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Almost everything is different when comparing the ghost scenes of Kenneth Branagh and Mel Gibson takes’ on Hamlet. Two similarities are Hamlet’s clothing and the characters’ names remain the same. While both films are good in their own lights, there is clearly a more appealing film for a shakespeare amature much like myself. The Mel Gibson version of Hamlet appeals to me the most as of now because of the setting, acting, and understanding.
The Branagh version is set in a more modern day setting, but still uses the same language as Medieval Times. This is confusing because the setting does not fit with the dialogue and the puzzle pieces do not go together in my head perfectly. Mel Gibson’s version is set in the Medieval Times, so the language fits a lot better in my perspective. The ghost scene was in a wooded area in the Branagh production. I did not like this because there was way too much going on and it was hard to focus on what was being said. Hamlet is shown running through the woods while speaking extremely fast. This also just seems unrealistic because I
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can barely breathe and run at the same time, let alone speak in a fast manner. Gibson’s version had Hamlet inside of the castle which was more effective in my opinion because there was only the ghost, Hamlet, and stone to focus on. The actor playing Hamlet in Gibson’s version seemed more genuine and realistic compared to Barnagh himself.
Barnagh changed his emotions way too quickly, but that could just go along with talking fast. Barnagh also just seemed way too angry the whole time he was talking to the ghost. Gibson’s Hamlet was great at showing the right emotion at the appropriate time. Branagh's ghost is not believable. Although Barnagh may be trying to influence the audience to believe Hamlet is simply mad, the ghost is too distant toward his own son during the scene. Gibson’s ghost showed so much emotion you could feel his heart shatter as tears flowed out of his sunken eyes. The last comparison of the ghosts is that Branagh's ghost is wearing armor, while Gibson’s ghost was in normal clothing for the time period. I think the clothing choice of Gibson was better because King Hamlet died while napping, not when he was
battling. The last difference is how they are understood by the audience. Branagh's Hamlet includes almost all of the original lines from Shakespeare. This would be considered a good thing if you loved shakespeare and knew what all of the lines meant. However, I only understand very little Shakespearean, especially when they are talking so fast. Gibson’s version only includes important lines necessary for the plot, which I think is more effective for an audience that may not know that much about Shakespeare. I believe that Mel Gibson’s production of Hamlet during the ghost scene is superior to Kenneth Branagh's’ version because of the setting, acting, and understanding. The two movies are similar in the way that Hamlet is in all black in both and the characters still have their original names. With my knowledge and opinions I favor Gibson’s version more than Branagh’s because of the acting and setting, but mostly because I understand it more than Branagh’s version.
Modern day directors use a variety of methods to hold ones interest. Ethan Hawke and Kenneth Branagh’s created versions of Hamlet that shared some similarities, but ultimately had many differences in respects to an audience’s appeal. An appealing movie is one that has an alluring ambiance and an intellectual stimulus. With these two movie versions, a setting and a mood forced an audience to acquire specific emotions, but Ethan Hawke’s version generated emotions more strongly and effectively. Also, these movies had extremely different uses of music and visuals, but both movie versions incorporated them well for the ambiance it tried to obtain. Finally, both movie versions drew characters to captivate the audience; however in Ethan Hawke’s version, the characters were used so effectively that it was easy to feel involved with them. While both these versions of Hamlet had a captivating ambiance, Ethan Hawke’s version was more appealing due to the intellectual incentive that it offered.
In Act III, scene i of Hamlet starring Mel Gibson, Gibson is in a dark dungeon looking area where his father's sarcophagus is. Hamlet is dressed in all black, almost in a knightly attire. The background shows skeletons and dirt floors with stone walls. Gibson moves about the stage and speaks as though he is confused and tormented during his soloquey. He kneels next to the sacophagus of his father during the speech about dreaming in death.
During class we have reviewed many versions of the play Hamlet. The two movie versions that I chose to compare on the play Hamlet are the David Tennant version and the Kenneth Branagh version. I chose these two versions because these were the two that most interested me. I believe that some scenes from each movie were better than the other, but overall I liked these two versions just as equally. The three main scenes that stood out to me that I will be comparing are ‘Ophelia’s Mad Scene’, the ‘Hamlet Kills Polonius’ scene, and Hamlet’s ‘To be or not to be’ scene.
1. In this specific version of Hamlet there are various characters that demonstrate an exaggerative and dramatic persona; Brain Blessed chose to interpret the role of the ghost in the traditional eerie, spooky, and mysterious manner. He does this by being portrayed as a reoccurring pale figure that is only visible to certain people (the traditional characteristics for a ghost). Also he does this by deepening his voice to sound more frightening. In my opinion, I do not think that the performance of the apparition was believable in any scenes in which it appeared simply because I do not think that something that does not exist in reality can be displayed realistically. Moreover and in contrast, I believe
...ears or express emotions over her death or her madness. Therefore the Kenneth Branagh version of Hamlet was able to show a closer interpretation of the play Hamlet and the significance of the characters.
One of the most emotional and moving scenes in William Shakespeare's tragedy Hamlet is in Act III, Scene I lines 90-155 in which the title character becomes somewhat abusive toward his once loved girlfriend Ophelia. It is interesting to examine the possible motives behind Hamlet's blatant harshness in this "Get the to a nunnery" scene toward the easily manipulated and mild mannered girl. While watching Kenneth Branagh and Mel Gibson's film adaptations of the play, the audience may recognize two possibilities of the many that may exist which may explain the Prince's contemptible behavior; Kenneth Branaugh seems to suggest that this display of animosity will help the troubled man convince his enemies that he is in fact demented, whereas the Mel Gibson work may infer that Hamlet's repressed anger toward his mother causes him to "vent" his frustrations upon Ophelia, the other female of importance in his life.
