The Epic of Gilgamesh follows the four adventures of the Urukian king, Gilgamesh and what he discovers about the relationships between life, death, gods, and man. While his enlightenment is achieved through perseverance and persistence, Gilgamesh receives much of his strength from other characters throughout the course of his journey. Among the most important is Enkidu, who gains the affection of the king after succumbing in a brawl. The following essay aims to examine their relationship and how it contributes to the character development of Gilgamesh. More specifically, how the ambiguous love between Gilgamesh and Enkidu alters the life of Gilgamesh.
Originally created to rid the people of Uruk of Gilgamesh, Enkidu was born from the clay and saliva of goddess Aruru. After his birth, Enkidu lived among
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This rejection coupled with the obvious companionship between Gilgamesh and Enkidu begs question as to why Gilgamesh rejected Ishtar. Although he comments that he does not want his fate to be the same as her past lovers, it is arguable that Gilgamesh rejects the companionship of Ishtar because he is already consumed by his love for Enkidu. This love culminates at the death of Enkidu when Gilgamesh is overwhelmed by the loss of “[his] brother, [his] friend, whom [he] loved so dearly, who accompanied [him] through every danger- Enkidu, [his] brother, whom [he] loved so dearly… (Mitchell 167)” At this point in the story Gilgamesh, out of desperation and fear of his own death, realizes that he cannot “bear this sorrow that gnaws at [his] belly, this fear of death that restlessly drives [him] onward (Mitchell 159).” This said it is evident that Gilgamesh’s destiny was altered by the love he had for Enkidu for if Enkidu had not died Gilgamesh may have never achieved his destiny to search for eternal life. Although he ultimately fails, he does return to his city, Uruk, ready to take the
He needed to have this emotional intimacy with someone in order to grow in a way that was previously unimagined. He needed to go to the Cedar Forest to gain a heroic reputation. He also needed to give and take on that journey with Enkidu to grow emotionally. He needed to face his weaknesses and then be built up and reassured by someone he loved and trusted. Gilgamesh needed to work together with someone to kill this monstrous beast to show that he is not almighty. It would’ve been impossible for him to do alone, he wouldn’t have had the physical or emotional capacity. Enkidu was also needed to convince him to kill Humbaba. Gilgamesh never would’ve been able to make that tough discussion without
In the Epic of Gilgamesh, we see a significant transition or development of the main character as the story progresses. Throughout the epic, we see Gilgamesh act as a tyrant, fearless warrior, depressed man, a man filled with fear, and a man who has finally accepted his fate. The epic begins by describing Gilgamesh as a king who tyrannizes his people. “He will couple with the wife-to-be, he first of all, the bridegroom after” (pg 15). We see that Gilgamesh abuses his power as king and terrorizes the people. The people of Uruk plead the gods to ease Gilgamesh’s burden. The gods answered the prayers created an equal to match Gilgamesh. Enkidu a wild-born chimera, part animal and part man, would
The whole reason Gilgamesh takes this journey to search for eternal life is due to the death of Enkidu, with whom he was close with. Before all of the events occurred, Gilgamesh had never thought about the topic of death. It’s as if it never crossed his mind; as though he would live forever. He went through phases along his journey. The first was not accepting reality, the second was fighting for eternal life, and the last was accepting reality. Now, his aspirations for immortality are no longer apparent as he enters the last stage.
