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A Haunted House
An analytical note on gothic fiction
Essays on gothic novels
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As I opened the door to the creepy old haunted house on my street, I started to think that maybe this wasn't such a brilliant idea. I scolded myself for wanting to turn back, and hesitantly stepped inside to explore. My brown hair and dark brown eyes made me practically camouflaged in the wood-paneled foyer, except for my old purple hooded sweatshirt and comfortable gray sweatpants. I was the average height for a sixteen year old, but I was still going to have to look up to check for cobwebs and the dust in every crevice. My hair already needed to be washed because so much dust has fallen onto me. I finally got enough nerve to begin walking through the house.
As I walked through the doorway to my right, I realized that this must be the formal
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I quickly turned my head around, and I saw a mummy, but this mummy was not a usual mummy, it was alive and standing over me, I jumped back and gasped. I almost started to run toward the door, but unfortunately the mummy was blocking me. He must have been at least seven feet tall, towering over me like I would have towered over an ant. Wrapped in something that seemed like gauze, or maybe even paper towels, I had absolutely no idea where he had came from. When I had jumped back, barely two seconds ago, the glass doors of the cabinet had shattered. CRASH! I heard as the glass fell on my legs. "OUCH!" I exclaimed. The mummy made a noise that sounded kind of like he was trying to say, "GO AWAY!" but I couldn't tell because of the gauze that covered his entire body from head toe, with the exception of his mysterious dark black eyes. These eyes glared down at me with such intensity that I could not stop myself from shaking. That was when I noticed what he had in his hand. It was a pure gold sword, with a blade as long as my arm or maybe even longer. He was obviously planning to stab me. My eyes opened widely, and it felt as if I had completely lost control over my
The Haunting of Hill House written by Shirley Jackson, and Tony Burgess’ People Live Still in Cashtown Corners, are horror novels. Both evoke fear in readers in dissimilar ways. The Haunting of Hill House takes readers on an ominous journey that creates feelings of uneasiness, while Burgess’ novel has a direct approach to create fear, right from a rampant killer’s point of view. Despite the differing approaches on the classic genre, Jackson and Burgess demonstrate that horror stems from isolation. Isolation negatively affects mental health, which produces petrifying chaos and destruction of oneself and others.
Have you ever had that one bone chilling moments when you feel like someone is there, but no one is? Or when you are home alone and you are positive you heard someone or something. When you turn around when you hear something and all it is a long dark hallway. In this paper you will read about some of the scariest places in America. Imagine walking alone in one of those buildings and hearing a noise or seeing someone or something, but you know you are all alone. Or are you? Norwich state hospital, the Lizzie Borden house, the Stanley hotel, the White House, and the oak alley plantation are some of the buildings where rapes, beatings, death, starving’s, ax murders, and slaves were.
My Surbaban Pittsburg, Pa HAunted House. (2014, April 24). Retrieved from Your Ghost Stories: Http://www.yourghoststories.com
The general argument made by author Heller, Chris in his work, Taking delight in a fright: how haunted houses came about, is about the history of haunted houses. More specifically, Lee also argues that neither haunted houses or Halloween could exist without the other. He writes, that “large haunted house attraction can reportedly earn three million dollars during the Halloween season. Additionally, Lee quotes the author, Lisa Morton, by saying “that Halloween-themed houses first emerged during the Great Depression during the 1930s’ Haunted houses were used as a diversion to keep young people from “damaging property, vandalism, and harassing strangers.” In this passage, Lee is suggesting that Halloween would not be Halloween without haunted
11:14 p.m.-I slowly ascend from my small wooden chair, and throw another blank sheet of paper on the already covered desk as I make my way to the door. Almost instantaneously I feel wiped of all energy and for a brief second that small bed, which I often complain of, looks homey and very welcoming. I shrug off the tiredness and sluggishly drag my feet behind me those few brief steps. Eyes blurry from weariness, I focus on a now bare area of my door which had previously been covered by a picture of something that was once funny or memorable, but now I can't seem to remember what it was. Either way, it's gone now and with pathetic intentions of finishing my homework I go to close the door. I take a peek down the hall just to assure myself one final time that there is nothing I would rather be doing and when there is nothing worth investigating, aside from a few laughs a couple rooms down, I continue to shut the door.
