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Consumerism in fahrenheit 451
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Sarah Beth Selph ENG 202 – Intro to Poetry “Ghazal – Head” Non-conformity is defined as a failure or refusal to abide to a prevailing rule or practice. Terrence Hayes expresses his idea of non-conformity throughout the poem “Ghazal-Head.” The overall analysis, literary elements, and background of the poem provide evidence of the non-conformity conveyed throughout the poem. The first example of non-conformity found in the poem is in the first stanza. The stanza reads, “You no-good fork sucker, that’s what. / You no-good backscratcher, that’s what” (Hayes 82). The first stanza immediately sets the tone for the rest of the poem while expressing the writer’s thoughts through anger. The terms “no-good fork sucker” and “no-good backscratcher” are phrases that Hayes uses as a form of insult to society. Looking at the term “fork sucker” the common issue of obesity comes to mind due to how much of a major issue it is in today’s society. On the other hand, the term “backscratcher” corresponds with favoritism. The common phrase, “you scratch my back and I’ll scratch yours” comes to mind because of the relevance in today’s world in our society that only cares about who you know and not where you are coming from. These issues are prevalent in today’s society and are just two of the many Terrance Hayes addresses throughout the poem “Ghazal – Head”. The second stanza in the poem “Ghazal-Head” supports another aspect of non-conformity by discussing uselessness. Hayes writes, “A blue thumbnail. An old light fixture. A toylike hammer / A glass or tumbler. Bend your fingers, that’s what” (Hayes 82). An analysis of this stanza provides examples of useless items like an old light fixture and a toylike hammer. For example, a hammer is useful becau... ... middle of paper ... ...tanzas give the reader the understanding of many issues in today’s society including obesity, favoritism, and consumerism. The literary elements of alliteration, assonance, and consonance are evident in stanza six, seven, and three. The different poetic devices further develop Terrance Hayes’ argument of non-conformity and is proven through the word choice and detail used through these poetic devices. Having an understanding of the background of a Ghazal also gives the audience a better understanding of non-conformity. Terrance Hayes did not follow the typical structure of a Ghazal which is the epitome of non-conformity. With the Ghazal having a repeated refrain of “that’s what”, Terrance Hayes solidifies the argument of non-conformity and the overall aggressiveness of the poem. Conclusively, Terrance Hayes poem “Ghazal-Head” has an overall theme of non-conformity.
The readers are apt to feel confused in the contrasting ways the woman in this poem has been depicted. The lady described in the poem leads to contrasting lives during the day and night. She is a normal girl in her Cadillac in the day while in her pink Mustang she is a prostitute driving on highways in the night. In the poem the imagery of body recurs frequently as “moving in the dust” and “every time she is touched”. The reference to woman’s body could possibly be the metaphor for the derogatory ways women’s labor, especially the physical labor is represented. The contrast between day and night possibly highlights the two contrasting ways the women are represented in society.
A quick read of Ana Castillo’s poetry will provide a reader with much knowledge of the style she uses. The style used in “Seduced by Natassja Kinski” and “El Chicle” is conveyed vividly. A key ingredient to Castillo’s style is imagery. Castillo uses imagery to portray the environment, object movements, emotions, and everything else that is of utmost importance. Also important to Castillo’s style is her choice of words. Castillo refers to all words in poems as gold. Every word must be picked and placed with all the care in the world. Along with her imagery and choice of words, metaphors, poetry form, and flow are essential to creating the two featured poems.
By using a lot of exceptional and moving metaphors like “Words are blades of grass pushing past the obstacles, sprouting on the page” (93), underline her impressing skills in turning images into words. The tone of the essay is enthusiastic and compelling, Anzaldua asks the readers to believe in themselves. Anzaldua even connects her native language with her adopted one, in her current essays.
... she is indeed angered and fed up at the fact that there is a stereotype. The way in which she contradicts herself makes it hard for readers to understand the true meaning or point to her poem, the voice was angry and ready for change, yet the actions that the individual was participating in raised questions of whether or not he actually fit the stereotype.
Conformity; to comply with the rules, standards or laws. Ray Bradbury uses conformity in Fahrenheit 451, Roald Dahl uses it in “Lamb to the Slaughter” as well. In Stephen Vincent Benet “By the Waters of Babylon” they use conformity, and in “Cold Equations” by Tom Godwin. The similarities of theme in Fahrenheit 451 and “Lamb to the Slaughter” are noticeable and deserve complete study. Most obvious comparisons are Mildred and Mary, having to face choices about conforming, Montag and John are both non conformers, Captain Beatty and Captain John Barton are both conformers. Comparing these two stories shows that conformity can affect a character's judgment as well as actions.
