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Coriolanus by William Shakespeare character analysis
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Coriolanus Reading Response The hero of this tragedy, Martius/Coriolanus is truly different from the other heroes of the Shakespeare tragedies. He presents himself as a great man and he is treated as a great man as well. However, he is a failed political figure of a stubborn character that is unable to comprehend what is required of him which eventually results in his downfall. Unlike other Shakespearean characters, he is very hard for the audience to empathize with due to his lack of the essence of being a normal person (I also blame Shakespeare for not giving the characters more colors in this play like he does with comedies). The relationship between him and his mother is very noteworthy when it becomes obvious to the audience that she …show more content…
He reaches another climax when he becomes the lead of the Volscian army. After Valumnia has persuaded him into sparing Rome, he gets killed by his jealous enemy. Unlike any other hero, Coriolanus manages to make all of his decisions without making a big conflicting monologue out of it. His immediate reaction is final, however argued over it is. The audience begins to realize Coriolanus is obviously raised by his mother to be a solider when she makes an uncomfortable remark on battle wounds. She says “It more becomes a man / Than gilt his trophy. The breasts of Hecuba / When she did snuck Hector looked not lovelier / Than Hector’s forehead when it spit forth blood / At Grecian sword contemning.”(1.3.42-4) The audience would starts to have a second look when young Martius' tearing a butterfly apart with his teeth is celebrated by his family. Coriolanus is obviously brought up in a fatherless home, that his mother, Volumnia, has an absolute power over making who he is …show more content…
In Act 5, she uses Coriolanus’ love for his family when she asks “Alas, how can we for our country pray, / Whereto we are bound, together with thy victory, / Whereto we are bound?”(5.3.107-9) to lead Coriolanus into believing that he will “show a noble grace to both parts”(5.3.121) by making peace. Then he dies attempting to be the hero no both sides and his mother ends up being the hero to Rome and cheered by all the city. Menenius even says that, “This Volumnia is worth of consuls, senators, patricians”(5.4.53) at which time a woman couldn’t be held in such a high regard. At a male-dominated time, she couldn’t achieve power on her own: she gained everything through manipulating her son (intentionally or not). It also interesting that Coriolanus’ father is left out in the play, further highlighting the mother’s influence. At the end of the play, the audience might thinks this struggle between Coriolanus and his mother is greater than the war between two
The Significance of Women in the Imperial Family During the time of the Roman Empire women were not allowed to play any part of the political life of the empire. However, women were still able to influence powerful men and manipulate them to use their power. for the wants of the woman. The most powerful woman in the Roman society was either the wife of a principal or the mother of one. Examples of influential women in the imperial family include Livia Drusilla, Julia.
For example, when Virgilia, Coriolanus's wife, worries that her husband has been wounded in battle, Volumnia says: “Away, you fool! It more becomes a man than gilt his trophy”(1.3.39-43). Instead of trying to comfort Virgilia, Volumnia shows her joy at the prospect of her son having been gloriously wounded in battle. She suggests that, along with her milk, she infused an equal measure of thirst for blood—for others' and his own blood. The unknown “breasts of Hecuba” speech, along with others like it, is usually read as a reflection of Volumnia’s cruel and uncontrolled attitude toward Coriolanus when he was a little child. He then incorporated into his personality and this formed the basis of his love of violence. And she seems to take enormous pride in what she did with
Obviously nobility and honour are a theme of this play and Blits clearly states that the main women of this play such as Portia does not fit into the role of an honorable character, even when she is married to the “Most honourable man in Rome.” According to Blits, “Rome is a man’s world. No one in Caesar has a good word for women.” Once again he is being sexist, not one bit of respect for women but this fits right into the play, the people of Rome seem to be somewhat of a sheep that don’t stand out.
It more becomes a man/ Than gilt his trophy. the breasts of Hecuba/ When she did suckle Hector, looked not lovelier/ Than Hector 's forehead when it spit forth blood/ At Grecian sword contemning” (1.3, 36-40). Volumnia believes that Coriolanus being bloodied is more lovelier than a mother breastfeeding her child. This is an incestuous thought that Volumnia is fantasizing about. Just as she did before with thinking about Coriolanus as her husband, she is now saying that she would get more pleasure from seeing Coriolanus bloodied than him performing the action of sucking on her breasts. As she does say again later on: “Thy valiantness was mine: thou suck 'st it from me” (3.2.129). This implication of Coriolanus sucking on her breasts is not only of a maternal concept, it is of a sexual act. A mother who ponders the thought of having sex with a husband who is her son further implies that her feelings for Coriolanus are more than just what a mother would have for her son. Coriolanus being bloodied and injured in battle portrays him as this handsome and brave warrior; a picture that excites Volumnia sexually enough to compare it to her son “suckling” her. This incestuous perspective of the play is a reflection of Volumnia’s true desire towards Coriolanus as he is her dream warrior. She raised him in a way that fulfilled her fantasy of a
Despite his adherence to deeply gendered tradition, the stories he relates help detail the fundamental roles women played in the history of the empire. One of the earliest examples of this is found in the account of the Sabine women. This series of events shows the importance of women in forming alliances and linking families, something that could not happen if women were not at least moderately valued. Perhaps most importantly, the intervention of Romulus’ wife, Hersilia, in the battle following the abduction of the Sabine women displays the influence Roman women held within their families. Because these men appreciated and respected their wives and daughters, they listened to their pleas to halt the violence before too many lives were lost. This shows that while women may not have been considered equals, they were not discounted as
...herself as a man and has misogynistic tendencies. Fortunately, the role of women in society today has changed very much from the roles that they played in classical mythology. Women are now seen as being able to play any role they desire, whether it is the role of a housewife or the role of a workingwoman with a successful career. It is no surprise that achieving the roles that women play today took such a long time when for so long even in mythology women’s roles in society were constantly pushed in the direction of domestics and when for so long women were portrayed as less then pleasant creatures. The fact that these sorts of roles were pushed on women in the Greco-Roman society was proof enough that it was a patriarchal society. It is astoundingly wonderful that the roles that women play in modern society have evolved so much since the times of classical myths.