Soon after completing this heroic task, Ishtar, the goddess of love and war sought to marry Gilgamesh. As a king who should abide by the gods, Gilgamesh had an outburst of denying Ishtar 's proposal because of her infidelity and cruel relationships with her past lovers. "[Who is there] would take you in marriage? [You, a frost that congeals no] ice, a louvre-door [that] stays [not] breeze nor draught, a palace that massacres...warriors," (Tablet VI 32-35). Because he denied Ishtar, this further shows how Gilgamesh is immature and not ready to accept his responsibilities as king by marrying Ishtar. As a result of her denial, Ishtar requests from her father Anu to send down the Bull of Heaven. His denial in taking part of the sacred marriage ceremony and his eagerness to disrespect and dishonor the gods ' wishes to punish his city of Uruk exhibits Gilgamesh 's fault in taking up his role as king. Gilgamesh took this opportunity to slay the Bull of Heaven to, again, have another event to add to his repertoire of heroic deeds. He arrogantly completed these heroic acts of the killing of Humbaba and the killing of the Bull of Heaven. Without humility, a ruler will be looked down on by both the people, and in this situation, by the gods. Since Gilgamesh focused entirely in trying to be a great
The epic begins with the men of Uruk describing Gilgamesh as an overly aggressive ruler. "'Gilgamesh leaves no son to his father; day and night his outrageousness continues unrestrained; And he is the shepherd of Uruk, the enclosure; He is their shepherd, and yet he oppresses them. Strong, handsome, and wise. . . Gilgamesh leaves no virgin to her lover.'"(p.18, Line 23-27) The citizens respect him, but they resent his sexual and physical aggression, so they plead to the gods to alleviate some of their burden. The gods resolve to create an equal for Gilgamesh to tame him and keep him in line. This equal, Enkidu, has an immediate impact on Gilgamesh. When they first meet, both having never before met a man equal in stature, they brawl. "They grappled with each other, Snorting like bulls; They shattered the doorpost, that the wall shook."(p.32, lines 15-18) In giving Gilgamesh a real battle, Enkidu instantly changes him; having this equal gives Gilgamesh a sense of respect for another man. These two men fighting each other creates a serious mess, but they both end up without animosity toward the other.
In the beginning of the book, Gilgamesh appears to be selfish. Gilgamesh’s “arrogance has no bounds by day or night” (62). Even though he is created by the Gods to be perfect, he misuses his powers and gifts for his own earthly pleasure. He has sexual intercourse with all the virgins of his city even if they are already engaged. Through all Gilgamesh’s imperfections and faults, he learns to change his amoral personality. The friendship of Enkidu helped to change his ways, for only Enkidu, who “is the strongest of wild creatures,” (66) is a match for Gilgamesh. Through this companionship with Enkidu, Gilgamesh starts to realize his incapabilities and need for his friend. When they fight Humbaba, they both give moral support to each other when the other is scared. Another event that changes Gilgamesh’s character is the death of Enkidu. When Enkidu dies, Gilgamesh goes through the suffering of losing a loved one. Gilgamesh experiences a pain, which no worldly pleasure can ease. By this experience Gilgamesh starts to understand his vulnerability toward death and pain. Losing his best friend causes Gilgamesh to be melancholic. At this point Gilgamesh is humbled by the fact that even he could not escape the wrath of death. Gilgamesh goes from this arrogant king to a lonely grieving person with fear of death in his heart.
True love and immortality in life would be a dream come true to many people. To spend time with a special someone; the person one feels closest to; the so-called soul mate and to never have that high feeling of emotion end mentally and physically would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves and realizes the important things in life and puts it all into perspective. In The Epic of Gilgamesh, the main character, Gilgamesh, is a powerful, arrogant king and part god. Enkidu, Gilgamesh’s partner, is animal-like but later takes on more humanistic traits such as his contemplation’s of death. The friendship between Gilgamesh and Enkidu is a very powerful, loving friendship. Enkidu is Gilgamesh’s soul mate, not only acting as his friend but as a lover too. Enkidu’s presence in Gilgamesh’s life allows Gilgamesh to see what is truly good in life and to accept his mortality much easier.
The second significant change in Gilgamesh was caused by the loss of his brotherly companion, Enkidu. Gilgamesh couln't bear the loss of a love so powerful. Despite his astonishing power and leadership, something in his life was missing. Moreover, he wept for seven days and nights, thinking his friend would come back because of his weeping. It is in this stage of the epic that one can see the truly sympathetic and compassionate side of Gilgamesh. The grief in his heart had far surpassed the magnificent pride that he had previously displayed so boldly. Enkidu's death left Gilgamesh frightened and confused. However, the despair in his heart was so great that he could not rest; would he ever be at peace? Thus, he became terrified of his own death.
