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Relationship between gods and mortals
Relations With Deities
Relationship with the Greek gods
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One of the most fascinating aspects of the ancient epic is the window it provides into the relationship between humans and their gods. Just as the hero of the classical epic represents an embodiment of the ideals of that society, observing the interactions between an epic’s hero and his gods, can provide some of the most revealing insights into the fascinating relationship between a given society and their gods. Through careful analysis of The Epic of Gilgamesh and Homers’ The Odyssey, we learn of similarities between the Greek and Sumerian relationship with their gods, in that both the goddesses Ishtar and Circe are revered, feared, and idolized by the hero; and of the differences between the two empires’ divine relationships, as Odysseus treats Circe much more as one would a human, than
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Gilgamesh, rooted in his reverence for the all-mighty Ishtar but at the same time flawed with an unrestrained personality, mistreats Ishtar, and achieves the opposite relationship with Ishtar than Odysseus does with Circe, as a potential ally and infatuated goddess becomes a relentless enemy.
This is only exacerbated when, rather than show any remorse or appeasement of any kind, Gilgamesh with the help of Enkidu tears the Bull of Heaven to shreds, and holds a rally where the citizens of Uruk crowd and applaud Gilgamesh, calling him “finest among young men!” and “proudest among the males!” (Gilgamesh 83). Finally, pouring salt on an already slashed open wound, Gilgamesh holds parties in his palace, celebrating his victory over Ishtar’s wrath.
From this point on the contrast becomes even starker between Gilgamesh’s treatment of Ishtar and Odysseus’ treatment of Circe, because of the difference in each hero’s developing relationship with his
I would describe the Mesopotamians ideal of kingship as courageous and a shepherd of the people. The basis of the monarch’s legacy is his arrogance, courage, beauty, and god like self.
Gilgamesh was a very self confident and at times that self confidence led to him to have little compassion for the people of Uruk at he beginning of the story. He was their king, but not their protector; he kills their sons and rapes their daughters. He felt like he was superior to others due to the fact that he was two-thirds god, his mother was a goddess Ninsun and one third human. This fact is the key to all of his actions. This is also what sets him apart from the hero Odysseus.
Both the first civilizations and Ancient Greece were marked by great leaders, though one society gave its citizens more jurisdiction over their own lives than the other. The people of the first civilizations had more power than those of Ancient Greece as shown by their powerful kings in The Epic of Gilgamesh and their leader’s ability to listen in The Tale of the Eloquent Peasant, versus the supreme rule of the king in Plato’s The Republic.
The story of Gilgamesh seems to be a collection of trials and tribulation. Throughout the book, you watch characters battle demons with each other, as well as within themselves. The tantalizing temptations that fill each character, ultimately leads to destruction and death. One example was the relationship between Ishtar and Gilgamesh. Both characters display a type of arrogant, 'ego-consciousness' (Neumann 63) that inevitably leads to subversive fate.
"Achilles." Gods, Heroes and Myth: Mythologies of Many lands. 10 June 2003. Internet. 23 June 2003.
In the beginning of the Iliad and The Epic of Gilgamesh there are similarities in the behavior of the leading characters. Gilgamesh and Achilles both have problems managing their emotions. For Gilgamesh the issue is in the form of sexual conquest and abuse of power. For Achilles it is pride and fury that causes problems for the hero. It could be said that these behaviors show how the heroes deal with and internalize feelings as well as emotions. Another similarity is how the loss of their comrades causes a transformation in the protagonists. In the Iliad the hero Achilles suffers the loss of his close comrade, Patroclus, and likewise in The Epic of Gilgamesh he experiences the death of Enkidu. The deaths of these comrades serve as a catalyst
Gilgamesh’s fear of death than leads him to go on a quest in search of immortality. Along the way Gilgamesh runs into Enkidu who was created to end Gilgamesh’s reign, but instead Gilgamesh and Enkidu begin to fight and some how a start of a new friendship emerges. “Gilgamesh and Enid have a furious and prolonged wrestling match but emerge from the contest as friends.” (Gilgamesh, 205) Enkidu Accompanies Gilgamesh on his quest in search of immortality but instead ponders off to slay an innocent servant, referred to as Humbaba, although Humbaba begged for his life. Gilgamesh and Enkidu still take his life, angering the gods. Ishter the goddess than falls in love with Gilgamesh but he rudely insults her making her rage with anger. “Ishter ask her father for Amu to make the Bull of Heaven, to destroy Gilgamesh and Enkidu. Gilgamesh and Enkidu kill the Bull of Heaven, and throws the thighbone of the Bull in Ishter’s face, a terrible form of disrespect.” Gilgamesh has no compassion nor does he have sympathy or respect, killing off spiritual servants and disrespecting the gods. The Actions of Gilgamesh and Enkidu Angered the god terribly. Enid was created to stop Gilgamesh but instead made the situation messier than it need to be, therefore the gods punish him with dead. “Ana, Enlil, Es and heavenly Shamash took counsel together, and Anu said to Enlil, ‘Because they have killed the Bull of Heaven, and because
The idea of fate has baffled mankind for centuries. Can humans control what happens to them, or is everyone placed in a predestined world designed by a higher power? The Epic of Gilgamesh and Oedipus The King highlight on the notion that no matter what, people cannot control what is destined to occur. Interestingly enough, many other distantly connected cultures had, and have similar gods or goddesses who play a role in the fate of individuals. Oedipus, King of Thebes, was told by the Oracle at Delphi that he would one day kill his father and marry his mother. Determined not to let this prophecy verify his fears, Oedipus does all in his power to prevent this from happening, yet fails. Similarly, Gilgamesh, king of Uruk, attempts to obtain immortality, but fails as well. Gilgamesh's and Oedipus's intense fear and ignorance cause them to try to interfere with their fates, leading to their failures and realization of the futility of trying to control destiny.
