History has been told through various forms for decades. In the past, history was more commonly expressed through word of mouth, but more recently in the past century, through written text. While textbooks and articles give formal information with little to no bias, novels give a completely new perspective from the people who experienced it themselves. The Novels, God’s Bits of Wood, written by Sembene Ousmane, and No Longer at Ease, by Chinua Achebe give a more personal account of the effects of colonization. These two novels tackle the British and French method of colonization. God’s Bits of Wood takes place in the late 1940s and sheds light on the story of the railroad strike in colonial Senegal. The book deals with different ways that the Senegalese and Malians respond to colonialism during that time. No Longer at Ease is set in the 1950s and tells the early story of British colonialism and how the Nigerians responded to colonization. Comparing the two novels, there are obvious similarities and differences in the British and French ways of rule. African authors are able to write these novels in a way that gives a voice to the people that are most commonly silenced during colonialism. This perspective allows readers to understand the negative ways that colonization affects the colonized. Historical fiction like God’s Bits of Wood and No Longer at Ease are good educational tools to shed light on the history and effects of colonization, but they do not provide a completely reliable source for completely factual information.
God’s Bits of Wood and No Longer at Ease are similar in their displays of linguistic colonization by their colonizers. In both novels, the linguistic colonization affects those colonized by creating conflict...
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...for history.
Historical novels written by authors who experience the history are great sources for a more first hand account of history that is often one sided and simply based on facts. Historical fiction can make the history more personal and enjoyable to the reader reading it, but it can also be deceiving if the reader is not already at least vaguely familiar with the history. God’s Bits of Wood and No Longer at Ease express and explain colonization and the way that it affected those who were colonized in a way that textbooks often cannot. When comparing the two novels, differences in the nature of the ruling and similarities in the impact it has on various social classes and generations are evident. Though historical novels are a great source, it must be kept in mind that they are novels and should not be relied on for one hundred percent factual evidence.
...ion of imperialism has evolved. In both Heart of Darkness by Conrad, and The Poisonwood Bible by Kingsolver, Africa is invaded and altered to conform to the desires of more “civilized” people. While this oppression in the Congo never seems to cease, the natives are consistently able to overcome the obstacles, and the tyrants, and thus prove to be civilized in their own regard and as capable of development as the white nations. As Orleanna says herself: “Call it oppression, complicity, stupefaction, call it what you’d like…Africa swallowed the conqueror’s music and sang a new song of her own” (Kingsolver 385). Kingsolver illustrates that though individuals may always seek to control and alter the region, the inhabitants and victims of the tyranny and oppression live on and continue past it, making the state of the area almost as perpetual as the desire to control it.
A true saying is “Colonization often does more damage than contribution.” Colonialism encouraged Africa’s development in some areas, but in many others it severely damaged the natural progress of the continent. If colonialism was never imposed on Africa, Africa’s developments would be significantly different and many of the problems that the continent faces now would not exist today. In conclusion, at first it seems that colonialism has both positive and negative effects, but the truth is it only damages the colonized nation.
...heir superiority. Achebe embraces the beauty of humanity while simultaneously addressing its flaws. With his ability to contemplate conflicting perspectives, Achebe illustrates the benefits of cultural relativity. Achebe does not target religion or even the colonizers; he addresses people universally, encouraging global consideration and individual reflection. To accentuate the forcefulness of the colonizers, Achebe contrasts it with his own temperateness—he portrays his characters without generalization, he presents his opinions with a carefully restrained perspective, and remains calm in his writing, never resorting to hatred. Instead of passively resenting his village’s colonization, Achebe productively channels his specified anger into global compassion, showing his readers the value in considering different cultures with objective and thoughtful rationality.
Klein, Martin A. “French West Indies.” Slavery and Colonial Role in French West Africa. Cambridge:
In these examples, we can see the reasons that stories truly do have the power to change things and fight colonialism, the multiple authors mentioned throughout “Home and Exile” were very influential, even if they used their power of narrative in corrupt ways to justify their action. Throughout history, there will always be an author whose words will be strong enough to fight the problems of society, truly Chinua Achebe was the author of the 1900’s whose words were powerful enough to fight for what he believed in and help end the problem known as colonialism.
Sembene Ousmane’s novel, “Gods Bits of Wood,” gives a highly detailed story of the railway strike of 1947-48 in French West Africa. It contains conflicts of political, emotional and moral nature. Ultimately, Sembene’s novel is one of empowerment. It brings to light the tension between colonial officials and the African community among the railway men as well as the struggle of the African community to free itself from being subjected to colonial power. Frederick Cooper’s article, “Our Strike: Equality, Anticolonial politics and the 1947-48 Railway Strike in French West Africa,” helps reveal the strike’s true meaning and agenda by analyzing the conflicts present in Sembene’s novel. In fact, it paints a very different picture of the railway strike than Sembene’s novel.
A. Adu Boahen's African Perspectives on Colonialism neatly classifies African responses to European colonialism during both phases of invasion and occupation during the 19th century with precise labels according to their nature or time period. However, the reactions can also be loosely grouped into two diametric characterizations: peaceful and violent. Although creating this dichotomy seems a gross generalization and oversimplification of the colonial African experience, it more importantly allows for a different perspective- one that exposes the overwhelming success of the typically peaceful or pacifist reaction in contrast to the little gain and large losses of the violent response.
