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Essays on shakespeare
Essay on sonnet and its kinds
Sonnet 18 literary devices
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William Shakespeare was arguably the greatest poet of all time, let alone of the renaissance period, and he certainly knew how brilliantly clever he was. Shakespeare wrote many sonnets which ultimately were callous towards their subjects. In addition to them being callous he also expertly used the final couplet to make him seem like he was a great poet whose writing was sheer awesome in the truest sense of the term, or to brag on his abilities in any way. Many, many of his sonnets show evidence of this trait. One example of this is Sonnet 18. However, sonnets 130, 116, and 65 also show evidence of this, among others. Shakespeare manages to degrade his love, summer, love in general, his love again and even beauty, all the while praising himself …show more content…
Sometimes he is rather discrete about it. In Sonnet 18, for example, Shakespeare begins by comparing his love to a summer’s day, quickly coming to the conclusion that she is, in fact, far greater than a summer’s day. He begins this sonnet with the well known question “shall I compare thee to a summer’s day?”, and then comes right back with the answer “thou art more lovely and more temperate” (lines 1-2). However, though it seems that this is a beautiful and complimentary sonnet of love, the reality is soon evident – he does not believe that a day in the summertime is that great to begin with. The next six lines of the poem explain just that. Shakespeare uses many examples of qualities that are less than lovely, and are dislikable about the summertime. He claims that summer can be too windy, too short, too hot, and that is it not always all that it could be (3-8). Shakespeare appears to be writing a love sonnet but it seems as if he does not consider the girl to which he is writing to all that wonderful. If he says that she is more lovely than summer, yet does not particularly enjoy summer, what are we led to believe that he thinks of …show more content…
This time he is bragging about his ability to love, not necessarily his ability to write. After all that he has said about his mistress he concludes “and yet, by heaven, I think my love as rare / as any she belied with false compare” (13-14). This is a declaration of how great at loving he is by showing his readers that after all of the nasty things that he previously said about his girl he is awesome, special, and rare, since he can still love her despite her many flaws. He, however, is quite clever and does so in a way that could be interpreted as him saying his girl is rare, and real and that she does not need false comparisons to make her special, but rather that her true reality is her beauty. Even though there are two possible meanings in this final couplet the first meaning is more emphasized based on the way that Shakespeare tends to write his sonnets. These sneaky double meanings present in his final couplets are a huge part of what makes him so clever as a
Shakespeare is known for his extravagant tales of love and tragedy. Whether it’s in his plays “Romeo and Juliet” or “Hamlet”. He can take simple concept such as flowers blooming or a butterfly flapping its wings, and turn it into the most romantic thing that you’ve ever heard. In his poem “Sonnet XVII”, he creates a romantic confession of love by using romantic language, euphonious diction, and juxtaposition to swoon his readers.
Shakespeare used little discretion within his sonnets and plays in regards to his expressions of desire. His sonnets tell the tale of what is believed to be a romantic interlude with a young male (Shakespeare’s Sonnets, 2011), but in Sonnet 130 Shakespeare espouses on the feminine form in explicit although unflattering, detail (2006. p. 507). . His description of his love is much kinder. One of Shakespeare’s most famous lines “Shall I compare thee to a summer’s day? /Though art more lovely and more temperate:” (2006, p. 499) is much more flattering and represents the desire he feel for another
Sonnet 130 openly mocks the traditional love sonnets of the time. This is, perhaps, made most apparent through the use of subversive comparisons and exaggerated similes. The intention of a subversive comparison is to mimic a traditional comparison yet highlight the opposite purpose. Whereas his contemporaries would compare their love’s beauty to alabaster or pearls, Shakespeare notes, “If snow be white, why then her breasts are dun” (3), therefore intentionally downplaying the beauty of his mistress. Later he states, “...in some perfumes there is more delight / than in the breath that from my mistress reeks” (7-8). Both of these exemplify that Shakespeare ridicules the traditional love sonnet by employing the same imagery to convey opposite intentions.
