William Butler Yeats Research Paper

How William Butler Yeats’s Irish Identity Shaped his Poetry

William Yeats is deliberated to be among the best bards in the 20th era. He was an Anglo-Irish protestant, the group that had control over the every life aspect of Ireland for almost the whole of the seventeenth era. Associates of this group deliberated themselves to be the English menfolk but sired in Ireland. However, Yeats was a loyal affirmer of his Irish ethnicity, and in all his deeds, he had to respect it. Even after living in America for almost fourteen years, he still had a home back in Ireland, and most of his poems maintained an Irish culture, legends and heroes. Therefore, Yeats gained a significant praise for writing some of the most exemplary poetry in modern history

His first poems about romance mentioned grey hair and exhaustion even if he wrote them while still young, and they still portray his consciousness about old age (Hoffman 29). In his 60s, Yeats began to get sickly. Regardless of his deteriorated health, he spent the last fifteen years of his life as a lively man who had an extraordinary appetite for life. He still wrote plays about spiritualism. One time after a recovery from a severe sickness, he created a sequence of dynamic poetries that recounted about an old poor fictitious female called Silly Jane as an expression of happiness. The passion for poetry kept Yeats active in his career and was determined to ensure that sickness did not hinder his

The Anglo-Irish Protestant marginal no longer had control over the Irish civilization and culture, and he felt more detached from the excellent achievement of the old Anglo-Irishmen after the death of the Protestant leaders. Yeats's views that were against democracy stated that the prominence of Anglo-Irishmen like Jonathan Swift, great philosophers, and the citizens like Edmund Burke juxtaposed severely through the ordinary normalness of the modern Irish community that appeared engrossed by the welfares of dealers and laborers. Yeats specified his shunned views in the last dramas like Agony (1938) and the theses of On the Reservoir (1939). Through his endeavors, Yeats helped to shape the Irish culture and left a