oral-print-image cultures.
Sports psychology is an essential field of psychological study, which emphasizes the importance of performance enhancement through training your psychological and mental abilities. Sports psychology is a specialization within brain psychology and kinesiology and it seeks to understand psychological/mental factors that affect performance in sports, physical activity, and apply this knowledge in order to enhance individual and team performance. As we make advancements in science we grasp the increasing importance of the human mind, thus exponentially increasing the value and power of thought. As contrary to popular belief, every thought we think, and every word we say before a race/event can trigger a major effect upon your ending results, whether it may be positive or negative. It is thoughts that are conjured before an event that can make or break a race, thus putting the utmost of importance on self-affirmation and motivational thinking in the pre event stages of a race (or an event). The main aspects that play a considerable role in a successful athletic performance are motivation and self-efficacy.
According to an article by Rosenkrantz (1997), in addition to the effects of exercise on the mental capabilities of a person, it is also believed that exercise in the form of team sports is beneficial to an individual. Playing on a team teaches valuable skills that may not be obtained in school or other places in a child’s life. These skills includ...
Rendering Cinema as visual equipment being perfected to satisfy and provoke male desires. (Smelik, 1999)