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Creative writing about a haunted house
Creative writing about a haunted house
Creative writing about a haunted house
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A wide net was cast into the green abyss of the swamp. In an almost mechanical fashion the net was raised along with an abundant, silvery bounty of fish. They flopped in the net, in a futile struggle for freedom. A worn down, tan hand reached for the struggling bass. The same hand transferred the fish to another worn hand. The fishing boat held two fishermen. One was short creole, with almost pitch black, slightly curly hair and an olive complexion. The other man was a tall narrow blonde with a rugged face. “The Sun’ll be set soon over basin, Armand, we bet’ hurry” said the tall man. Twenty, thirty, forty, then an hour passed and the bass were stuffed in a cylindrical cedar barrel. Their scent spread through the bayous atmosphere throughout, for all nostrils to savor. The Armand swayed the oar through the waters, “There’s lots of fish in this lake. heck’lot. And not a souls around to see it!” Armand said as he enjoyed peered his eyes at the overflowing barrels, then to an eerie cypress cabin in …show more content…
Armand stepped out of the boat onto the balcony and knocked, he waited for a while. After realizing the cabin was abandoned he turned back, but then he heard the old cypress door creaked open to reveal a grey, haggard gentleman with a bewildered look in his eyes, “Why’re lurking in these neck of the woods, you know it’s gettin’ pitch out ‘ere, it’ll be the death of ya.” The old man croaked with a raspy voice. “We was jus’ fishin in this lake and we saw your cabin here.” Said Armand defensively. “Don’cha know somethin’ lurks in these green waters?” the old man looked around in a paranoid fashion, “something wretched, somethin’ that’ll end you two!” The old man looked gazed to the sun lowering into the horizon and whispered, “Aw jeez, ya’ll be my death.” Val scrutinized the old man and Armand, he pointed to the resting boat and said “We better leave this doddering loon to his delusions, we’ve stayed here too
uncovers the truth about the fish, and how it and its environment was abused by the old
In the beginning we find the family and its surrogate son, Homer, enjoying the fruits of the summer. Homer wakes to find Mrs. Thyme sitting alone, “looking out across the flat blue stillness of the lake”(48). This gives us a sense of the calm, eternal feeling the lake presents and of Mrs. Thyme’s appreciation of it. Later, Fred and Homer wildly drive the motor boat around the lake, exerting their boyish enthusiasm. The lake is unaffected by the raucous fun and Homer is pleased to return to shore and his thoughts of Sandra. Our protagonist observes the object of his affection, as she interacts with the lake, lazily resting in the sun. The lake provides the constant, that which has always been and will always be. As in summers past, the preacher gives his annual sermon about the end of summer and a prayer that they shall all meet again. Afterward, Homer and Fred take a final turn around the lake only to see a girl who reminds Homer of Sandra. “And there was something in the way that she raised her arm which, when added to the distant impression of her fullness, beauty, youth, filled him with longing as their boat moved inexorably past…and she disappeared behind a crop of trees.
He teaches the kid what to do in order to successfully reel in a large, beautiful fish. Ironically, the narrator is the one who learns from the kid in the end. At the beginning of the story, everything is described negatively, from the description of the kid as a “lumpy little guy with baggy shorts” to his “stupid-looking ’50s-style wrap-around sunglasses” and “beat-up rod”(152). Through his encounter with the boy, the narrator is able to see life in a different way, most notable from how he describes the caught tarpon as heavy, silvery white, and how it also has beautiful red fins (154). Through the course of the story, the narrator’s pessimistic attitude changes to an optimistic one, and this change reveals how inspiring this exchange between two strangers is. This story as a whole reveals that learning also revolves around interactions between other people, not only between people and their natural surroundings and
The sea, this "water of the Gulf," is the deepest, most mysterious place Edna has ever explored. Until now, Edna had lived her life on the "white beach," a perfectly virginal island of blind men leading even more blind women. But Edna dips her toes into the dark waters and now she wishes to leave the island and swim out to a better place; or soar overhe...
The first half of my book “The Cellar” written by Natasha Preston, was so good that I could not put the book down. The girl, at that point, had no memories which include her name and anything before she woke up on a dirty, bloody cabin floor. She looked down at her throbbing hand and found that two of her fingernails were missing.
The story’s theme is related to the reader by the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The symbols used to impart this theme to the reader and range from the obvious to the subtle. The obvious symbols include the time from the sinking to arrival on shore as a voyage of self-discovery, the four survivors in the dinghy as a microcosm of society, the shark as nature’s random destroyer of life, the sky personified as mysterious and unfathomable and the sea as mundane and easily comprehended by humans. The more subtle symbols include the cigars as representative of the crew and survivors, the oiler as the required sacrifice to nature’s indifference, and the dying legionnaire as an example of how to face death for the correspondent.
