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Gender issues in Chinua Achebe's Things Fall Apart
Gender issues in Chinua Achebe's Things Fall Apart
Gender issues in Chinua Achebe's Things Fall Apart
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Sandra Gilbert and Susan Gubar pursue a definition for what it means to be an authoress in a male dominated culture of writers. The central question for Feminists, according to Gilbert and Gubar, is: “Does the Queen try to sound like the King, imitating his tone, is inflections, his phrasing, his point of view? Or does she ‘talk back’ to him in her own vocabulary, her own timbre, insisting on her own viewpoint?” However, I cannot overlook the prospect of a man feeling just as mad and cooped up writing a text that others would view as out of his league. Chinua Achebe is the epitome of this Madman in the Attic. Born and raised in London, and brought up Christian he was as far away from being Okonkwo as I am as a white middle class American female. If Gilbert and Gubar are accusing women of feeling out of place writing in what then was a man’s field of expertise then Achebe masterfully channels the feminine madness into Things Fall Apart by writing a culture of strong independent women masked by silent passive girls.
Chinua Achebe analyzes a culture he is not accustomed with. The Madwoman in the attic theory comes into play as a westerner writing about “savage Africa”. Things Fall Apart provides an important understanding of Africana identity and history for those in the West who may be unfamiliar with African culture. Achebe tackles female identity within this book with delicacy keeping with the Ibo view of female nature in the background of the story but the forefront of the reader’s mind. A discussion of womanhood must touch upon manhood because they operate as a complementary, opposing, and equal entity.
The central character, Okonkwo, has three wives that he treats like servants rather than helpmates. His wives "live in perp...
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...exiled to his motherland. Uchendu, his uncle, notices Okonkwo's grief and powerfully explains to Okonkwo how he should view his exile: "A man belongs to his fatherland when things are good and life is sweet. But when there is sorrow and bitterness he finds refuge in his motherland. Your mother is there to protect you. And that is why we say that Mother is Supreme”. The only credit and fulfilment these women enjoy is motherhood. They receive respect and love from their children. They are strong for their children. Women are viewed to be very gentle and caring. They are expected to take care of their children with the best of their ability. Women are trusted totally by their children. This honorable portrayal of women is used by Achebe to identify women's role in the Ibo society. This portrayal is necessary to show that women indeed play an important role in society.
Set in Africa in the 1890s, Chinua Achebe's ‘Things Fall Apart’ is about the tragedy of Okonkwo during the time Christian missionaries arrived and polluted the culture and traditions of many African tribes. Okonkwo is a self-made man who values culture, tradition, and, above all else, masculinity. Okonkwo’s attachment to the Igbo culture and tradition, and his own extreme emphasis on manliness, is the cause of his fall from grace and eventual death.
1. In traditional Ibo culture, women are not treated as equals and are equivalent to possessions. In a family, the children always belong to the father, not the mother. “I have even heard that in some tribes a man’s children belong to his wife and her family” (74). Okonkwo appears appalled to this blasphemy. It is common and ideal for a husband to possess multiple wives, and men beat their wives for even the smallest infractions. During the Week of Peace, the goddess forbids wife beating, such as when Okonkwo beat Ojiugo. “And when she returned he beat her very heavily …It was unheard of to beat somebody during the sacred week” (29-30). To live in a culture with so many threats to them, women are required to be mentally and emotionally strong.
Okonkwo’s fear leads him to treat members of his family harshly, in particular his son, Nwoye. Okonkwo often wonders how he, a man of great strength and work ethic, could have had a son who was “degenerate and effeminate” (133). Okonkwo thought that, "No matter how prosperous a man was, if he was unable to rule his women and his children (and especially his women) he was not really a man" (45).