The Epic of Gilgamesh, one of the earliest known stories, recounts the tale of the reckless King Gilgamesh and his adventures with his friend Enkidu, a natural man created by the gods from clay to humble and teach Gilgamesh to become a better ruler. Through Enkidu’s death, the once fearless Gilgamesh becomes fearful of his own inevitable demise and journeys to find immortality. However, by finding compassion for his humanity, he is able to come to terms with his mortality and continue living wholeheartedly as the ruler of Uruk. In the Epic of Gilgamesh, Gilgamesh learns to accept his mortality by gaining compassion for himself.
Gilgamesh was two thirds of a god who possessed beauty, a gorgeous body, and great amounts of courage and strength that surpassed all other humans. His greatness was established through the wonderful walls he built around Uruk, a rampart, and a temple for Anu and Ishtar (Gilgamesh & Sandars, 61). Enkidu on the other hand was initially an uncivilized man created by the goddess of creation, Aruru. His appearance was strictly barbaric with his long hair and hairy body, whose innocent mind knew nothing of a civilized human culture (Gilgamesh et al., 62). He ate grass and lived among the other animals in the woods until a trapper spotted him while trying to catch his game and noted to his father that he “was the strongest man in the world [and] is like an immortal from heaven” (Gilgamesh et al., 62). The trapper indicated his feeling of inferiority to Enkidu in the woods as he says he is afraid of him. One could say that Enkidu rules the woods of the uncivilized just as Gilgamesh rules over the city of Uruk; over the civilized. Both men are characterized as powerful, strong men in their domain yet Gilgamesh is in fact stronger and more powerful than his brother, Enkidu whom he calls his servant, fore he is the king of Uruk and is two thirds god. Enkidu also dies halfway through the adventure the two have while Gilgamesh, who is afraid of death, goes on to find a way to live immortally. Though inferior to his king brother, Enkidu completes the other half of Gilgamesh: while Gilgamesh knows the ins and outs of the city he rules, he is not familiar with the woods or nature in the ways that Enkidu is. Though they are different from each other, they both hold parallels with one another by bringing out the best in each other, thus reasonabl...
Enkidu and Gilgamesh were the main characters in the Epic of Gilgamesh. In the city of Uruk, King Gilgamesh was a merciless ruler, a strong man, and had long, beautiful hair. Under Gilgamesh’s rule, the people asked the gods to generate their tyrannical king’s competitor. To cease Gilgamesh from dominating people, Enkidu was developed. Enkidu was a hairy-bodied man raised by animals. He was prepared to accept the challenge. The two men were almost iden-tical in their courage and physical abilities. Gilgamesh had a vision ...
Both Enkidu and Gilgamesh benefited from their friendship. They each got a friend, and they each gained wisdom. Enkidu gained wisdom in knowing the finer things in life. Gilgamesh gained wisdom in knowing that he would be punished when he died; he wants a second chance at life. Gilgamesh shows Enkidu the finer things, and Enkidu shows Gilgamesh that he will be punished in his death. These are the reasons that their friendship was a good thing. This topic in Gilgamesh is one of the most controversial ones, but Gilgamesh and Enkidu both gained a friend and wisdom that they did not have before. Without this friendship neither would be the changed people they are at the end of their lives. Gilgamesh and Enkidu needed each other, even if they did not know it.
Everyone has qualities that are heroic and noble, and everyone has their flaws. No matter who they are, or how perfect others think they are, people still have some negative qualities that can hurt their heroic ones. In the book, The Epic of Gilgamesh, by Benjamin Foster, both Gilgamesh and Enkidu had positive and negative characteristics that affected the outcome of their journey and their adventures they experienced throughout their lives.
The Epic of Gilgamesh is a moving tale of the friendship between Gilgamesh, the demigod king of Uruk, and the wild man Enkidu. Accepting ones own mortality is the overarching theme of the epic as Gilgamesh and Enkidu find their highest purpose in the pursuit of eternal life.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).