Bishop, Elizabeth. “The Fish.” The Norton Anthology of American Literature. ED. Nina Baym and Robert S. Levine. 8th ed. Vol. E. New York: Norton, 2012. 73-5. Print
The Creature That Opened My Eyes Sympathy, anger, hate, and empathy, these are just a few of the emotions that came over me while getting to know and trying to understand the creature created by victor frankenstein in Mary Shelley’s Frankenstein. For the first time I became completely enthralled in a novel and learned to appreciate literature not only for the great stories they tell but also for the affect it could have on someones life as cliché as that might sound, if that weren’t enough it also gave me a greater appreciation and understanding of the idiom “never judge a book by its cover.” As a pimply faced, insecure, loner, and at most times self absorbed sophomore in high school I was never one to put anytime or focus when it came time
The human voyage into life is basically feeble, vulnerable, uncontrollable. Since the crew on a dangerous sea without hope are depicted as "the babes of the sea", it can be inferred that we are likely to be ignorant strangers in the universe. In addition to the danger we face, we have to also overcome the new challenges of the waves in the daily life. These waves are "most wrongfully and barbarously abrupt and tall", requiring "a new leap, and a leap." Therefore, the incessant troubles arising from human conditions often bring about unpredictable crises as "shipwrecks are apropos of nothing." The tiny "open boat", which characters desperately cling to, signifies the weak, helpless, and vulnerable conditions of human life since it is deprived of other protection due to the shipwreck. The "open boat" also accentuates the "open suggestion of hopelessness" amid the wild waves of life. The crew of the boat perceive their precarious fate as "preposterous" and "absurd" so much so that they can feel the "tragic" aspect and "coldness of the water." At this point, the question of why they are forced to be "dragged away" and to "nibble the sacred cheese of life" raises a meaningful issue over life itself. This pessimistic view of life reflects the helpless human condition as well as the limitation of human life.
It seemed to drink the tiny boat and, at the same time, threw the men into the sea.” (London, 77) This discusses the immense condition of the setting that the men are enduring as the author uses the word, “Huge, Angry, and Merciless” to describe the condition of the sea. The author's use of these harsh words enhances the setting and the naturalistic style that the story is presented in. Furthermore, both stories reflect the Naturalistic critique of control by illustrating how characters are victims of forces beyond their control.
the rain was pelting down on my head. My car had just broken down in
Fishing tests your patience; if you want to catch a fish, you’re going to have to wait. I dip my feet into the icy water of the river and wait, wait, wait. I feel relaxed, surrounded by nature, but the air around me is also buzzing with the excitement. Goats graze on the grass that grows atop the rocky cliff across from me, and a gentle breeze whispers through the ivy that drapes over it. My hands are gripped tightly around my rod, ready to reel up my first catch, ready for the weight of a monster fish, ready for anything. Out of nowhere, I feel the slightest tug on my line and see a flash of rainbow scales beneath the water. I see my fishing rod bending with weight, which could mean only one thing: FISH ON! I begin to reel it in, inch by inch. The trout flies out of the water, glistening as the setting sun reflects off of its scales. The sky is ablaze, full of different shades of magenta, orange, and scarlet. It was as if an artist had painted the sky with the skillful strokes of their paintbrush. I hear my parents gasp with awe behind me. The first
As the sun slowly settled, darkness began to overcome the Earth. Sickness—had come. The sickness slowly but readily crept into each home. It was the Midnight Theft. The destructive plague stole during midnight—it stole lives. Deep in the heart of Tukenasville, people were dying, and the whole country was beginning to perish. The flowers withered as they bloomed. The mountain peaks crumbled under steer weight. Animals fled to holes to live out the final moments of their life. People were distraught, and chaos was invading every planet in the macrocosm. People called me Nikolaou Gonfalon. I was the last of the Warriors of Phos. Long ago, the Sisters of Moiré ordained my doomed fate. I tried to bargain with them to change it, but in the end, I captured them and locked them up in a repository on a cliff. I was to lead the expedition to find the cure for the Midnight Theft. That, however, was not the reason why I would go on this journey. My best friend, Tolem, was dying of a rare illness called Takigifeay. It was causing the slow built up of lactic acid on his bones. I knew that death would come to him soon. Legend spoke about a necklace that can bring life to anyone or thing. It was said to have been belonged to an Oceanian, one of the water people. The Lost Jade Necklace of Serenity was what it was called, and it could bring healing to the Earth. Nonetheless, it could be the obliteration of mankind, also. I began to pack since my journey was to start at that moment.
For three long days, the boat is alternating pushes and towed by the huge fish in an almost dream-like state. Only the killing os the fish and the attacking of the sharks interrupt the monotony. The monotony becomes one of the pressures that the old man must endure in order to maintain his grace. However, because Santiago never gives in to the monotony or the depression, he becomes the hero in the story against innumerable odds. His tenacious determination leads him to a sense of hope amongst the monotony and depression.
“Maybe it’s as real as our world,” says Philip K. Dick and he is right. The horror genre lets society as well as ourselves explore what becomes of it or us, when exposed to different situations. To understand our culture and life we search reasoning in movies such as Nosferatu (1922), Dracula (1931), 28 Days Later (2003) and even zombie literature. Each classic film starts in a detached manner by taking the audience where they feel safe from danger, to a setting far off from what they recognize as home, such as high up in a castle in Transylvania where it seemingly took many days to reach (Browning, 1931). Post-modern horror is quite the opposite it takes us straight to a contemporary setting, where the audiences ‘comfort zone’ feels it has