Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on the production of the lion king
Analysis of a musical piece
Essay on the production of the lion king
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on the production of the lion king
A musical is a form of living art that should successfully combine a dramatic plot with a correlating music component. Typically, a live performance can be an exciting but difficult production to execute because there are no time-outs or redoes. Nevertheless, two particular live musicals have topped charts in the Broadway theaters. Known as the fourth longest-running show in Broadway history, Cats is a live musical, composed by Andrew Lloyd Webber, that tells the story about a tribe of cats who journey through the night. During their journey, the cats, also known as the Jellicles, are aiming to decide who will ascend to a new place and come back to life. Likewise, The Lion King classifies as the third longest-running show in Broadway history. This musical is based upon the …show more content…
The musical brings every Safari animal to life with the vivid costumes and special effects. The animatronic costumes are the most fascinating visual aspect in this musical. Unlike the cast members in Cats, the characters in The Lion King are acrobatic. They swing from ropes and vines to create a dynamic, visual effect that strongly appeals to their audience. The smooth transitions from one scene to another are another compelling element. The characters move from place to place in a split second. These majestic and cultural features portrayed in this musical make The Lion King better than Cats in this category. Unlike the cast members in The Lion King, the characters in Cats are extremely stagnant. There are merely two sets in Cats—the cityscape and the alley. The costumes are elegant, but very simple. They only consist of body suits and face paints. The visual elements between the two musicals are easy to differentiate. The Lion King is obviously more creative and majestic with their costumes and characters while Cats continues to takes the safe route with their
Paulo Coelho’s novel The Alchemist and the Disney film The Lion King directed by Allers and Minkoff,
the king of the jungle in Walt Disney Pictures= animated The Lion King - people
In the story “The Cat In The Hat” and the cartoon movie “The Cat In The Hat” have a lot of big noticeable differences and a few similarities. From different scenes to different objects that are used.
The lion king and the matrix both have similarities when it comes to leadership,however they both also have differences within them too. For instance, in the matrix the agents listened to the their ranking one just because it was his status. In the lion king the lions listened to Scar because he was the “king” not because they liked or agreed with anything he was saying or doing such as letting the hyenas in the pridelands. This shows they are at level one leadership, however all five levels are represented in both movies. Level two is presented clearly presented in the matrix when the crew reacts positively to Morpheus without threats or presenting his status. Pumba listens to Tamone in the lion king for two reasons one,because he wants to, and two he might slightly have a few screws loose making him think Tamone is right.
...wed this particular component to make differences to such challenges from one dance to the next. This was possible due to Fagan’s approach to choreography that are different compared to another choreography that was designed to other Disney films turned musicals i.e. Beauty and the Beast and Little Mermaid. These two notable musicals have taken the stages of Broadway by storm. However, there is an ingredient missing to those shows that Taymor was able to capture from beginning to end with the Lion King. The Lion King musical gave the critics an idea how actors are moving across the stage, embodying the human and animal aspects of all characters from an animated element. It was a risky challenge that Fagan took by radically going from the negative into the positive using dance and movement vocabulary to balance structure and pacing of the highly successful musical.
Every face had excellent expressions, presenting their characters perfectly. Also, each actor added their own twist on the characters, anywhere from a slight accent to body language, adding more depth to the entire musical. Furthermore, every actor changed their voice in a way that depicted their character’s emotions and attitude at that particular moment. Also, the color of the lights changes according to each scene and the mood for that particular scene.
The Lion King musical is a well-known musical that has taken the stages of Broadway, West End and the rest of the world by storm (The Lion King, 1997). Regarding the process of the musical, Artistic Director Julie Taymor’s first thoughts for choosing the Lion King as the next big thing on stage, was classed as ‘impossible’ due to the film’s lack of theatrical material (The Lion King, 1997). Therefore, staging this particular work contained a great deal of uncertainty and the need for taking huge risks. Taymor (1997) suggests how ‘the Lion King was the worst idea possible to create a stage show.’ It has become evident that a number of significant barriers had to be overcome to secure the practicality of the production. In view of this controversy, this dissertation will critically analyse the success of the Lion King by exploring two significant aspects that have helped to make the musical a success. Firstly, the essential components that make up this theatrical production will be explored and secondly, the roles of each producer within the Lion King and their combined and individual influences they have had from the production will be evaluated. By analysing these two central themes, this paper will show how and why this musical has developed and achieved its phenomenal success.
During his journey he comes across two characters that become his parental figures and best friends. Once everything starts to fall apart for Simba he runs into a childhood friend who tells him that the tribe is in desperate need for his help. This show was described as spectacular, remarkable, and unforgettable. None of theses descriptions fall short, this show has been in the top 10 for 14 years and it is well deserved. With such a wonderful cast, director and producer this is one of the best show that Broadway had ever seen right along side of Wicked.
the king of a Pride Land, who is murdered by his brother and then the
Many perceive The Lion King, Disney's most successful movie to date, as Disney's only original movie; the only movie not previously a fairy tale from one country or another. This, however, is not the case. While The Lion King seems not to be beased on a fairy tale, it is in fact strongly based on the play Hamlet by William Shakespeare. Disney writers cleverly conceal the basic character archetypes and simplified storyline in a children's tale of cute lions in Africa. To the seasoned reader, however, Hamlet comes screaming out of the screenplay as obviously as Hamlet performed onstage.
Annalee R. Ward takes notice on racism, sexism, and homophobia in Disney’s The Lion King. The author brings light to parts of the film are not immediately noticed. She explains the main villain, Scar, has darker colors than his protagonist Mufasa and Simba. The author identifies Mufasa as a gay stereotype and expresses its negative perception on the LGBT community. She also takes note of patriarchy with the lions. The male lions are destined to be leaders, although the females are meant to be housewifes. With all the criticisms she gathered up, she has taken light to the film as well. Ward has complimented the film’s successes and explains that there are moral values that family audience can
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
What does it mean to have individuality? According to the dictionary it is the sum of the attributes that distinguish a person or thing from others of the same kind (“individuality). But, how does one define and find these unique differences within themselves? For many this is the struggle of human nature- the choice to be an individualized subject rather than an object or member of the masses. For many of the characters in “The Lion King” there is a grappling struggle to define oneself as an individual, and for others individuality is something that comes almost instinctually. By closely examining the individual natures of four different characters one can begin to see how the struggle to discover or maintain ones own individuality will greatly
“Wicked” is my favorite Broadway musical. I have been fortunate to see “Wicked” three times, in three different cities, most recently New York City. Each time I see it, I compare it to the previous time. I have discovered that although the story stays the same, the interpretation by the actors, and the differences in set décor, change my perception of the characters in the story.
A dog or cat can be a wonderful addition to any home. They are both very sweet and loveable pet to have. But these two pets could not be more different from each other in a few respect: the amount of attention that is needed, grooming care, and bathroom usage.