Basics of Ghost Stories INTRODUCTION The ghost story writer has to attract the reader's attention straight away. The way story begins is important and often links with the rest of the narrative. The opening of a short story must try to engage the reader quickly. I think all ghost stories should always have a lot of suspense in it, to create anticipation and excitement. Some symbolic object/place for example a knife, a key must play a major part in the narrative.
When we read horror stories, we generally are intriged by the characters we believe to be evil or haunted. Readers can be facinated by the mysterious characters that appear that they may disregard the idea that it not always can be just the characters doing the haunting. Generally, what makes horror literture so interesting to readers, is its abilty to produce the reader with a sense of ambuguity. Authors may write their stories with intentions of leaving the reader to decide how they feel the story should be interpretated. Neverless, in horror literature, a haunted house can be significant to the stories horrific effects. Susan Hill’s “ The Women In Black” and Edith Wharton’s “Kerfol” illistate how some houses in horror gene can be haunted
As we walked through the woods on the dark cold night in October we notice screaming of what we had thought to be the neighbor girl. We creep closer to the large mansion and climb the gates to get in the massive front yard. As me and my friends Kevin, Douglas, and randy reach the front door, we slowly creep open the front door, we hear screams and yells and very quickly leave the situation. We head back to the house for the night and decide that we will make a plan and return to the mansion tomorrow.
The module I found most interesting in terms of class concepts was the science and religion module. One of the main reasons I found this to be the most interesting is that this class looks at religions and believers from a scientific stand point. When analyzing the textbook it becomes very apparent how to approach the study of religion scientifically. From the concepts I have learned throughout the class I have been able to step back from my own bias and see the study of religion for what it is.
Everyone has one or two things that they’re afraid of, whether it be snakes, spiders, or the dark. The goal of a good haunted house is to attack these fears and incorporate some way to frighten everyone that passes through their eerie halls. Unbeknownst to most, no matter how brave someone may be, everyone is afraid of something. Alpträume attacks a fear that many people do not know they have, which is the fear of one’s own life becoming as twisted as what we witness in horror films. The name itself of the house is German for nightmares, which you will surely experience after enduring the frightfulness that is Alpträume. The house assaults your mind in ways you would never imagine, taking multiple pieces of everyone’s real lives and altering
The days passed and people still gave me weird looks. In fact I didn’t really care much anymore, I was starting to get used to it. At home I searched everywhere, but I couldn’t find anything strange or spooky. Except for just one thing. It was in the garden, a designer gravestone, right at the back, no one knew who’s it was. I always got shivers whenever I was too close, but didn’t take much notice of it. I just thought that people in school were talking about that, when they said my house was creepy and the only reason I got scared was because I listened to them.
a dull grey colour as if it had lost the will to live and stopped
when he was about to shove that knife into his wife she woke up, and
As I open my sleep filled eyes the only object visible across the vast charcoal void are the numbers on the alarm clock, glowing a garish, violent red as if to say “we are watching”. The metallic taste of fear rises within me, making my skin crawl. I know not what thrives within the confines of my house, be it monsters, intruders or merely spiders waiting to alarm. The atmosphere itself has thickened with the same pungent odor found only in nightmares, the very scent that lingers in the nostrils after awakening: a mixture of sweat, blood and rotten eggs.
As I slowly climbed the long, steep staircase, the only sound was my labored breathing and the mournful creak of the wooden stairs. A terrible sickening fear came over me. This was a place where has the dirty wall of spider web; the cement floor without tiles; the unstable water temperature of the bathroom in winter; and the smelly domestic animals in the backyard? This seems like a nightmare to me a few years ago.