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Compare and contrast the tempest book and film
Theme of power dynamic in the tempest
How colonialism a key theme in the tempest
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In ‘Lord of the Flies’ and ‘The Tempest’ William Golding and William Shakespeare both present a strong theme of power throughout both of the literary texts including power represented through fear and through nature. The novel ‘Lord of the Flies’ written in 1954 tells the story of a group of school boys surviving on an island. Life on the island becomes chaotic and represents a microcosm of the bigger world. On the island Ralph represents the power of a capitalist fighting for democracy and Jack portrays that of a fascist. Ralph also represents a democratic society which is ruled by power for the sake of law and order and in contrast to this Jack represents an autocratic society governed by power just for the sake of having power. In ‘The Tempest’ written in the 1600’s the play reflects the colonisation of countries occurring at that period of time, Shakespeare writes this clearly as most people want to rule the island for example Caliban ‘ As I told thee before, I am subject to a tyrant, a sorcerer, that by his cunning hath cheated me of the island’. In act 1 scene 2 Prospero explains to Miranda of the power he once had as the prince of Milan before his brother Antonio gradually stole his power while he studied magic ‘The ivy which had hid my princely trunk’ Shakespeare uses the imagery of ivy to …show more content…
portray something that creeps up on you slowly like Antonio taking Prospero’s dukedom when he was pre occupied. The same can be said in ‘Lord of the Flies’ when Jack takes Ralphs authority as chief near the end of the novel. The structure of both of the texts is chronological as throughout the novels there is a gradual build up to the loss of power; Golding presents this clearly in ‘Lord of the Flies’ as the longer the boys are on the island the longer they are exposed to savagery and the power that savagery brings, especially to Jack.
This results in chaos and the eventual loss of Ralph’s authority as chief. The build up to the loss of power in ‘The Tempest’ compared to ‘Lord of the Flies’ has a contrasting approach but is also unexpected as ‘The Tempest’ unlike ‘Lord of the Flies’ lacks the foreshadowing of Jack’s savageness. ‘But I shall! Next time! I‘ve got to get a barb on this
spear!’ In ‘Lord of the Flies’ it is clear that Jack thinks he has the right to be chief as he is already the leader of the choir ‘the boy who controlled them was dressed the same way though his cap badge cap was golden.’ The use of the golden cap badge clearly presents Jack as a more important figure than the other boys who cap badges are silver. As it is immediately apparent that Jack has leadership qualities it is easy to understand that Jack is the most obvious candidate for chief ‘for the most obvious leader was Jack.’ In ‘The Tempest’ Caliban also believes that he has the right to the island as it was once ruled by his mother a witch named Sycorax. It is clear that Caliban like Jack would go to any extreme to have the power that they believe is rightly theirs as both characters are willing to kill to get it. ‘Within this half hour will he be asleep will thou destroy him then?’ however Calibans plans fail unlike in ‘Lord of the Flies’ where both Piggy and Simon are killed. In ‘Lord of the Flies’ most of the boys on the island fear Jack and the power that he possess, this is especially apparent with Piggy as he often finds himself as a punching bag to Jack ‘ ... able at last to hit someone, he struck his fist into Piggy’s stomach ... Ralph made a step forward and Jack smacked Piggy’s head’. In ‘The Tempest’ Prospero has similar attributes to Jack as they both share the same idea of rule by fear, get power by fear, and like Piggy, Caliban is Prospero’s punching bag ‘Sometime like apes that mow and chatter at me, And after bite me...’ Calibans fear of Prospero is also very apparent as he often talks about how he must obey Prospero as he knows that Prospero is too powerful ‘I must obey; his art is of such power.’ Shakespeare uses a lot of imperative language in his writing. This emphasises the power that Prospero possess and reminds us that he is in control ‘Hag-seed hence! Fetch us in fuel and be quick’. Whereas Golding uses a lot of imagery to portray savagery and power ‘He made one cheek and one eye socket white then rubbed red on the other side of his face’. The use of red represents to the reader the danger and savagery of Jacks persona. In both of the texts nature also has power as the sea surrounding the island isolates people making them crave power. It is clear in ‘Lord of The Flies’ that the island possesses power as some of the boys, especially the younger ones who fear ‘the beastie’ that lives on the island. ‘The thing is – fear can’t hurt you any more than a dream. There aren’t any beasts on this island to be afraid of! ‘Nature on the island in ‘The Tempest’ also isolates people and again makes them crave power this is presented clearly in all of the men as each one desires to take over the island such as Gonzalo ‘ Had I plantation of this isle, my lord...’ which again reiterates colonisation in the time period of which the play was written. In ‘Lord of the Flies’ it is clear that Ralph desperately wants to be free from the island and the power of Jack’s dictatorship once he realises that no one is going to come and rescue them this is represented through his devastation when he hears that the fire has gone out ‘They let the bloody fire out...Ralph clenched his fists and went very red.’, the same can be said for Ariel but instead of wanting to leave the island she wants to be free from Prospero’s control and power over her. The ending of both of the texts is very similar as Ralph and the other boys are free from the island and Prospero also releases Ariel ‘Quickly, spirit! Thou shalt ere long be free.’ As Edward Abbey once said ‘Power is always dangerous. Power attracts the worst and corrupts the best’ this is especially true for Jack as the power he gains towards the end of the novel completely changes his persona and corrupts his outlook on life. In ‘The Tempest’ it is true that power is very dangerous, Prospero demonstrates this as when he masters the power of magic he becomes a danger to characters such as Caliban.
The Lord of the Flies is a gruesome story about young boys stranded on an island, who underwent a transformation from polite British choir boys to savage hooligans. One of the main difficulties the boys face during their adventures upon the island, is their method of government, they either follow the path of Ralph, the democratic leader whose main focus is to escape the despairing island; or Jack a power-hungry monarchical leader who won't ever take no for an answer. The two boys are constantly bickering and arguing over who deserves the leader-position. We all understand Ralph wants to be leader so that he can ensure that the boys will return back home, but in Jack's case, it is a constant mystery to us about why he wants power over the other children. But we do get much small hints from the author, William Golding, that Jack's biggest fear among the other children on the island is public humiliation. This becomes more and more evident the farther on into the book, and his fear seems to be what persuades him to reach for a powerful position.
Jack, William Golding’s antagonist in Lord of the Flies, reveals through his experience on the island that it is an individual’s assertiveness, manipulative abilities, and charisma which dictate who commandeers power and privilege over others, and that possessing these traits often negatively impacts the lives of the people leaders seek to control.
“Maybe there is a beast… maybe it's only us” (Golding 80). Referencing the savagery of human nature, this statement is one with great accuracy. While reading Lord of the Flies, written by William Golding, many themes and problems presented themselves. The book really highlighted the use of power, and the types of people using it. People in society, whether they want power or not, can use their authority without the best intentions, corrupting themselves and others into inhumanity. For example, Jack uses his urge for authority, and eventually his control, to create an extremely savage tribe of boys, by pushing his own wants and laws onto them. This type of power can demoralize many people, including the ultimate
When viewing the atrocities of today's world on television, the starving children, the wars, the injustices, one cannot help but think that evil is rampant in this day and age. However, people in society must be aware that evil is not an external force embodied in a society but resides within each person. Man has both good qualities and faults. He must come to control these faults in order to be a good person. In the novel Lord of the Flies, William Golding deals with this same evil which exists in all of his characters. With his mastery of such literary tools as structure, syntax, diction and imagery, The author creates a cheerless, sardonic tone to convey his own views of the nature of man and man’s role within society.
In Lord of the Flies, Golding’s portrayal of Jack’s growing power on the island aligns with Thomas Hobbes’s assertion that humans naturally tend to act violently and contentiously, but Golding’s depiction of Jack as a leader also ridicules Hobbes’s idea of an absolute monarchy.
