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Mandela's fight against apartheid laws
Features of post colonial theory in literature
Mandela's fight against apartheid laws
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Petals of Blood is Ngugi’s fourth and last novel written in English while Devil on the Cross is the last and first novel written in Gikuyu, the native African language. In these two novels, Ngugi lays bare the neo-colonial exploitation by the African comprador class on the natives in terms of economic, political and educational means. Africa’s move towards self-government and independence is drawn ironically and realistically in these novels. The country had fought a long and bitter struggle against the colonial forces but now the challenge posed was to resist the devils acting as willing accomplices of the capitalist forces. As Ngugi says “first it has been external factor of foreign invasion, occupation and control but now the internal factor …show more content…
He explains that Ngugi as a student at Alliance high school and Makerere college was under the influence of colonialism and Christianity but when he was enrolled in the University of Leeds in 1960 he came under the influence of Fanon and Marx and found the means “to hit back at the white man” (121, Ibid.). As a result of which he not only favoured proletariats against growing economic exploitation of masses by post and neo-colonial state but also advocated the violent means of resistance. The Grain of Wheat (1967) ends at the beginning of neo-colonialism and the next novel Petals of Blood starts from the same. Hence from the former text onwards, Ngugi shows the working of Fanonist Marxist ideology. Likewise, Lisa Curtis observes that A Grain of Wheat stands apart from Ngugi’s “later novels in the way in which it universalises the human struggle for order and meaning in a changing world” (198, Ibid.). The past events of the African history of that of betrayal of the nation by the neo-colonists like Karanja in the novel determine the further struggle, in Walter Benjamin’s words “the fight for the oppressed past”. In his Concept of History, he stated that “the tradition of the oppressed teaches us that the ‘state of emergency’ in which we live is not the exception but the rule”, and in the Kenyan context- the exceptional state of emergency, the Mau Mau war becomes the daily state of …show more content…
In an interview, Ngugi said that he was arrested when he wrote in gikuyu because it had larger impact and depicted the debilitating picture of current scenario of neo-colonialism to the natives, and was widely accessible. In Petals of Blood, the characters undertake journey from Illmorog to Nairobi (city) and in Devil on the Cross the characters travel from Nairobi to Illmorog only to discover the advanced stage of bourgeoisie colonisation. Both the novels can be juxtaposed with each other in relation to its common theme of neo-colonialism as they were first enslaved through racism by Europeans and later by class through native
“Segu is a garden where cunning grows. Segu is built on treachery. Speak of Segu outside Segu, but do not speak of Segu in Segu” (Conde 3). These are the symbolic opening words to the novel Segu by Maryse Conde. The kingdom of Segu in the eighteenth and nineteenth century represents the rise and fall of many kingdoms in the pre-colonial Africa. Therefore, Segu indirectly represents the enduring struggles, triumphs, and defeats of people who are of African decent in numerous countries around the world. There are three major historical concepts that are the focus of this book. One is the spread of the Islamic religion. Another is the slave trade, and the last is the new trade in the nineteenth century and the coming of new ideas from Europe (legitimate commerce). However, Segu does not simply explain these circumstances externally, but rather with a re-enactment that tells a story of the state of affairs on a personal level, along with the political one. By doing this, the book actually unfolds many deceitful explanations for the decline of West African countries in the eighteenth and nineteenth century.
Nathan and the white colonists before him have given the indigenous people of Kalanga a negative connotation of the white skin. Leah realizes this and her objective for justice is fueled by this. She seeks her own personal vendetta to right this implication. Instead of believing the native of Africa create their own injustice she instead follows a mission to right the injustice her homeland implemented on the people. One way or another Leah has always focused on the justice of changing the Congolese mindset to one that she determines is righteous.. Through the changes in her sense justice the reader is able to analyse the dynamic point of views of the character and the ever changing political turmoil of the Congo. From the the book and Leah’s mission the notion of the shifting fates of the Congo is acquired and the reader is really able to realize what the local residents actually experience day to
This essay will closely study and describe Rosso Fiorentino’s The Descent from the Cross. The painting depicts the process of Jesus Christ being taken off of the cross.
In the novel Segu, Maryse Conde beautifully constructs personal and in depth images of African history through the use of four main characters that depict the struggles and importance of family in what is now present day Mali. These four characters and also brothers, by the names of Tiekoro, Siga, Naba, and Malobali are faced with a world changing around their beloved city of Bambara with new customs of the Islamic religion and the developing ideas of European commerce and slave trade. These new expansions in Africa become stepping stones for the Troare brothers to face head on and they have brought both victory and heartache for them and their family. These four characters are centralized throughout this novel because they provide the reader with an inside account of what life is like during a time where traditional Africa begins to change due to the forceful injection of conquering settlers and religions. This creates a split between family members, a mixing of cultures, and the loss of one’s traditions in the Bambara society which is a reflection of the (WHAT ARE SOME CHANGES) changes that occur in societies across the world.
In the novel a Grain of Wheat written by Nugugi we explore in-depth the hardships and courage of African men and women who were forced to fight for their independence in the War of Independence. This book reveals to us the life of a man named Gikonyo. As a reader we learn that Gikonyo was through into a detention camp a poor and confused man. When released, Gikonyo is a new man with motivational and leadership abilities. Finding his true self in the camp and proving to be a true leader among his people. Although he is a new man after the camps, Gikonyo finds himself falling further apart from his beloved wife then he had ever been before.
