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Themes in Edgar Allan Poe's work
Works of Alfred Hitchcock an Analysis
Works of Alfred Hitchcock an Analysis
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Recommended: Themes in Edgar Allan Poe's work
You are running up the stairs, gasping for air not stopping because if you slow down just a little, that thing behind you is right there about to grab your foot. You make it to the top, slam the door and fall to the ground because you realize you escaped near death. Just from this scenario is your heart is beating; Edgar Allan Poe and Alfred Hitchcock used this and many other scenarios in their literature to illustrate suspense and an eerie mood. It has been known for years that Alfred Hitchcock based his thriller Psycho off some of Edgar Allen Poe’s works of literature. Before Alfred Hitchcock’s time, Edgar Allan Poe was a master at mysterious and eerie writings. His works, “The Raven” and “Tell Tale Heart”, were definitely of a mysterious …show more content…
In Hitchcock’s Psycho he places Norman Bates as the main character, and an insane one at that. Norman follows the theme of isolation leading to madness because he develops a split personality. After he killed his mother and her boyfriend, he was all alone in the eerie house by the motel. As years go on Norman started to act as his mother and even going as far to preserve her corpse and pretending he is speaking for her. His isolation without his mother made his to develop a psychological disorder and start to become so crazy that his mother’s personality took over him and made his brain think he lost Norman in the process. This could compare to Edgar Allan Poe’s “The Tell Tale Heart.” In “The Tell Tale Heart” a man becomes so isolated from the outside world that he is sure this eye is coming after him, as well as he beings with trying to convince us he is not going mad. He would describe the way he carefully snuck into the room with the old man, and his eye in grave detail. This isolation and the idea that the eye was out to get him led him to kill the man. When he killed the man, he described “the wise precautions he took for the concealment of the body” (Poe 253). This is almost the same as Norman because Norman states that "everyone goes crazy once in a while" (Psycho). Norman went crazy because he was isolated, as well as this man because he was all …show more content…
Poe and Hitchcock are both masters in literature and always will be. Although, Hitchcock would may never have been famous if it were not for Poe 's incredible eerie writing and craftsmanship. Overall, "The Raven" and "The Tell Tale Heart" both have an array of themes interwoven throughout them with an abundance of spookiness. Psycho has been dubbed an American horror classic, and will always be known not only for its themes and spookiness, but for being the first movie to flush a toilet. In a last word, Poe 's greatness should influence more people then just Hitchcock because without either of them, where would we be in Literature or Film
us enquiring such as who lives is in the house or is the house owned
Development of Suspense by Hitchcock in Psycho 'Psycho,' the somewhat infamous film by Alfred Hitchcock was produced in 1961, a time when the American censors, The Hays Office, still dominated the film industry with their strict rules and principles. It earned its notoriety by defying the traditional cinematic convections of that time and pushing the boundaries of what could be shown in mainstream cinema. The rules implemented by The Hays Office were far stricter than they are today, and Hitchcock uses all available means to reach and go slightly beyond the set limit. Using clever and different camera angles, he implies things that are not shown. He proves that innuendoes can portray the same image and retract the same audience responses as blatant actions and pictures.
And last but not least is the villain in these movies. Most of the killers in these films are portrayed as mentally deranged and/or has some type of facial or bodily deformation and who have been traumatized at an early age. Even though these characters terrorized and murder people they have taken on the persona of anti-heroes in pop culture. Characters like Halloween’s Michael Myers, A Nightmare on Elm Street’s Freddy Krueger and Friday the 13th’s Jason Voorhees have become the reason to go see these movies. However, over time,”their familiarity and the audience’s ability to identify and sympathize with them over the protagonist made these villains less threatening (Slasher Film (5))”.
Even though a good number of critics despise Edgar Allen Poe with a passion, almost all who read his creations gave him credit for being a genius. He was the first to write a detective story and tales that dealt with split personality or divided consciousness way before the matter was well known by the common people. He managed to capture the imagination of the public by exploring the mysterious psychological world of the individual -- madness, despair, pain, inner chaos, etc. His works, which lack a sense of right or wrong, had great influence upon some types of popular fiction, with a detective story on the lead. Ranging from French symbolists, like Rimbrad and Mallarme, to American writers, such as Bierce, Melville, and Faulkner, were influenced by Poe's writings. He even inspired well-known Philosophers like Frederick Nietzsche and George Bernard Shaw. Just to mention a few, gothic architecture, psychological abnormalities, hidden...
In “The Tell-Tale Heart” and “The Cask of the Amontillado’ Montresor and the unknown narrator are both murders through their confessions they reveal both their similarities and differences. The unknown narrator is trying to convince the auditor of his sanity while Montresor is attempting to convince the auditor of justifiable revenge. It is through these confessions they are trying to convince the auditor of their humanity and of their innocence through the justification of these horrible acts (Dern 53).
Alfred Hitchcock is known for his masters of works in the film industry. The film he is most famous for is Psycho. Alfred Hitchcock`s Psycho was critically acclaimed not only in the horror genre but within the entire film scene. It encompasses several key themes, which are portrayed through cinematic devices such as camera movement and sound, sound, lighting and costume and set design. The subject of madness becomes increasingly evident as the film progresses, centering on the peculiar character that is Norman Bates.
