Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
W.b yeats as a symbolist poet
Yeats poetry essay
The Life and Works of W.B. Yeats
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: W.b yeats as a symbolist poet
In analysing the poetry of W.B. Yeats, I have come to understand the multiple conflicting themes and positions he presents in his poetry. However, my understanding has been influenced most by Yeats’s exploration of key conflicts in ageing along with political anarchy. These are conveyed respectively in the poems “Wild Swans at Coole” (1916) and “Leda and the Swan” (1923), using the central symbol of the swan. In “Wild Swans at Coole”, Yeats conveys the conflict within his heart; where he is an ageing, old man opposed to the young, revitalised swans. He laments the loss of his playful energy which he sees in the abundance of love and vitality in the swans. In “Leda and the Swan”, Yeats conveys the political dichotomy of the Irish nationalistic struggle against the opposing British suppression; exemplified by the swan’s advances towards the vulnerable Leda.
Yeats presents the key conflict of ageing through exploring his own life in decline compared to the spiritual transcendence of the swans in “Wild Swans at Coole”. Yeats wrote this poem in October 1916 after his latest rejection by Maud Gonne, following the death of her husband, John MacBride, in the Easter Rebellion. Yeats therefore reflects on the inertia of his own life, while regathering himself at Lady Gregory’s Coole Park estate. While revolving around the idea that sexual fulfilment with Maud has been lost. Yeats retains the last of his romantic preoccupations in perceiving a spiritual element through the natural world, where nature is reflective of youth and beauty. The main way this is conveyed is through the swans, symbolising youth, vitality and freedom, the conflicting position to Yeats’s personal state.
Yeats conveys this through a reflective, sorrowful tone, as h...
... middle of paper ...
...he spiritual element of life, discovered through the natural world with “Wild Swans at Coole”, and history with “Leda and the Swan”.
Works Cited
1. Bogan, L., 1938, “William Butler Yeats”, The Atlantic Monthly, May 1938, accessed 8 June 2012, http://www.theatlantic.com/magazine/archive/1938/05/william-butler-yeats/4672/
2. Holstad, S., n.d., "Yeats's 'Leda and the Swan’: Psycho-Sexual Therapy in Action", California State University, accessed 8 June 2012, http://www-scf.usc.edu/~erdemoz/Write/leda.html
3. “Modernist Poetry 2: W. B. Yeats”, lecture by Dr. Aaron Kelly, 20th April 2004, from the green booklet “Module B: The Critical Study of Texts: William Butler Yeats”.
4. Morrison, A., 1998, “Theories of Post-Coloniality: Edward W. Said and W.B. Yeats", The Imperial Archive Project, accessed 9 June 2012, http://www.qub.ac.uk/imperial/ireland/saidyeat.htm
The poem Leda and the Swan is about the rape of Leda committed by Zeus in disguise as a swan. Because of what they have done, it sets history in motion. Thus, it's fated that Helen will launch the war of a thousand ships, how Troy will fall, and Agamemnon will be murdered,...etc.
Keats, John. “The Eve of St. Agnes”. The Norton Anthology of English Literature: The Romantic
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
The tales were rediscovered around 1880 inspiring the Irish literary revival in romantic fiction by writers such as Lady Augusta Gregory and the poetry and dramatic works of W.B. Yeats. These works wer...
William Yeats is deliberated to be among the best bards in the 20th era. He was an Anglo-Irish protestant, the group that had control over the every life aspect of Ireland for almost the whole of the seventeenth era. Associates of this group deliberated themselves to be the English menfolk but sired in Ireland. However, Yeats was a loyal affirmer of his Irish ethnicity, and in all his deeds, he had to respect it. Even after living in America for almost fourteen years, he still had a home back in Ireland, and most of his poems maintained an Irish culture, legends and heroes. Therefore, Yeats gained a significant praise for writing some of the most exemplary poetry in modern history
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
Rovee, Christopher. "Trashing Keats." ELH: English Language History 74.4 (Winter 2008): 993-1022. Project MUSE. Web.