“Okonkwo was provoked to justifiable anger by his youngest wife, who went to plait her hair at her friends house and did not return early enough to cook the afternoon meal” (25). As we can see the wife or wives are expected to cook for their husband no matter what. The men do not traditionally cook home meals, this is why Okonkwo was very angry, he is so used to coming from a hard day of work outside and receives no food on an empty stomach. “Yam stood for manliness, and he could feed his family on yams from one harvest to another was a very great man indeed” (29). The role of the man could not have been explained any better. The Ibo men are obligated and traditionally the ones who grow their own farm and crops, the “dirty work” and maintain the family settle so they are never in need. “Can I bring you a chair for you? No that is a boys job” (39). Ezinma offers to bring a chair, she’s doing things that boys her age usually do. It seems to Okonkwo that she makes up for the manliness that his boys lack, this is one of the reasons why he is so hard on Nwoye. This is why he repeats to himself constantly that he wishes that Ezinma were a boy. Overall men have a lot to say in Umuofia a lot of authority and respect. On the other hand women are valued much less and have many more restrictions and are stuck with general household
The protagonists of this novel, Okonkwo, is an especially masculine leader in the Indu tribe in Nigeria. The novel starts off with some background information that Okonkwo was forced into independence at a very young age, mentally isolating him from other children and his family. Okonkwo reflects, "I began to fend for myself at an age when most people still suck at their mothers’ breasts." (Achebe, 9). Immediately this statement causes great sympathy for Okonkwo because of his parents terrible nurturing skills, as well as the lack of childhood that Okonkwo got to experience. Not only does it cause sympathetic feelings, but it also allows the reader to see Okonkwo's heroic qualities that he acquired at such a young age. Similarly to Winterson, Okonkwo put in effort to remove himself from the isolation that his family forced him into as well as making the reader feel compassionate towards
A main character in the novel, Okonkwo has several wives. He orders them around like dogs. They are never to question what they are instructed to do; they are expected to be obedient. We see this early in the story, when Okonkwo brings Ikemefuna into his home. Okonkwo tells his senior wife that Ikemefuna belongs to the tribe and that she is expected to look after him. She in turn asks him if he will be staying with them for a long period of time. This sends Okonkwo into a fury. He snaps at her in a very degrading manner, "Do what you are told woman. When did you become one of the ndichie (meaning elders) of Umuofia?"(pg.12) Clearly she receives no respect. Later in the story we see this woman try to comfort Ikemefuna. She "mothers" him as if he is one of her own children. She tries to put him at ease and can almost instinctively feel how much he misses his own mother.
As wise John Berger once said,“Never again shall a single story be told as though it were the only one”. A “single story” is the story of a culture that we learn from stereotypes and conspiracies developed throughout time in our society. In “Things Fall Apart”, Chinua Achebe defies the single story of African culture while still tying their native language in to show the importance between a physical differentiation of culture, and the similarities with morals and values they have in common. Through gender roles and proverbs used in the language of this book, we have a cultural insight of Nigeria through a new set of eyes given to us by Achebe that detures us from the single stories that we were taught to by our society.
The concept of a tragic hero is one of the most notable and widespread literary tropes, having been in existence for over some 2000 years. As defined by Aristotle in his Poetics, a tragic hero is someone who undergoes a struggle far more potent than deserved. Chinua Achebe’s novel, Things Fall Apart, exhibits a tragic hero through its protagonist, Okonkwo. Achebe achieves this status through his tragic flaw of excessive pride, his ultimate demise caused by said pride, and his ability to evoke fear and pity within the audience.
In the book women are being treated poorly. Okonkwo has three wives in which he expects for them to follow his orders or there would be consequences. Women do not get enough credit in the Igbo culture, they do so much stuff but yet receive so little credit for their work. They cook, clean the house and take care of their kids. They get disrespected by their own husbands. For example, when Okonkwo hit his youngest wife because she left the hut without making
]k Adegbite O. came to a similar conclusion about Okonkwo’s views on masculinity and femininity when he makes the remark in his essay that, “Okonkwo is of the opinion that traditional men have lost their place in society and cannot be termed ‘worthy’ anymore as Western culture has softened their resolve; men have been turned to weaklings by colonisation and the white man’s religion” (Tobalase, “Masculinity and Cultural Conflict in Chinua Achebe’s Things Fall Apart”).