Compared to the first few lines in the second sonnet: "My mistress eyes are nothing like the sun coral is far more red than her lips red" And this shocking feeling of offense and harshness continues through to line twelve in the second sonnet. However, there are some dark points in the first sonnet as well, as death is mentioned in line eleven "Nor shall death brag thou wandr'st in his shade" And "rough winds" in line three. However, how harsh and sincere these sonnets may be, both have the conclusions with the similar idea that Shakespeare loves his woman so much that he doesn't need to give her false comparisons to do with beautiful items or beautiful things that don't last forever - his love lasts for eternity in the sonnet: "So long as men can breath, and eyes can see So long lives this, and this gives life to thee."
This is an enjoyable sonnet that uses nature imagery, found extensively in Petrarca, that Shakespeare uses to get his point across. Not much explication is needed, aside the sustained images of nature, to fully understand its intent, but I would like to point out a peculiar allusion. When reading line 3, "the violet past prime" has made me think of Venus and Adonis. In the end, Adonis melts into the earth and a violet sprouts where his body was, which Venus then places in her heart, signifying the love she has for him. Reading this into the poem makes the few following lines more significant. Having Adonis portrayed as the handsome youth, Shakespeare is alluding to the death of youth (in general and to the young man) through the sonnet. In the next line, it is not certain if "sable" is an adjective or a noun and if "curls" is a noun, referring to hair (which is plausible) or a verb modifying "sable." Invoking the allusion to Adonis here, Shakespeare portends that if Adonis did live longer, he too would have greying hair; thus, Shakespeare sees ["behold"] an Adonis figure, the young man, past his youth.
When he writes "And yet, by heaven, I think my love as rare as any she, belied with false compare." (lines 13-14) in the final couplet, one responds with an enlightened appreciation, making them understand Shakespeare's message that true love consists of something deeper than physical beauty. Shakespeare expresses his ideas in a wonderful fashion. Not only does he express himself through direct interpretation of his sonnet, but also through the levels at which he styled and produced it. One cannot help but appreciate his message of true love over lust, along with his creative criticism of Petrarchan sonnets.
At the time of its writing, Shakespeare's one hundred thirtieth sonnet, a highly candid, simple work, introduced a new era of poems. Shakespeare's expression of love was far different from traditional sonnets in the early 1600s, in which poets highly praised their loved ones with sweet words. Instead, Shakespeare satirizes the tradition of comparing one's beloved to the beauties of the sun. From its opening phrase "My mistress' eyes are nothing like the sun", shocks the audience because it does not portray a soft, beautiful woman. Despite the negative connotations of his mistress, Shakespeare speaks a true woman and true love. The sonnet is a "how-to" guide to love.
Shakespeare’s themes are mostly conventional topics, such as love and beauty. Nevertheless, Shakespeare presents these themes in his own unique fashion, most notably by addressing the poems of beauty not to a fair maiden, but instead to a young man: ‘‘shall I compare thee to a summer’s day? Thou art more lovely and more temperate” (book). Shakespeare points out that the youth’s beauty is more perfect then the beauty of a summer day. It is also “more temperate”, in other words more gentle, more restrained whereas the summer’s day might have violent excesses in store. At first glance of sonnet 18, it’s pretty much certain that one would think Shakespeare is referring to a woman, not a man. The idea of a man describing another man with such choice of words is always seen with a different eye. Several even stated that Shakespeare is homosexual. Whichever the case may be, Shakespeare painted beauty in the most original matter. He dared to do what everybody else didn’t, or maybe feared to, and accomplished his goal with flying colors. Besides, in his sonnets, Shakespeare states that the young man was made for a woman and urges the man to marry so he can pass on h...
During the Renaissance, it was common for poets to employ Petrarchan conceit to praise their lovers. Applying this type of metaphor, an author makes elaborate comparisons of his beloved to one or more very dissimilar things. Such hyperbole was often used to idolize a mistress while lamenting her cruelty. Shakespeare, in Sonnet 18, conforms somewhat to this custom of love poetry, but later breaks out of the mold entirely, writing his clearly anti-Petrarchan work, Sonnet 130.