In these lines from "All Things can Tempt Me" (40, 1-5), Yeats defines the limitations of the poet concerning his role in present time. These "temptations" (his love for the woman, Maude Gonne, and his desire to advance the Irish Cultural Nationalist movement) provide Yeats with the foundation upon which he identifies his own limitations. In his love poetry, he not only expresses his love for Gonne, he uses his verse to influence her feelings, attempting to gain her love and understanding. In regard to the Nationalists, he incorporates traditional Irish characters, such as Fergus and the Druids, to create an Irish mythology and thereby foster a national Irish identity. After the division of the Cultural Nationalists, Yeats feels left behind by the movement and disillusioned with their violent, "foolish" methods. He is also repeatedly rejected by Gonne. These efforts to instigate change through poetry both fail, bringing the function of the poet and his poetry into question. If these unfruitful poems tempt him from his ?craft of verse,? then what is the true nature verse and why is it a ?toil? for the poet? Also, if Yeats cannot use poetry to influence the world around him, then what is his role as a poet?
In order to experience true sorrow one must feel true joy to see the beauty of melancholy. However, Keats’s poem is not all dark imagery, for interwoven into this poem is an emerging possibility of resurrection and the chance at a new life. The speaker in this poem starts by strongly advising against the actions and as the poem continues urges a person to take different actions. In this poem, the speaker tells of how to embrace life by needing the experience of melancholy to appreciate the true joy and beauty of
Though written only two years after the first version of "The Shadowy Waters", W.B. Yeats' poem "Adam's Curse" can be seen as an example of a dramatic transformation of Yeats' poetic works: a movement away from the rich mythology of Ireland's Celtic past and towards a more accessible poesy focused on the external world. Despite this turn in focus towards the world around him, Yeats retains his interest in symbolism, and one aspect of his change in style is internalization of the symbolic scheme that underlies his poetry. Whereas more mythological works like "The Shadowy Waters" betray a spiritual syncretism not unlike that of the Golden Dawn, "Adam's Curse" and its more realistic fellows offer a view of the world in which symbolic systems are submerged, creating an undercurrent of meaning which lends depth to the outward circumstances, but which is itself not immediately accessible to the lay or academic reader. In a metaphorical sense, then, Yeats seems in these later poems to achieve a doubling of audience, an equivocation which addresses the initiate and the lay reader simultaneously.
Throughout many of his poems, W.B Yeats portrayed important aspects of Ireland’s history especially around the 1900’s when Ireland was fighting for independence. During this time, Ireland was going through an agonizing time of struggle. The Employers’ Federation decided to lock out their workers in order to break their resistance. By the end of September, 25,000 workers were said to have been affected. Although the employers’ actions were widely condemned, they refused to consider negotiation or compromise with the Union. His readers are able to see how Yeats reflects the political, cultural, and societal atmosphere in Ireland during the early 1900’s. The poems September 1913 and Easter 1916 both reflect the political, cultural, and societal atmospheres that were found in Ireland around the 1900’s.
Yeats, W. B. The Wild Swans at Coole. New York: The Macmillan Company, 1919; Bartleby.com, 1999.
This refrain enforces his disgust at the type of money hungry people that the Irish have become. In the third and fourth stanza, however, Yeats completely changes the tone of his poetry. He praises the romantics of Irish history, such as Rob...
Yeats and Eliot are two chief modernist poet of the English Language. Both were Nobel Laureates. Both were critics of Literature and Culture expressing similar disquietude with Western civilization. Both, prompted by the Russian revolution perhaps, or the violence and horror of the First World War, pictured a Europe that was ailing, that was literally falling apart, devoid of the ontological sense of rational purpose that fuelled post-Enlightenment Europe and America(1). All these similar experience makes their poetry more valuable to compare and to contrast since their thoughts were similar yet one called himself Classicist(Eliot) who wrote objectively and the other considered himself "the last Romantic" because of his subjective writing and his interest in mysticism and the spiritual. For better understanding of these two poets it is necessary to mention some facts and backgrounds on them which influenced them to incorporate similar (to some extent) historical motif in their poetry.
Keats, John. “Letters: To George and Thomas Keats.” The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 967-968. Print.