The white man considered Africans to be primitive savages. They were seen as inferior, second-class citizens. Chinua Achebe was an African novelist who sought to give the African people a voice. Achebe gave a prospective of African culture that had been missing from the literature. The white man primarily composed works of literature, therefore there was a skewed representation of African culture. Achebe conveyed a greater understanding of African culture through his first novel Things Fall Apart. This analysis will examine Okonkwo’s power and lack of freedom through his wealth, property, and actions.
Before the arrival of the Europeans, Achebe did a excellent job portraying how the life of Igbo was before they were forced to oppose their own culture. To support this theme, Achebe included detailed descriptions of social rituals within each family, the justice system, religious practices and consequences, preparation and indulgence of food, the marriage process and the distributing of power within the men. Achebe shows how every man has an opportunity to prove himself worthy to achieve a title on the highest level, based merely on his own efforts. One may argue that the novel was written with the main focus on the study of Okonkwo’s character and how he deteriorates, but without the theme that define the Igbo culture itself, we would never know the universe qualities of the society that shaped Okonkwo’s life. The lives of the Igbo people was no different to the actual lives of the Ibos people back in the early days of Africa. Just like in Things Fall Apart, in actual African tribes there was never a ruler. “Very interesting thing about these villages is that there is no single ruler or king that controls the population. Decisions are made by including almost everyone in the village” (AfricaGuide). Using the theme, Achebe educated readers on by mirroring real African life in her
Achebe wrote Things Fall Apart to be an antithesis to much of European literature, and his characterization of Okonkwo as almost a tragic hero serves that purpose. Because Okonkwo has similarities to Oedipus and others, such as Thyestes or Hamlet, he shows Western readers that Africans and members of other marginalized cultures are not completely foreign. As a corollary, Okonkwo 's failures to meet some of the qualities of a tragic hero demonstrate the failure of the mainly Western archetype to represent universal standards, a main point for postcolonialist writers. However, just because Okonkwo is an inversion of the traditional tragic hero does not mean that the archetype cannot hold for cultures outside of Europe; instead, it merely means that archetypes can be modified to create more literary variety in the same way that novels written by Africans, Europeans, and other cultures introduce essential diversity into the literary
Achebe’s novel, Things Fall Apart, includes a narrative about protagonist Okonkwo and how he perceives his wives, friends, father, and children based on how they measure up to societal customs which expect each to carry out and stay within his or her given role. Okonkwo is no different in frequency of judgement than Marlow. While each author has his own respective style, both convey the effect that preconception has on perception. Okonkwo is first described to hate his father: “...even as a little boy he had resented his father's failure and weakness…” (13). Diction such as “failure” and “weakness” aid the reader in understanding the taboo surrounding frailty in Umuofia and specifically the African culture. This taboo is emphasized by the
Okonkwo sees his father’s gentleness as a feminine trait. He works hard to be as masculine as possible so that he will be the opposite of his father and overcome the shame his father brought to his family. Okonkwo deals with this struggle throughout the entire book, hiding the intense fear of weakness behind a masculine façade (Nnoromele 149). In order to appear masculine, he is often violent. In his desire to be judged by his own worth and not by the worth of his effeminate father, Okonkwo participates in the killing of a boy he sees as a son, even though his friends and other respected tribe members advise him against it. (Hoegberg 71). Even after the killing of Ikamefuna, Okonkwo hides his feelings of sadness because the emotions are feminine to him. He goes so far as to ask himself, “when did you become a shivering old woman” (Achebe 65), while he is inwardly grieving. The dramatic irony of the secret fears that Okonkwo has will open the reader’s eyes to how important gender identity is to him. This theme is also presented among Okonkwo’s children. He sees his oldest son, Nwoye, as feminine because he does not like to work as hard as his father (Stratton 29). When Nwoye eventually joins the Christian church, Okonkwo sees him as even more feminine. On the other hand, Okonkwo’s