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Sophocles antigone analysis essay
Analysis on antigone based on Sophocles tragedy
Sophocles antigone analysis essay
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In Sophocles' Antigone(italicize), pride contained in the characters lead to a tragedy. Antigone's pride killed her while Creon's pride made him deaf to righteous opinions and led to the death of his loved ones.
Antigone's pride of duty and responsibility of burying the dead and equality for all led her actions to result in death. Antigone burns her brother even though “Creon bids thee not!" (Sophocles, 55). Antigone buried her dead brother and was caught. The guards who caught Antigone reported to Creon, saying, “She it was by whom the deed was done. We found her burying." (Sophocles, 421-422). Creon asks Antigone if she knew his edict forbidding her brother's burial after she admits her actions. Antigone's pride lets her justify her actions "for it was not Zeus who gave them forth, / Nor Justice, dwelling with the Gods below, / Who traced these laws for all the sons of men;” (Sophocles, 493-495). Her pride also makes her believe that her actions and death will bring her great glory. She readily accepted death because she took pride in burying her brother. If only she waited longer, her life would've been saved because Creon
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changed his mind. “And I, since now my judgment leans that way, / Who myself bound her, now myself will loose.” (Sophocles, 1279-1280). Creon's confidence in his beliefs turns into pride as he faced the advice and opinions of others.
His pride developed a rage in him as he finished his talk with Haemon. Teiresias, a seer whose prophecies were never wrong, warns Creon that if he acts upon his pride it will bring a curse from the gods upon Thebes. Because Teiresias wants Creon to release Antigone which would neutralize the prophecy, Creon begins to insult Teiresias and the seers. “The race of seers is ever fond of gold.” (Sophocles, 1208). Creon drifts away from his original goal changing from one who puts state first faithfully to one whose full of pride. He realizes his error, saying, “Ah, me! ’tis hard; and yet I bend my will / To do thy bidding.” (Sophocles, 1272-1273). However, it is too late when he diminishes his pride to free Antigone for she has already
died. Even though Creon was able to convince himself to release Antigone, the curse descended. Haemon was found in Antigone's tomb with “the sharp two-edged sword. / Missing his aim (his father from the blow / Turning aside), in anger with himself, / The poor ill-doomed one, even as he was, / Fell on his sword, and drove it through his breast” (Sophocles, 1413-1417). After learning that Haemon is dead, Creon is greeted with more terrible news - his wife is dead.” With her own hand below her heart she stabbed, / Hearing her son’s most pitiable fate.“ (1503-1504) Creon admits the fault of his. “Ah me! The fault is mine. On no one else, / Of all that live, the fearful guilt can come;” (1505-1506). When pride took over Antigone and Creon, Antigone set herself up for death and Creon became ignorant to other's recommendation which led to his family members' death. Antigone desired her deceased brother to be buried because of pride. She broke the law with consequences of death and believed she died with great glory. Creon's pride made him blind to reason in his order of killing Antigone despite many warnings. By ignoring others, a curse of death descended upon Thebes. Creon learned that ruling with pride will only leave misfortune.
Sophocles wrote many characters, each with complex personalities. But none a character quite like the personality of Creon from the play, Antigone. Creon is a complex character, but from the writing of Sophocles, we can reveal his true nature.
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In ancient Greek tragedies at least one character has the misfortune of having a tragic flaw. The flaw usually effects the protagonist and leads to his down fall. Normally, the characters close to the protagonist are all affected by his flaw. In Antigone, by Sophocles, Creon's tragic flaw is that he is insecure. Creon's insecurity leads to the death of many people and to his own downfall. At many times, Creon feels that people are directing everything toward him, when of course they are not. Consequently, he takes action to make sure people take him seriously. He hopes his actions will teach people not to walk all over him and his empire. However these actions are not always the right ones.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
Pride is a quality that all people possess in one way or another. Some people take pride in their appearance, worldly possessions, or position in society. The story of Antigone written by Sophocles has two characters who have a tragic flaw of pride. I will show how Creon’s pride of power leads to his destruction, and how Antigone’s pride makes her an honorable character who should be treated as a hero.
“All men are liable to err; but when an error hath been made, that man is no longer witless or unblest who heals the ill into which he hath fallen and remains not stubborn” (Sophocles 44). This quote talks about how all men make mistakes but the good men know when they are making one. When men realize they are wrong, they would repair what they did and if you don't, it means you have pride. Understanding hubris is essential because in the play, you can see that all the characters have pride. Creon was the character that had...
Antigone is determined to bury her brother because of her loyalty to her family and to the gods. She believes that no mortal, such as Creon, has the right to keep her from her own. Even if Antigone must die during the burial, she will not disgrace the laws of the gods. She believes that she has to please the dead much longer than she has to please the living.
Antigone welcomed death at the time of burying her brother; she was not concerned with the consequences. She saw her actions as being true to the gods and religion. “I myself will bury him. It will be good to die, so doing. I shall lie by his side, loving him as he loved me; I shall be a criminal but – a religious one.” (Antigone, lines 81-85) To Antigone, the honor of her brother, and her family was all that was important. She may be going against Creon, but if her actions were true in her heart then the gods would see her in a good light.
Charles Dickens once said, “Send forth the child and childish man together, and blush for the pride that libels our own old happy state, and gives its title to an ugly and distorted image.”(Dickens) Pride is one of the largest problems that makes people fall. Pride is also one of the main topics in the play Antigone. Creon, King of Thebes, had the biggest problem with pride. Creon is the uncle to Antigone and Ismene, Antigone’s sister. Antigone is a young girl who wants to bury her brother even though Creon said not to. Pride was the path of death in Creon’s case.
Greek tragedian, Sophocles once wrote in the play, Antigone, “all men make mistakes, but a good man yields when he knows his course is wrong and repairs the evil. The only crime is pride.” The play Antigone is a Greek tragedy written in 442 B.C. about the tragic hero, King Creon; he is a man who commits an ‘act of injustice’ against his niece, Antigone. Directly disobeying Creon’s decree, Antigone buries her deceased brother, Polyneices; when Creon finds out, he forgets all reason and sentences her to death. Hence, Sophocles uses Creon, the power-hungry tragic hero and betrayed father, and his foil Haemon, the strong-willed son, to develop the theme that the power of reason is stronger than the desire for control.
"How Zeus hates a proud tongue!"(Antigone 148) In the tragedy Antigone, pride plays a central part in the development of the plot and characters. Pride is defined by the Merriam-Webster dictionary as a feeling of deep pleasure or satisfaction derived from one's own achievement. Antigone provides an insight into Greek society, which valued individualism, and pride was viewed as a facet of greatness. However, the Greek philosopher Aristotle discusses pride as a hamartia, or a fatal flaw. Harmatias were an essential component of tragedy, snaring a mostly good character into ruin. In the play Antigone, pride causes death as well as the division of family. Excessive pride causes the downfall of characters in Antigone, as displayed through the two