The Kenyan feminist and environmental activist, Wangari Maathai, explores the legacy of colonialism and oppression in her native country through her moving 2006 memoir, Unbowed. Maathai explains that over the course of the nineteenth and early twentieth centuries, Africa experienced a massive influx of white settlers. In an effort to solidify control over recently acquired colonies, many European powers had encouraged large numbers of their ethnically white citizens to make a new home on the African continent. As a result, thousands of native Africans were displaced. Maathai’s ancestors, the Kikuyu and Maasai peoples were among them. The majority of these forced dislocations took place in the highland regions. The rich soil and temperate climate of this area had proven attractive to native African peoples for centuries; and it seemed the new British settlers found it equally tempting. After most of the land’s original occupants were transported to the Rift Valley region of western Kenya, settlers began taking advantage of the highlands’ vast natural resources. The land was essentially ravaged as ancient forests were clear-cut in order to make room for agricultural plots. The introduction of the plantation system, with its non-native plant species, large-scale hunting, and systematic recruitment of Africans as field laborers, signaled the next phase in the oppression of native Africans (Maathai 6-9).
This is a gripping novel about the problem of European colonialism in Africa. The story relates the cultural collision that occurs when Christian English missionaries arrive among the Ibos of Nigeria, bringing along their European ways of life and religion.
Chinua Achebe was an influential Nigerian author during the 1900’s who was credited with his three essays which have been fused together into the book “Home and Exile”. In his stories he discusses things such as his own Igbo people, the problems with colonialization, the strength that stories can have and many more topics. A big part of his essays are on his thoughts of colonialism, the impact it has had on his home of Nigeria, and how stories written by others either helped justify colonialism or rejected it. Chinua argues that stories have their own power to fight, and while stories themselves do not have the ability to directly fight colonialism; they do, however with their power of words, stories can motivate and encourage people to stand up against colonialism. In proving this thesis to be a true statement, I will be providing evidence of the how, why and the extent to which stories can fight colonialism.
The book, a feminist anthem in its own right, presents to the reader, Nnu Ego, a love child from an open affair by a woman who refuses to be bound by the chains of marriage, is the reincarnation of a slave girl who was killed by her father before she was born. Nnu Ego’s mother, Ona is an unconventional Igbo woman. She chooses to have an affair with a wealthy local chief who proposes marriage to her. She refuses the marriage proposal, because “he married a few women in the traditional sense, but as he watched each of them sink into domesticity and motherhood he was soon bored and would go further afield for some other exciting, tall and proud female” (Joys of Motherhood 10). She chooses not to be an addition to his harem, but content to be his mistress as long as he meets with her in her father’s
Korang, Kwaku Larbi. “Making a Post-Eurocentric Humanity: Tragedy, Realism, and Things Fall Apart.” Research in African Literatures 42.2 (2011): 1–29. ProQuest. Web. 11 Nov. 2013.
Chinua Achebe analyzes a culture he is not accustomed with. The Madwoman in the attic theory comes into play as a westerner writing about “savage Africa”. Things Fall Apart provides an important understanding of Africana identity and history for those in the West who may be unfamiliar with African culture. Achebe tackles female identity within this book with delicacy keeping with the Ibo view of female nature in the background of the story but the forefront of the reader’s mind. A discussion of womanhood must touch upon manhood because they operate as a complementary, opposing, and equal entity.
While Collins does a succinct job of examining the economic and political factors that heightened colonization, he fails to hone in on the mental warfare that was an essential tool in creating African division and ultimately European conquest. Not only was the systematic dehumanization tactics crippling for the African society, but also, the system of racial hierarchy created the division essential for European success. The spillover effects of colonialism imparted detrimental affects on the African psyche, ultimately causing many, like Shanu, to, “become victims to the white man’s greed.”
History has been told through various forms for decades. In the past, history was more commonly expressed through word of mouth, but more recently in the past century, through written text. While textbooks and articles give formal information with little to no bias, novels give a completely new perspective from the people who experienced it themselves. The Novels, God’s Bits of Wood, written by Sembene Ousmane, and No Longer at Ease, by Chinua Achebe give a more personal account of the effects of colonization. These two novels tackle the British and French method of colonization. God’s Bits of Wood takes place in the late 1940s and sheds light on the story of the railroad strike in colonial Senegal. The book deals with different ways that the Senegalese and Malians respond to colonialism during that time. No Longer at Ease is set in the 1950s and tells the early story of British colonialism and how the Nigerians responded to colonization. Comparing the two novels, there are obvious similarities and differences in the British and French ways of rule. African authors are able to write these novels in a way that gives a voice to the people that are most commonly silenced during colonialism. This perspective allows readers to understand the negative ways that colonization affects the colonized. Historical fiction like God’s Bits of Wood and No Longer at Ease are good educational tools to shed light on the history and effects of colonization, but they do not provide a completely reliable source for completely factual information.
Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process.
Having done the above analysis on my favourite text, “Anowa” by Ama Ataa Aidoo, I realise that my like for the text has heightened because the analysis of Anowa has given me a deeper understanding of Africa’s colonialism. I now know what actually led to our colonialisation (the betrayal) and how it began (the bond of 1844) through the personal lives of Anowa and Kofi.