The first difference is in the way the play and the movie begins. The play starts out with guards standing guard at the castle with Horatio, Hamlet?s friend. The guards and Horatio are waiting for the ghost of Old Hamlet to arrive so they can find out why he is there. The ghost does arrive twice but does not speak. The scene ends with the guards and Horatio discussing that they should get Hamlet to try to speak to the ghost. Hamlet the movie starts out differently. It starts out with the funeral for King Hamlet with Gertrude standing beside the coffin. Hamlet sprinkles dust over his father?s dead body. The coffin is then covered and Claudius, Old Hamlet?s brother, places his sword over the coffin and Gertrude cries.
It is said that Shakespeare wrote plays, not scripts. His work was meant to be read aloud and not just read. This became apparent while I watching the BBC 's 2009 version of Hamlet. I choose this version because the director Gregory Doran put a modern twist on the classic tale. The director’s display of contemporary technology, dress, and presentation of relationships enhanced the idea that Hamlet’s madness was simply a dramatic act.
Zeffirelli’s filmic Hamlet evidently interprets the original play especially considering Mel Gibson’s performance making it easy for the audience to understand Shakespearean dialect. Shakespeare’s Hamlet is a man with friends who proves to be much more reserved, and manipulative than someone might imagine today. His hamlet is considerate in his plans, but with no tact interpersonally. Zeffirelli’s audience is required to focus on the troubles, and character of Hamlet, who is nonstop, and unfriendly, but a sensitive loner when the time is right. Zeffirelli accomplishes this mixture while staying faithful to his starting place my maintaining solid screenplay with a constant flow supporting his own take on the story. Concisely, Zeffirelli’s Hamlet is both a free and a loyal understanding of its source, which is, for today’s viewers, a Hamlet in its own right.
For example, one way that the Kenneth Branagh and David Tennant interpretations differ is in the speed and inflection of the soliloquys, as well as the ambient audio or lack of, in Tennant’s case, during the respective scenes. During the Kenneth Branagh portrayal of Hamlet the speech is faster and in a forceful tone that gives a feeling that Hamlet is trying to make a point rather than understand the complexity of the situation in his own right. An
“I like the movie but it was not as good as the book” is a saying that is said by most people. In most cases, a movie changes drastically from the book it is based on. Hamlet is one of those cases. Although it does not change completely, there are some big differences and similarities within the book and movie. Reading the play and then watching the movie makes it easier to pick out the differences and similarities. Being able to compare and contrast the movie and play of Hamlet might make it easier to decide which one is better or which one gives a better story. The movie and play of Hamlet are different because of the chronological order, parts being left out and parts being added. They are the same in ways through dialogue, characters,
I personally disagree with the author W.W. Greg’s interpretation of Hamlet’s ghost, and believe that his assumption that Hamlet is simply hallucinating his father’s ghost is without merit. Many of W.W. Greg’s claims relate Hamlet to other plays that were written by Shakespeare, claiming that due to how Shakespeare portrayed ghosts in his previous works, it would follow that Hamlet also fits into the same mold as these past writings. W.W. Greg even states, “I should like to be told what Shakespeare's views were of ghosts in general ... I am forced to turn to Shakespeare's other plays for suggestions as to how he represented these phenomena” (Greg 395). W.W. Greg is simply claiming that trends in Shakespeare’s writings in the past logically must take the same form in the character of Hamlet’s ghost. This method of thinking simply does not hold up when examined critically, mainly due to the fact that there were multiple witnesses to the ghost, a...
In this film there are guns, technology, and up to date clothing. In this film compared to the other film Hamlet is made out to be crazier in this film. Hamlet may be mad, but it is justified. He is still mad at his mother, but doesn’t seek revenge on her. Hamlet does not seek revenge because the ghost told him not to. This is the main reason why Hamlet is insane. The film portrays the ghost only being a figure of Hamlet’s imagination. Hamlet has a lot of emotional turmoil, but in both films Hamlet has calmed down. Hamlet is not crazy anymore but he doesn’t feel guilty about his wrong doings. Hamlet does not apologizes to Lacerates because he is guilt. Hamlet apologizes because he has empathy and can relate to his father’s death. Hamlet thinks everything that happens is out of his hands He thinks it was fate. A similarity is both films has Hamlet accept that one day he will die and there is nothing that he can do about
Different adaptations of William Shakespeare’s works have taken various forms. Through the creative license that artists, directors, and actors take, diverse incarnations of his classic works continue to arise. Gregory Doran’s Hamlet and Kenneth Branagh’s Hamlet bring William Shakespeare’s work by the same title to the screen. These two film adaptations take different approaches in presenting the turmoil of Hamlet. From the diverging takes on atmosphere to the characterization of the characters themselves, the many possible readings of Hamlet create the ability for the modification of the presentation and the meaning of the play itself. Doran presents David Tenant as Hamlet in a dark, eerie, and minimal setting; his direction highlighting the
The conversation between the ghost and hamlet serves as a catalyst for Hamlet's last actions and provides us with insights into Hamlet's character. The information the ghost reveals insights Hamlet into action against a situation he is already uncomfortable with. It must be noted, that hamlet is not quick to believe the ghost. He states that maybe he saw a devil that abuses him due to his meloncaully. We are thus subjected to an aspect of Hamlet's character. Hamlet next encounters the ghost in his mother's room. The ghost wets hamlets appetite. Hamlet is now convinced of the ghost and listens to it. The question many ask is did the ghost mislead hamlet?