Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Depiction of authority in Lord of the Flies
Lord of the flies character developement
Rules, authority and government in Lord of the Flies
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Depiction of authority in Lord of the Flies
Abraham Lincoln’s quote shows his thoughts on the power of power and its ability to corrupt even the best of men. The same opinion is shared by Philip Zimbardo, the psychologist responsible for the Stanford prison study. In his study, he observed the effect of power on college students in roles as prison guards and prisoners. The experiment had to be cut short due the effect the power had on the students in the the role of the guards. William Golding’s novel, Lord of the Flies, supports Philip Zimbardo’s claim that evil is a natural consequence of power through the development of Roger and his personality. Golding shows this through Roger’s shift from civilized and shy to savage and bold in the time spent on the island.
When the boys first landed on the island, Golding describes Roger in the quote, “There was a slight, furtive boy whom no one knew, who kept to himself . . . He muttered that his name was Roger and was silent again,” (Golding 14) Roger wasn’t really one of the bolder boys and was timid at the beginning, when they had first landed on the island. He says his name quietly and that is all to be heard of shy little Roger. Roger is also the one who suggests having a vote to pick a chief, ending the argument between Ralph and Jack and coming up with a solution that is more sophisticated than other options. When they are trying to light a fire, Roger says “‘You make a bow and spin the arrow,’ . . . He rubbed his hands in mime,” (Golding 32). This indicates that Roger knows about how to survive and that he is slowly coming out of his shell, the transition to savagery has begun.
In the transition from being civilized and shy to savage and bold, the change in Roger becomes more evident. This transition is shown when Roger ...
... middle of paper ...
... showing it was Roger’s idea and Roger’s job to display Ralph’s head to the rest of the tribe, showing that the last person concerned with being civilized, is gone and that they could be as savage as they wanted.
William Golding’s timeless classic, Lord of the Flies, reflects Philip Zimbardo’s observations on the power of power through the transformation and development of the character Roger and his personality. The more power available to Roger, the more savage he becomes until it reaches a point where he can violently murder a peer and put his head on a stick for all to see and feel no remorse. Power can corrupt even the greatest of men and if a man can have power and not be corrupt, he has passed the ultimate test of character.
Works Cited
BrainyQuote. Xplore, n.d. Web. 19 Nov. 2013.
Golding, William. Lord of the Flies. New York: Coward-McCann, 1962. Print.
In the novel, Roger is shown coming out of the forest, and walking towards a group of young kids. As he walks towards them, he starts kicking down their sandcastles, like a bully, causing the little kids to cry because, the sand is kicked into their eyes. This shows that Roger enjoys other people's pain which is proven in the novel when William Golding states,
Roger has shaped his identity throughout the book by doing actions to form his new cruel, violent identity. Roger has done things such as throw and release rocks at two boys, and then viciously hunting a pig and killing him.
Roger holds the most power because of his encounter with Ralph, and what he wants to do with Ralph. Roger is willing to kill and he “sharpens a stick at both ends” (190). This quote shows how Roger is willing to kill and is ready to take over and be the tribe’s leader. After roger had sharpened the stick, the tribe feared him.
Jack, William Golding’s antagonist in Lord of the Flies, reveals through his experience on the island that it is an individual’s assertiveness, manipulative abilities, and charisma which dictate who commandeers power and privilege over others, and that possessing these traits often negatively impacts the lives of the people leaders seek to control.