Norman’s mind housed two personalities, his and his mother’s. After his father had died, Norman and his mother had lived “as if there was no one else in the world.” A few years later, Norman’s mother met a man that she planned to marry. Driven with jealousy, Norman murdered both the man and his mother because he had felt replaced. The guilt ate him up and caused him to pretend that his mother was still alive. In order to do this, half of him became his mother. Just as Norman was jealous of any man who came near his mother, the mother half of Norman was also jealous of anyone that aroused Norman himself. Therefore, when Marion came to stay at the Bates Motel, owned by Norman, he was attracted to her, and his attraction spurred the mother half of him to become jealous and murder Marion. Sometimes Norman would dress up as his mother when reality came too close and threatened his illusion. Since his mind was housing two personalities, there was a battle, and eventually his mother won and completely took over Norman. Norman was gone, and his mother has fully taken over (Psycho). The viewers realize that Norman Bates never meant to hurt anyone. It was his jealous emotions stemming from his mother that caused him to murder Marion. In Norman’s case, his mental illness was to blame for his vile crime. Through this portrayal, the viewers are more likely to view mental illnesses negatively. Because Norman’s
Death, despair, and revenge, these three words form a treacherous triangle to any reader who dare enter the mind of Edgar Allen Poe. In many of his works these expressions seem to form a reoccurring theme. Comparing the works "The Mask of the Red Death" and "The Cask of Amontillado", we will discuss these themes while analyzing the method behind Poe’s madness.
Alfred Hitchcock's Vertigo is a film which functions on multiple levels simultaneously. On a literal level it is a mystery-suspense story of a man hoodwinked into acting as an accomplice in a murder, his discovery of the hoax, and the unraveling of the threads of the murder plot. On a psychological level the film traces the twisted, circuitous routes of a psyche burdened down with guilt, desperately searching for an object on which to concentrate its repressed energy. Finally, on an allegorical or figurative level, it is a retelling of the immemorial tale of a man who has lost his love to death and in hope of redeeming her descends into the underworld.
Inspired by the life of the demented, cannibalistic Wisconsin killer Ed Gein (whose heinous acts would also inspire THE TEXAS CHAINSAW MASSACRE, 1974 and DERANGED, 1974), PSYCHO is probably Hitchcock's most gruesome and dark film. Its importance to its genre cannot be overestimated. PSYCHO's enduring influence comes not only from the Norman Bates character (who has since been reincarnated in a staggering variety of forms), but also from the psychological themes Hitchcock develops.
Everybody knows Alfred Hitchcock is the master of suspense and is known for inciting fear in the hearts of his audience. His multiple, fast cuts directs his audience to what he wants them to see and feel. Close-ups of the actors faces clearly shows what the characters are feeling and forces the audience to feel the same emotions. With all his expert directing skills, is there any meaning behind what he chooses to portray in his films or is it all for show? Could there be a deeper meaning to his films? The answer to these questions is a firm yes. Hitchcock’s past experiences guided him to be the director he was. The inadequateness of the police, control of all details in his films, and long stretches of no dialogue all portrayed in his films are all directly correlated to Hitchcock’s early life and early professional life.
In Edgar Allan Poe’s “The Tell-Tale Heart” the narrator attempts to assert his sanity while describing a murder he carefully planned and executed. Despite his claims that he is not mad, it is very obvious that his actions are a result of his mental disorder. Hollie Pritchard writes in her article, “it has been suggested that it is not the idea but the form of his madness that is of importance to the story” (144). There is evidence in the text to support that the narrator suffers from paranoid schizophrenia and was experiencing the active phase of said disease when the murder happened. The narrator’s actions in “The Tell-Tale Heart” are a result of him succumbing to his paranoid schizophrenia.
As a short-story writer, Poe was a fascinating man of imagination. In theme, Poe places the human mind under investigation and probes insanity beneath the surface of normal existence. He was the first author in American literature to make the neurotic, the heroic figure, the protagonist, in his stories. Poe's most enduring tales are those of horror, the horror coming, from the working of an irrational or criminal mind, driven to evil or insanity by a perverse irrational force which, to Poe, is an elementary impulse in man.
Edgar Allan Poe is one of the most influential writers of the horror genre in American history. His horror stories have impacted numerous authors and their stories over the years. Various people have tried to copy his way of writing style, but they have failed to achieve the success he did. Even though Poe is no longer living, his impact on American literature can still be felt today.
Norman Bates was an American serial killer and keeper of The Bates Motel in California. Bates suffered from Dissociative Identity Disorder and psychotic behavior, believing himself to be controlled by his mother. At the same time, he suffered from visual and auditory hallucinations, in which his mother apparently talked him into committing acts of violence to satisfy her. When his mother’s personality took over, Norman would fly into murderous rages targeting women who aroused him. He is known to have eventually killed his mother and kept her mummified corpse in the basement of his house for many years. He is the primary antagonist of the 1960 film, Psycho and appears as the anti-hero/protagonist villain. Lastly, Norman 's incestuous relationship