The idea of fate has baffled mankind for centuries. Can humans control what happens to them, or is everyone placed in a predestined world designed by a higher power? The Epic of Gilgamesh and Oedipus The King highlight on the notion that no matter what, people cannot control what is destined to occur. Interestingly enough, many other distantly connected cultures had, and have similar gods or goddesses who play a role in the fate of individuals. Oedipus, King of Thebes, was told by the Oracle at Delphi that he would one day kill his father and marry his mother. Determined not to let this prophecy verify his fears, Oedipus does all in his power to prevent this from happening, yet fails. Similarly, Gilgamesh, king of Uruk, attempts to obtain immortality, but fails as well. Gilgamesh's and Oedipus's intense fear and ignorance cause them to try to interfere with their fates, leading to their failures and realization of the futility of trying to control destiny. The characters Oedipus and Gilgamesh are very similar in that they both are fearful of their fates. After the death of his friend Enkidu, Gilgamesh is distraught with worry, asking, "shall I too not lie down like him./And never get up forever and ever?"("The Epic of Gilgamesh" 76). The prospect of laying forever in a grave is not appealing to Gilgamesh. He dreads it so much that he tries to prevent his inevitable fate from happening. Seeing his friend die and rot away has scared Gilgamesh beyond belief. He cannot bear to think of himself being lost forever, not remembered by anyone. Likewise, Oedipus is afraid to fulfill his prophecy that he will kill his father and marry his mother, making him a sinner not fit to rule his kingdom. He knows that if he commits this horri...
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...s made a mistake and "this sudden illumination (or epiphany) assures us that order and purpose do exist in the universe, even if we cannot fathom the exact nature of that order and purpose"(Markos 39). The world may never know if we have power to control our ultimate destinies or not. However, it is clear in Oedipus the King and The Epic of Gilgamesh that free will does not exist. Oedipus and Gilgamesh are puppets being controlled by the gods above, helpless to exercise free will. No matter what course they take, Oedipus cannot escape from killing his father and marry his mother and Gilgamesh cannot escape death. Nevertheless, their fears cause them to try to manipulate their actions and stop their fates from occurring. It is only a matter of time before these two characters fail in their attempts and realize that trying to control destiny is futile.
Set ages apart, Arthur Miller’s Death of a Salesman and Sophocles’ Oedipus Rex provide different perspectives on the topic of tragedy and what is defined as a tragic hero. Although Oedipus would be thought of as better representing the tragic hero archetype due to tradition and time period, the modern tragic hero of Oedipus Rex is more of a dismal one. Through analysis of their respective hamartias, it is exemplified that the New York businessman with his humble story proves to be more thought provoking than the King of Thebes and his melancholic tale. **By incorporating a more relatable character and plot, Arthur Miller lends help to making Willy Lowman spiral toward his own downfall while building more emotion and response from the audience than with Oedipus. When Oedipus learns of his awful actions, this invokes shock and desperation. With Willy Lowman, the audience goes for a bumpy ride until the eventual, but expected, crash. ** (NEEDS WORK)
Gilgamesh and Odysseus are two heroes from two different time periods that were both in search of the meaning of life. The epics that the two characters are featured in Gilgamesh, was developed from early Mesopotamia and the Odyssey in early Greece. Gilgamesh was a very popular and it was very valuable to the historian of Mesopotamian culture because it reveals much about the religious world, such as their attitudes toward the gods, how a hero was defined and regarded, views about death and friendship.
won) fighting a war against the city of Troy and has been held captive by
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
With most pieces of literature that has a king involved, there tends to be two kinds of kings – ones that care about the well being of their people and their city, and ones that show their dominance over his people every chance they get. The two primary examples kings that will be contrasting each other, one being compassionate and the other being reckless, are Oedipus from “Oedipus the King”, and Gilgamesh from “The Epic of Gilgamesh.” Oedipus and Gilgamesh contrast each other by the way they treat their people, with Oedipus being more empathetic and Gilgamesh being more ruthless.
'No two men are alike in the way they act, the way they think, or the way they look. However, every man has a little something from the other. Although Oedipus and Gilgamesh are entirely different people, they are still very similar. Each one, in their own way, is exceptionally brave, heroically tragic, and both encompass diverse strengths and weaknesses. One is strictly a victim of fate and the other is entirely responsible for his own plight.
A detective story is a genre of fiction in which a person attempts to solve a crime. The detective may be a professional or an amateur, and generally has nothing to gain from solving the crime. However in Sophocles’ “Oedipus the King”, the main character Oedipus is not only determined to solve a crime, but he is also in pursuit to find his own identity. This is similar to Arthur Conan Doyle’s “A Scandal in Bohemia” where Sherlock Holmes has been hired to work as a detective in return for monetary compensation. Both situations enable Oedipus and Sherlock to gain from unraveling the mysteries that sweep their towns hence making these stories different from most detective stories.