Numerous times in the book, this was acquainted with the characteristic of savagery. After failing to kill his first pig, and soon experiencing the rush of trying to catch another, the thirst for it began to become exposed. " Rescue? Yes, of course! All the same, I'd like to catch a pig first-" He snatched up his spear and dashed it into the ground. The opaque, mad look came into his eyes again” (Golding 53). Highlighting the mad look in his from this quote, really draws the attention towards the evolving butal nature inside of him. Almost paying no mind to this at the time, Ralph and the other boys let is roll of their shoulders. “‘You wouldn't care to help with the shelters, I suppose?’ ‘We want meat - ’ ‘And we don't get it.’ Now the antagonism was audible. ‘But I shall! Next time! I've got to get a barb on this spear! We wounded a pig and the spear fell out.’” (51) Each time he goes out, the frustration of his neglect rises from others especially Ralph, and his inhumanity
Roger struggled with anger issues and with expressing his feelings, yet he managed. Roger was well known for his physicality with other kids at school once he returned from the island. Similarly to what we saw on the island, Roger showed no sympathy. An example of this is observed when Golding writes: "round the squatting child was the protection of parents and school and policemen and the law." (p.60). This quote represents how Roger feels no remorse for his actions, and does not have much respect for the law. Surprisingly, however, these traits work out in Rogers favor as he saves his cousin's life 20 years after he saved Jack’s on the island. Golding writes: “Ralph stood to face them, his spear ready. By him stood Piggy still holding out the talisman, the fragile, shining beauty of the shell. High overhead, Roger, with a sense of delirious abandonment, leaned all his weight on the lever.” (p.180). Roger let that rock go to save a threatened Jack. Roger did this in a sense of self-defense, not anger. Roger did the same for his cousin who was being attacked one night by gang members on a walk back from dinner. Roger saw his cousin was cornered and acted quickly to save his cousin by whacking the gang members with a pipe, Killing them both. Roger’s cousin was untouched. Although Roger has lethal tendencies from time to time, he uses
When viewing the atrocities of today's world on television, the starving children, the wars, the injustices, one cannot help but think that evil is rampant in this day and age. However, people in society must be aware that evil is not an external force embodied in a society but resides within each person. Man has both good qualities and faults. He must come to control these faults in order to be a good person. In the novel Lord of the Flies, William Golding deals with this same evil which exists in all of his characters. With his mastery of such literary tools as structure, syntax, diction and imagery, The author creates a cheerless, sardonic tone to convey his own views of the nature of man and man’s role within society.
William Golding’s novel ‘The Lord of The Flies’ tells the story of a group of English boys isolated on a desert island, left to attempt to retain civilisation. In the novel, Golding shows one of the boys, Jack, to change significantly. At the beginning of the book, Jack’s character desires power and although he does not immediately get it, he retains the values of civilized behaviour. However, as the story proceeds, his character becomes more savage, leaving behind the values of society. Jack uses fear of the beast to control the other boys and he changes to become the book’s representation of savagery, violence and domination. He is first taken over with an obsession to hunt, which leads to a change in his physical appearance This change of character is significant as he leads the other boys into savagery, representing Golding’s views of there being a bad and unforgiving nature to every human.
While nearly all the boys on the island ignore those standards British society has taught them, Ralph does not, and, as leader, tries to apply them to society on the island. Even when everyone else reverts to his inborn evil nature, Ralph sticks with that which is good, that which he learned from British society – civility. Ralph is different than the other boys, and because of that difference, it is only fitting that he cry.
In Lord of the Flies, Golding’s portrayal of Jack’s growing power on the island aligns with Thomas Hobbes’s assertion that humans naturally tend to act violently and contentiously, but Golding’s depiction of Jack as a leader also ridicules Hobbes’s idea of an absolute monarchy.
The psychology of evil is vital to understanding why Jack and Ralph progress through the story as they do. In Lord of the Flies, evil is an undoubted key to life on the island. The main characters in William Golding’s Lord of the Flies demonstrate Zimbardo’s “Seven Social Processes that Grease the Slippery Slope of Evil,” most notable mindlessly taking the first step, blind obedience to authority, and de-individualization of self.
At the beginning of Lord of the Flies, the boys create a democratic government. As the story progresses, the initial democracy on the island is ignored, and a dictatorship rises in its place. This dictatorship fails to keep the boys in order. The author, William Golding, shows that without the institution of a strong government and set of rules people will become impulsive and seek instant gratification. In the absence of order, people tend not to become disciplined of their own accord, but rather dissolve into destructive chaos.
...t the group more than the short-term enjoyment that this new attraction presents. He knows that finding the beast will provide the entire group of boys with emotional security due to the fact that they will literally face their ultimate fear: the beast. Because Ralph values the emotional security of the group of boys, he serves as father-figure. He symbolizes someone who will always be looking out for his peers, through thick and thin, just as any father would.
In the beginning of the novel, Ralph, is a pure child, who is “turning handsprings of joy upon finding an island free of adult supervision” (Oldsey 3). He is a typical boy with average capacities and desires for rescue and enjoyment. Therefore, Ralph is the standard representation of order, leadership, and civilization. Hence, after landing on the island, he does what civilization has taught him to do, using diplomatic means and intelligence to create a democratic leadership that will help the boys attain rescue. For instance, Ralph calls for an assembly with the conch, a representation of civilization’s order and rules, which helps him be the “strong conscience, the one to bar against savagery and instill civilization” (Anjum 5). Furthermore, his urge for a fire to be made for rescue, huts for safety, and a division of power to gain all survival necessities are other ways Ralph hoped to further civilize the boys. Therefore, Ralph’s determination to keep civilization in the boys’ life is what makes Ralph the better leader than the power-driven Jack ...