William Golding’s timeless classic, Lord of the Flies, reflects Philip Zimbardo’s observations on the power of power through the transformation and development of the character Roger and his personality. The more power available to Roger, the more savage he becomes until it reaches a point where he can violently murder a peer and put his head on a stick for all to see and feel no remorse. Power can corrupt even the greatest of men and if a man can have power and not be corrupt, he has passed the ultimate test of character.
Power is very dangerous, as shown in William Golding’s Lord of the Flies. The novel explores the use of power in both the hands of good and evil and for success and for failure. Also, how some characters respond to having power. An examination of William Golding’s LOTF will show how fear is powerful and how the characters use that to their advantage. Also, the power shifts between the characters and the aftermath of that.
Government plays an indispensible role in the rights and freedoms we possess in our lives. They permit us religious liberty, freedom of speech, educational opportunities, and other freedoms that go along with our daily lives. For over thousands of years civilizations and governments have been operated differently. When a group of British schoolboys become stranded on a deserted island, each have contrasting ideas on how government and society should be run. In “Lord of the Flies,” William Golding portrays how the shift in authority, ideas, and judgment of the group members result in dissimilar forms of governmental beliefs. Ralph represents a democratic government, Jack embodies a dictatorship and a totalitarian state, and Piggy is an allegorical
In Act I of the play, Prospero finally tells Miranda the woeful story of how she and he arrived on the island. From the beginning, Prospero plays his subjects and his sympathetic audience as pawns in his game of manipulation. He explains that twelve years ago he was the Duke of Milan, but being enthralled with his studies, he left most of the governmental responsibilities to his brother Antonio. Antonio, hungry to be "Absolute Milan" himself (1:2, p.6), proceeded to betray him with the help of King Alonso of Naples. When Miranda asks why they were not killed, Prospero sighs, "Dear, they durst not,/ so dear the love my people bore me" (1:2, p.7). From the beginning, Prospero portrays himself as a distinguished scholar and beloved leader unjustly victimized by his power-hungry brother. Who would suspect such a humble man of being psychologically manipulative? Prospero succeeds in deceiving many with this credible guise.
The abuses of power displayed in The Lord of the Flies and “I Only Came to Use the Phone” show how power when given or assumed can change the person who has been elevated above others as well as changing the person who is being abused. When people in authority abuse this power, they can affect people’s lives and well being.
Power is a person’s capacity to influence and control. In Shakespeare’s time and in the modern world, power is something that is sought by many people. When used for good, power can inspire change, help society and unify a nation. However, in William Shakespeare’s play King Lear, it is a force strong enough to turn family against each other, and drive people mad. Goneril and Regan are corrupted by the power their father gives them. Edmund is corrupted by the power of his new position, Earl, and King Lear is blinded by his belief that he is the all-powerful King. The greed for power, plays an extensive role in the play because it corrupts most of the villainous characters and ultimately leads them to their demise.
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly. The epiphany of this however, is realized at the end of the play.
In The Tempest, power is an aspect of Prospero’s character that stems from his ability to use magic to strengthen and reinforce his superiority among all occupants of the island. However, prior to his inhabitance of the island, Prospero lost the authoritative power that correlated with his title as Duke of Milan when he was “[extirpated] / Out of the dukedom, and fair Milan [was conferred], / with all the honours, on [his] brother” (1.2.125-126). The tempest at the beginning of the play is a symbol of Prospero’s magic. His magic is used as an abusive form of power, utilized for the purpose of self indulgence and personal profit.
William Shakespeare’s The Tempest draws parallels between magic and power. Prospero uses his magic to induce suffering. He also uses magic to exert his will upon the actions of others. Upon giving up his magic, however, Prospero achieves redemption. Thus, Shakespeare uses Prospero’s magic to reveal the corruptive influence of power.
Prospero's magical powers allow him to single-handedly take control of a situation of slowly developing chaos, caused by his eviction from Milan, and turn the plot of The Tempest. Prospero has powers over his surroundings, far greater than those of an ordinary mortal, and he uses them for good in the course of the play. This essay will discuss whether Prospero combines his magic with power over the self, and whether Shakespeare actually presents him as an ideal ruler.