William Shakespeare (1564-1616) lived in a time of religious turbulence. During the Renaissance people began to move away from the Church. Authors began to focus on the morals of the individual and on less lofty ideals than those of the Middle Ages. Shakespeare wrote one-hundred fifty-four sonnets during his lifetime. Within these sonnets he largely explored romantic love, not the love of God. In Sonnet 29 Shakespeare uses specific word choice and rhyme to show the reader that it is easy to be hopeful when life is going well, but love is always there, for rich and poor alike, even when religion fails.
You can finish that sentence in your head can’t you? Whether you are a strong poetry enthusiast or not, you still probably know this famous poem. Sonnet 18 by William Shakespeare is one of the most well-known poems of all time. Time and time again this piece of art has influenced contemporary pieces. Some examples of this would be; the song “Sonnet 18” by Pink Floyd, a novel titled The Darling Buds of May by H E Bates, and a famous essay “Rough Winds Do Shake” written by Maeve Landman. Now this doesn’t not include the endless, countless list of times when Sonnet 18 has been quoted throughout history, especially in today’s media such as Star Trek, Doctor Who, and many others. It is doubtless to say that Sonnet 18 by william shakespeare is one of the most famous and well-known poems, and for good reason. This poem truly is a beautiful piece of work. William Shakespeare utilizes many things to help enhance the reading experience. Sonnet 18 by William Shakespeare draws the reader in through the use of several poetic techniques including rhyme and rhythm, personification, and metaphor.
Shakespeare’s Sonnet 18 begins with the "whim of an inventive mind," (Vendler, 120) a rhetorical question asking if he should compare the subject of the sonnet to a Summer’s day. After the readers see that Shakespeare does not ask to compare her to anything else, we realize that this one proposed comparison to a Summer’s day is, in his mind, perfection (Vendler, 120). However, in order to truly praise the woman, he must prove that she is "more lovely and more temperate" by deprecating the metaphor (Vendler, 121).
In Shakespeare’s Sonnet 18, also known as “Shall I compare thee to a summer’s day?” represents and discusses the love and beauty of his beloved. Also, the speaker refers to his love more sweet, temperate, and fair than all the beauty that he can see in nature. He also speaks how the sun can be dim and that nature’s beauty is random: “And often is his gold complexion dimm’d / And every fair from fair sometimes declines” (6-7). At the end of the poem the speaker explains that they beauty of the person that is being mentioned is not so short because, his love with live as long as people are still reading this sonnet. The beauty of his beloved with last longer than nature, because although nature is beautiful flowers and other things still have to die: “So long as men can breathe or eyes can see / so long lives this and this gives life to thee” (13-14) Also, the speaker is comparing his love to a summer’s day, but does not really say anything specific or that the qualities given to his beloved are more superior to a summer’s day, which can allow the reader to understand that his beloved can stay young, beautiful, and never going to die.
The ritual of courtly love had rigid codes of conduct associated with it. Shakespeare took his writing to new levels by subtly defying the codes of conduct and relating courtly love to relationships between both two men and a man and a woman. Shakespeare addresses his first 126 sonnets to the same fair man. Sonnet 18, by far one of the most famous of Shakespeare's sonnets, was written to illustrate his love and adoration for the man. Shall I compare thee to a summer's day?
Shakespeare’s sonnets include love, the danger of lust and love, difference between real beauty and clichéd beauty, the significance of time, life and death and other natural symbols such as, star, weather and so on. Among the sonnets, I found two sonnets are more interesting that show Shakespeare’s love for his addressee. The first sonnet is about the handsome young man, where William Shakespeare elucidated about his boundless love for him and that is sonnet 116. The poem explains about the lovers who have come to each other freely and entered into a relationship based on trust and understanding. The first four lines reveal the poet’s love towards his lover that is constant and strong and will not change if there any alternation comes. Next four lines explain about his love which is not breakable or shaken by the storm and that love can guide others as an example of true love but that extent of love cannot be measured or calculated. The remaining lines of the third quatrain refer the natural love which can’t be affected by anything throughout the time (it can also mean to death). In the last couplet, if