Gilgamesh is an example of someone who had many flaws and faced many struggles but, in the end, changed his attitude and became a better person. In the beginning of Gilgamesh, he is described as doing whatever he wants and being juvenile in a way. For example, in the text it says, “he was their shepherd, yet powerful, superb, knowledgeable and expert, Gilgamesh would not leave young girls alone, the daughters of warriors, the brides of young men.” With his second half, Enkidu, they entered into the first step in becoming a hero according to Campbell, the separation, by going on an adventure. At this point in the story, Gilgamesh is very arrogant. While traveling to Cedar Forest, Gilgamesh tells Enkidu, “let me go in front of you, and your voice call out: ‘Go close, don’t be afraid!’ If I should fall, I should have won fame. People will say, Gilgamesh grappled in combat with ferocious Humbaba… ensure fame that will last forever.” Next is stage two, the initiation, of the Campbell’s hero journey. Gilgamesh undergoes a trail to begin his transformation, he must fight the Bull of Heaven. Gilgamesh’s supportive side is starting to show when he tells Enkidu that they will win if they fight together. After killing the Bull of Heaven, Gilgamesh’s confident attitude is shown once again. The next trial he faces is the death of Enkidu. He starts to show emotion when he says, “for you Enkidu, I, like your mother, your father, will weep on your plains… I will lay you to rest on a bed of loving care… and I myself will neglect my appearance after your death.” At this point his character has been greedy and then he showed his fear and supportive side. The last stage in the hero’s journey is the return. Enkidu’s death sent Gilgamesh on an adventure to fight death. From this adventure he learned his biggest lesson from Utnapishtim. He learns to appreciate life, and
What does society define as a hero? Is it someone who saves people from burning buildings, stops a comet from destroying the earth, or simply rescues a cat from a tree? Throughout Gilgamesh and the Flood Story of Genesis, readers may realize the differences and similarities regarding heroic characteristics between Gilgamesh and Noah. Gilgamesh has several characteristics that classify him as a hero to the Babylonians. Gilgamesh was more than “two-thirds divine and one-third human,” (para 2).
The Epic of Gilgamesh has many similarities to the Bible, especially in Genesis and it’s not just that the both begin with the letter “g”’! One major similarity being the flood story that is told in both works. The two stories are very similar but also very different. Another being the use of serpents in both works and how they represent the same thing. A third similarity being the power of God or gods and the influence they have on the people of the stories. Within these similarities there are also differences that need to be pointed out as well.
As Gilgamesh cleans himself and his blood stained weapons, Ishtar, the goddess of love and beauty, takes notice of his beauty and offers to become his wife. Gilgamesh refuses with insults, listing all her mortal lovers and recounting the dire fates they all met with at her hands. Ishtar is enraged at the rebuff. She returns to heaven and begs her father, Anu, to let her have the Bull of Heaven to wreak vengeance on Gilgamesh and his city. Anu reluctantly gives in, and the Bull of Heaven is sent down to terrorize the people of Uruk. Gilgamesh and Enkidu, work together to slay the mighty bull. That following night Enkidu dreams that the chief gods met in a council and had decided that someone should be punished for the killing of Humbaba and the Bull of the Heavens. That someone is he. Enkidu commends himself to Gilgamesh, and after suffering terribly for twelve days, he finally dies.
Under such pressure, citizens in Uruk are absolutely not satisfied with Gilgamesh’s control. In the later tablet where Gilgamesh refuses to marry Ishtar, Uruk is punished and turned into complete chaos. The satire is originated from Gilgamesh, but the ones who suffer are the citizens. We may consider Ishtar’s anger as a challenge to Gilgamesh’s authority because Gilgamesh is the king of Uruk and if he doesn't take any responses to the bull and catastrophe, Gilgamesh will be overthrown for not caring his people. Considering the previous experience that Gilgamesh is infamous among citizens, this event is the last chance for Gilgamesh to maintain his authority.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
The Epic of Gilgamesh follows the four adventures of the Urukian king, Gilgamesh and what he discovers about the relationships between life, death, gods, and man. While his enlightenment is achieved through perseverance and persistence, Gilgamesh receives much of his strength from other characters throughout the course of his journey. Among the most important is Enkidu, who gains the affection of the king after succumbing in a brawl. The following essay aims to examine their relationship and how it contributes to the character development of Gilgamesh. More specifically, how the ambiguous love between Gilgamesh and Enkidu alters the life of Gilgamesh.