Beginning in 1880, there was a growing desire for European countries to expand and control their rule. The only continent at that time that was left uncontrolled and, in the European's eyes uncivilized, was Africa. This was the start of Western Imperialism. All European countries wanted their piece of Africa and to get it, they would let nothing stand in their way. They would change the entire government, religion, market, and behavior of most of the African nation and affect almost every person living there. An account of the impact of Imperialism is given in Chinua Achebe's Things Fall Apart. This book shows the changes that occurred in Africa during Imperialism and its affect on the community and the people of the tribes that existed there.
In the modern day, Africa is seen by the world around it as a relatively underprivileged continent. Since its independence from colonial rule, Africa 's economic performance has been less than stellar and its advancement has been slow, which could be argued through a myriad of different ideologies. Nathan Nunn, the author of “Historical Legacies: A model linking Africa’s past to its current underdevelopment” believes that the slave trade and colonial rule, brought on by the Europeans in the past, is the reason for Africa’s economic hardships, that are still lingering to this day. What he sets out to answer in this academic paper is an interesting question, “Why do these events, which ended years ago, continue to matter today?” Through the
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity. Through her juxtaposition, she undermines the stereotypes that continue to characterize Africa as backwards and traditional, proving instead that colonialism has produced a cross culture where the two are intertwined.
In Chinua Achebe 's classic novel "Things Fall Apart," the development of European colonization 's lead to extreme cultural changes, leaving a lasting impact on the Igbo village of Umofia in West Africa. In the novel, Achebe displays the impacts of European colonization in both critical and sympathetic terms to provide the reader with both positive and negative factors of Imperialism to develop an unbiased understanding of what the Igbo culture and society went through. While addressing the hardship 's of life by showing the deterioration of Okonkwo 's character, the cultural and traditional changes of society, and the positive and negative impacts of imperialism, Achebe keeps touch on the overall theme of the novel, once a dramatic event
While Collins does a succinct job of examining the economic and political factors that heightened colonization, he fails to hone in on the mental warfare that was an essential tool in creating African division and ultimately European conquest. Not only was the systematic dehumanization tactics crippling for the African society, but also, the system of racial hierarchy created the division essential for European success. The spillover effects of colonialism imparted detrimental affects on the African psyche, ultimately causing many, like Shanu, to, “become victims to the white man’s greed.”
By altering the perspectives of West Africans, it created two major problems. The indigenous man believes he is behind the rest of the world and must assimilate, and the colonizer becomes the ultimate goal of the colonized man. This is an imagined state of inferiority. Europeans have to power to influence one another and the one’s they colonize. Europeans provided a “need” for industrialization that was not relevant to African life. In order to legitimize industrialization, Europeans played on the ego’s of the ambitious. Marketing an ideal that Africans could be just as successful as the Europeans. Aimé Cesaire says, “No human contact, but relations of domination and submission which turn the colonizing man into a classroom monitor, an army sergeant, a prison guard, a slave driver, and the indigenous man into an instrument of production”. (Cesaire, 50) The colonized man no longer needs the colonizer, he must perpetrate their principles. Some West Africans will now take on the role as exploiters in order to gain approval. This type of Laborer becomes the sub-oppressor. West African citizens are split into bourgeoisie and impoverished. The bourgeoisie believe that they have reach success by becoming educated in Europe and must come back and help their homeland, when in actuality they begin to harm their home rather than help. By believing that the colonizer has better schooling, opportunity or knowledge, they devalue those
The widely known novel named Things Fall Apart was written by a man by the name of Chinua Achebe. Things Fall Apart represents the cultural roots of the Igbos in order to provide self-confidence, but at the same time refers them to universal principles which vitiate their destructive potential (Rhoads 61). As the reader continues through the narrative and learn more in depth about the characters a sense of pride, trust, and faith in history come into view. Seeing Achebe’s duty as a writer in a new nation as showing his people the dignity that they had lost during the colonial period, he sets out to illustrate that before the European colonial powers entered Africa, the Igbos had a philosophy of great depth and value and beauty, that they had poetry and, above all, they had dignity (Rhoads 61). Yet, with the introduction of colonialism the characters must learn to accept and get used to a new culture and set of beliefs or face termination from society. The novel focuses on the troubles of African cultures and their struggle to adjust to colonialism. As the novel progresses, one can also observe the influence of religion over time and how it has changed in many societies. Although many readers would describe the colonialism in Africa as something normal and something you can not prevent; a closer look of this novel would suggest that the needs of human nature to expand their values and beliefs upon others causes ancient cultures to evolve or fade out of existence. Things Fall Apart in part is a statement of what the future might be if Nigeria were to take advantage of the promising aspects of its past and to eliminate the unpromising ones (Rhoads 62).
Having done the above analysis on my favourite text, “Anowa” by Ama Ataa Aidoo, I realise that my like for the text has heightened because the analysis of Anowa has given me a deeper understanding of Africa’s colonialism. I now know what actually led to our colonialisation (the betrayal) and how it began (the bond of 1844) through the personal lives of Anowa and Kofi.