Hamlet. Romeo. Othello. These men not only star in some of Shakespeare’s finest plays, but they are all classic examples of tragic heroes. A tragic hero is one who is courageous and admired but who has a tragic flaw that leads to his downfall. Othello was one of the greatest military men of the time. He was highly respected among his superiors for both his military prowess and level headed nature. This was a man who could be in the heat of a battle and would remain collected. Though this great hero also had great shortcomings. Othello was naive, jealous, and concerned with public appearance. Othello is truly a dynamic character. As the play continues and his jealous increases, Othello gradually changes from a flawless military general into
Throughout many of Shakespeare's plays, a tragic hero is identified; a heroic figure that possesses a character flaw that leads to his defeat. In The Tragedy of Julius Caesar, there has been controversies over who is actually the tragic hero. Many people agree that Marcus Brutus is the tragic hero. However, others argue and identify Julius Caesar as the tragic hero. After examining these two characters, a conclusion is easily drawn. Brutus is the tragic hero of this play because when a person who possesses such heroic qualities dies, it is a true tragedy.
A tragic hero is the character whose actions deeply affect the other characters and who creates a series of events that eventually lead to the character’s downfall and the downfall of his loved ones. Such a hero possesses a flaw in character that influences his actions and thinking and especially his judgments. In logically determining who the hero in Julius Caesar is, one simply must find the one character who fits the above guidelines. Marcus Brutus is the only one, and, thus, he is the tragic hero.
Julius Caesar may have been a noble person, but the people of Rome did not think so. In Julius Caesar, Shakespeare shows the Caesar comes to an unhappy end when he is murdered by the people he loved most. Within this play Julius Caesar is portrayed as a tragic hero. A tragic hero is defined as “the main character of a tragedy [who is] usually dignified, courageous, and high ranking” (Novel Study Guide). Also vital to defining a tragic hero is that, “the hero’s downfall is caused by a tragic flaw” (Novel Study Guide).
Hamlet portrays the conflicts between parents and their children. In the play, the insecurities and fears of both parties are expressed through their words and actions that impact the course of their lives. The most notorious relationship in the play is between Hamlet and king Claudius, his step-dad. Their witty remarks and implicit disapproval of each other establishes a pseudo relationship that eventually leads to the struggle for survival.
From the expansion days of Ancient Rome to the fall of the Roman Empire, women have always succumbed to living subjacent to the status of their omnipotent and dominant male figures. After leaving her childhood home and the rule of her father, a young Roman girl would then be coerced into the dominion of her husband, often taking a plethora of roles, ranging from lover, caretaker, and best friend. It is often lightheartedly stated that, “Behind every great man is an even greater woman,” and William Shakespeare exemplifies this concept beautifully in Julius Caesar, in which he effectively used the spouses of the two main characters to add more depth, drama, and literary elements to the play, bringing it to life. Although the only two female characters in Julius Caesar, Portia and Calpurnia do not play a pivotal role in the overall plot of the story, their presence is vital in illuminating and developing the characters of their husbands, Brutus and Caesar. What they reveal about their husbands leads the reader to infer that Portia is the more admirable and redeeming character.
The third scene of the play gives a glimpse of the women in Coriolanus’s life. This is where you are first introduced to Volumnia, an independent and powerful woman, who deeply wants success for her son. While most parents want success for their children, Volumnia uses Coriolanus to bring glory to herself. Volumnia solely raised Coriolanus and he never truly broke away from her control; Coriolanus will attempt anything his mother suggests, such as running for consul. His mother convinces him to gain favor from the plebeians, something he would clearly not otherwise do, as demonstrated by his disdain for them in scene 1. At the end of the play, she is also the only person who can prevent his attack on Rome, and when she returns to the city, she is exalted as the hero. She is a woman and could not otherwise achieve real honor. To live the life she wanted she lived through her son. By training and teaching her...
In many of his plays, especially tragedies, William Shakespeare examines the relationships people have with one another. Of these relationships, he is particularly interested in those between family members, above all, those between parents and their children. In his play Hamlet, Shakespeare examines Prince Hamlet's relationships with his dead father, mother and step-father. His relationship with Gertrude, one of the only two women in the play, provides Hamlet with a deep sense of anger and pain. Hamlet feels that Gertrude has betrayed his father by marrying with his brother. Throughout the play, he is consumed with avenging his father's death and all the mistreatment the former King had suffered and still suffers after his life is over. Gertrude adds to the dead King's tarnished memory by not mourning and instead rejoicing in her new marriage. Hamlet is thus extremely angry with Gertrude and expresses this anger towards her directly and indirectly through his words, both to himself and to other characters.
Disowning her because she refuses to exaggerate her feelings for him, whereby she only says she loves Lear as a daughter should love a father is his first major mistake and it is mirrored in the sub plot through the actions of Gloucester. There we see that he too immediately casts judgement on his loyal son Edgar and disowns him as a result of manipulation by Edmund. Therefore although overall it could be said that the two tragic heroes in this play are King Lear and Gloucester, we see that in Act One Cordelia and Edgar are characters to be sympathised with as they too are engulfed in tragic circumstances. The main way in which the sub plot mirrors the main plot is through the tragedy that falls upon both King Lear and the Earl of Gloucester. King Lear can be seen as a tragic hero because we as the audience experience pity for him and feel that he does not deserve the severity of his punishment.