A common debate that still rages today is whether we as a species have free will or if some divine source, some call it fate, controls our destiny. The same debate applies to Oedipus the King and Oedipus at Colonus. Does Oedipus control his actions, or are they predetermined by the gods? It’s that question that makes Oedipus a classic, and many different people think many different things.
Since the beginning of time epic tales have been passed on from generation to generation as a form of entertainment. Even though each epic is different in its plot, every epic has certain features in common. The prime example of their similarities is their main character, the hero of the epic. The hero's behavior changes from the beginning to the end of the tale. Since the plot revolves around the epic hero, in most cases, they are made to seem God-like, or larger then life, in their capabilities and strengths. The hero constantly has to conquer major obstacles to achieve their initial and final goal. Usually the hero is tremendously suspicious of other characters intensions. Also, this character usually demonstrates examples of hubris throughout the tale, which ultimately makes his journey more difficult. The epic heroes differences vary but in the epic tale, The Odyssey written by Homer, and the Greek drama, Oedipus The King written by Sophocles, the differences is what makes Oedipus fail and Odysseus succeed. In both these tales, the powerful gods enormously affect their decisions and the consequences they eventually have to face.
Every culture has a different story of their origin. Each story varies in setting, main characters, and religious aspects. Although the stories are different, the sole purpose is the same for each – to explain how each civilization came to be. In order for a civilization to fully understand their past, they must critically break down the components of their origin story. Creation stories establish appropriate relationships within society by the revelation of the punishment laid out by the gods on unsatisfactory vassals, the importance of a hero figure, and the exposure of human survival based on nature.
In the stories/plays and poems of Gilgamesh, Oedipus the King and Achilles in the Iliad, there are three main heroes who have their fate decided for them by the Gods. Each hero has had fate placed on them according to the god’s, however as fate is understood there is also the idea of free will. Gilgamesh is two-thirds god and one-third man, who feels as though he has no equal, Gilgamesh feels superior to all men until he meets Enkidu, a creation sent to stop Gilgamesh from his reckless and wild ways. Oedipus is the king of Thebes and his fate was prophecies by the blind soothsayer Tiresias in which he was to kill his father and marry his mother. In the poem the Iliad, Achilles was the hero that would win the war with Troy, the prophet Calchas predicted that Achilles would die at an early age. In all of the epics, each character had a destiny to full filled, blessed with extra ordinary powers and abilities, each had the a...
In Oedipus at Colonus, everyone seeks to gain Oedipus’s hero cult and the subsequent blessing for their city. Although this would not help them live forever, they did not care since it would help their cities live on. Since the cities are put first, those who helped them are immortalized through them; however, suffering was often required before an individual learned to put the city first. For instance, Oedipus does not put the good of the city first when Teiresias tells him he is the killer of Laius. Rather than save the city then, he stays because he believes “ I must be ruler.” (101). Only after suffering through the tragedies in the latter half of the play, does he learn to put the city’s needs above his desire to rule. This high valuation of group goals over personal desires, led to the Greeks desiring immortality for the city rather than the individual. Although Oedipus does eventually gains a form of immortality, it is only by helping Athens with his hero cult. Even then, the immortality he gains is much different than Gilgamesh’s personal immortality. Although the kings of Athens would remember him, no one else would even know where he was buried. Like the Greeks Oedipus did not seek to gain immortality for himself, but for his
Of all the many similarities of The Epic of Gilgamesh and The Odyssey, the sharing of the main character’s archetype can be considered to be the most significant similarity of the two epics. Odysseus, the main character of The Odyssey, and Gilgamesh, the main character of The Epic of Gilgamesh, both fall under the character archetype of a hero, the man in charge of saving the day. This sameness implies that the two characters had similar fates and characteristics; both had the distinct traits of a hero. Both Odysseus and Gilgamesh were kings, strong, brave, and blessed by the gods. In addition, they both angered a god and suffered from the consequences. In The Odyssey, Odysseus had to change his route to avoid Poseidon’s wrath. In The Epic of Gilgamesh, Gilgamesh angered Ishtar which consequently led to Enkidu’s death as a punishment ( “The Epic of Gilgamesh” 29). Both Gilgamesh and Odysseus had elements of arrogance in their personalities, and it was their arrogance that backlashed and caused...
N.K. Sandars, is a story about a classic hero named Gilgamesh. Sandars shows how Gilgamesh goes through the three stages of departure, initiation, and the return. For example, according to an American mythologist named Joseph Campbell, “A hero is someone who has given his life to something bigger than himself, or other than himself.” Throughout these three stages, Gilgamesh fights his way through many different obstacles, learns new things about himself, and makes new unexpected friends to make a name for himself.
In Oedipus Rex, fate is something that unavoidably befalls two characters. The gods decide Oedipus and Jocasta’s fate even before they know it. Trying to avoid destiny is pointless because no matter what, it will catch up to you where ever you are. It is often thought that you can change your destiny, but in reality our fate was put into action the day we were born.