A few cases in which this poem is particularly relevant in today’s society, apart from just the general hipster culture, is the fact that in many ways we’re faced with similar issues of social oppression of certain sects of the population, homophobia, discord amongst different cultures and excessive consumerism – all these being matters than Ginsberg felt strongly about and sought to fight against.
Islam the complete ‘surrender to Allah’ is a living religious tradition with the principal belief in one God – Allah. Islam has remained the same in its principle beliefs of Allah, His Angels, His Prophets, His Books, The Last Day and his complete authority over destiny and has also changed over time to ensure that Islam remains a living religious tradition. Over its history Islam has had many significant people including Al Ghazali and Aisha Bint Abu Bakr who have ensured that Islam remains living in the hearts and minds of its adherents. In addition to significant individuals participation in the Five Pillars e.g. the Hajj ensure that Islam will continue to be the living religious tradition that it is.
Conformity and rebellion are two characteristics that cannot exist without each other. If no one were to conform then there would be no set standard for anyone to rebel against. Without rebellion conformity would not be challenged. Madness comes into play when describing those that rebel against the norm. Dickinson describes anyone with a rebellious attitude as “demur you’re straightway dangerous and handled with a chain” society treats people like this because the idea of change can scare a lot of people. Many of these themes are seen throughout literature.
If conformity means to “conform to a social role… brought about by a desire to ‘fit in’ or be liked,” then the characters of Never Let Me Go are a wonderful example (McLeod). In Hailsham, the school where the Ruth, Tommy, and Kathy grow up, the Guardians expect all of the students to be extremely creative;
Ferguson, Margaret W., Salter, Mary J., and Stallworthy, Jon. The Norton Anthology of Poetry. fifth ed. N.p.: W.W. Norton, 2005. 2120-2121. 2 Print.
B. & Goldstein, N. J., 2004) while one might privately disagree on it (Myers, 2012). Conformity refers to “the act of changing one’s behavior to match the responses of others” (Cialdini, R. B. & Goldstein, N. J., 2004, p. 606), as a result of group pressure either in a real or imagined situation (Myers, 2012).
Harsh, sharp, and unforgiving language is specifically chosen like “big, loud, and bitching” (4), and “too damn wise and smiling” (13), to show the speaker’s anger and elicit emotion in the reader. This again reinforces the idea of the oppressive nature of the whites against the natives. This poem, however, does not elicit these emotions merely through irony, but rather by taking a more direct approach. Overall, the poem deals with the stereotyping that many natives face. “The welcome image of you is gone; the unwelcome image of me is still here...” this quote references the ways that natives are stereotyped in Canada, an ‘unwelcome’ image that remains to this day. These images are: ‘the myths, the ones that I threaten your small frame of mind with” (5-6). According to the speaker, these myths are ones that were spread by the white social class, to keep the natives in check. By breaking these myths, she is serving to rob the whites of their power over the aboriginals. This is further supported by line 10 of the poem: “all you’ve heard are lies”, showing that the speaker is trying to break away from the harsh generalizations imposed on her people and show the reader the untruths that permeate through our society. The writing conventions that Dumont uses in these cases reflects the overall theme of the
The ironic use of rhyme and meter, or the lack thereof, is one of the devices Larkin uses to emphasize his need to break out of industrial society. The typical rhyme scheme is not followed, but instead an ironic rhyme scheme is used in the sonnet in the form of abab cdcd efg efg. Larkin writes this poem as a sonnet but at the same time diverges from what a typical sonnet is supposed to be. He is commenting on society’s inclination to form restrictions on those within it. By writing out of the accepted form of a sonnet, his writing becomes more natural because of a lack of constraints due to following certain rules and fitting a certain form. He breaks free and writes as he pleases and does not conform to society. Just as with the rhyme, ...
Conformity is the process of understanding to majority influence and is defined by David Myers (1991) as a change in behavior or belief a result of real or imagined group pressure
In T.S Eliot's poem, Portrait of a Lady, he gives a glimpse into the upper class of post war society- something rather dispirited and forlorn. It is filled with people from the higher social standings and they are as soulless and empty as the lady in the poem. The upper class was also represented by the main character himself, who is truly unable to connect as a whole to his surroundings. He initially describes the world in the poem as dark, covered in smoke and haze – the scene that is in and of itself a mere half life, the individuality of the characters already swallowed by the abyss of ritual that has devoid of meaning. The truly shocking part that links this poem to the author’s previous poems is the underlying brokenness and the soullessness that the characters seem to inhabit. The main character of t...