Compare And Contrast Ritta Redd

527 Words2 Pages
bulb-icon

Recommended: Essays on women in art

This splendid representation of two people is curious and uncertain. On the left is Ritta Redd, who sits tentatively behind the more predominant Jackie Curtis. Redd's blondie twists and also toned shirt work to casing his honest boyish face. One unmistakable hand lays delicately on the right knee. Turning out from the base of worn pants are Redd's timidly situated feet. While the left foot gracelessly pigeon-toes internal, the left is pushed in and back by Curtis' forceful leg. The outcome is a cumbersome position that further relates Redd's meekness. On the other hand, Curtis is both intense and solid. Notwithstanding being physically bigger, the body is the middle and center purpose of the work of art. Wig-like red hair is further overstated by thick red lipstick and substantial blue eye shadow. While …show more content…

Especially fascinating are Curtis' hands. The privilege, long and effortless, contrasts incredibly from the hard and manly left one. By and by, both show apparently different layers of red nail clean, which serves to resound the smoldered red tresses. Besides, Curtis' uncovered legs recount their very own account. The right one is put immovably in the closest frontal area while the left pushes in reverse to touch Redd. Besides, little opening on in the right foot's loading uncovers a similar red nail clean covering Curtis' privilege huge toe.

Jackie Curtis and Ritta Redd outwardly seem, by all accounts, to be a hetero couple yet the lines amongst female and male are obscured. Jackie, a gender ambiguous name, seems manly and overcome, albeit wearing drag. Redd, who 'wears the paints' in this work of art, is

Show More
Related

  • The Sistine Madonna in the Royal Gallery at Dresden, Saxony

    747 Words  | 2 Pages

    When that room is entered all voices are hushed, and all merriment silenced. The place is as holy as a church. In the centre of the canvas is the Virgin Mother with a young, almost girlish face or surpassing loveliness. In her eyes affection and wonder are blended, and the features and the figure are the most spiritual and beautiful in the world's art.

    Read More

  • Yuny And Renenutet: Two Figure Statue Analysis

    524 Words  | 2 Pages

    Yuny and Renenutet is a two figure statue. It’s a double portrait with a frontal pose. It’s a relief sculpture with a male and female figure. Yuny and Renenutet are husband and wife. They are sitting down together on a bench. It’s a beach that highlights their bodies’ curves emphasizing their wealth. Both figures have nontraditional customs, but a more a fashionable custom. The chair that Yuny and Renenutet are seated is elegantly decorated. On the back of the chair, we see two scenes divided into two layers with inscription around it.

    Read More

  • Suzanne Moss Essay

    731 Words  | 2 Pages

    The face of the portrait is detailed, and more naturally painted than the rest of the composition. However, the left iris exceeds her eye and extends past the normal outline. The viewer can see every single brush stroke resulting in a unique approach to the capturing human emotion. The streaky texture combines with the smoothness flow of the artist’s hand creating contrast between the hair and the face. The woman’s hair is painted with thick and chunky globs of paint. The viewer can physically see the paint rising from the canvas and flowing into the movement of the waves of hair. Throughout the hair as well as the rest of the portrait Neel abandons basic painting studies and doesn’t clean her brush before applying the next color. Because of the deliberate choice to entangle the colors on the brush it creates a new muddy palate skewed throughout the canvas. Moving from the thick waves of hair, Neel abandons the thick painting style of the physical portrait and moves to a looser more abstract technique to paint the background. Despite the lack of linear perspective, Neel uses a dry brush technique for the colorful streaks in the background creating a messy illusion of a wall and a sense of space. The painting is not clean, precise, or complete; there are intentional empty spaces, allowing the canvas to pear through wide places in the portrait. Again, Neel abandons

    Read More

  • Analysis Of Cassatt's The Child And Mother Nursing Her Child

    1035 Words  | 3 Pages

    Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,

    Read More

  • Analysis Of Kara Walker's Silhouette

    1096 Words  | 3 Pages

    In the first image on the left, a man is kissing a lady; the artistic way of expression can be interrupted as disrespectful or offensive. Her work has had a lot of criticism as there is too much sexuality featured. For example, the boy and the girl on the cliff having oral sex. Nevertheless, she doesn’t shy away from controversial topics of racism, gender,and sexuality in her paper -cut silhouette.

    Read More

  • Life as a Prostitute in The Painted Cohorts

    2390 Words  | 5 Pages

    It was a dark, menacing night as she stood there in the shadows. Waiting for the finale of the show that was playing, she glanced toward the exit through which people would soon be leaving. The rich, as patrons of the theatre house, promised her a salary at least for today. Her tattered clothes revealed the effects of personal destitution; the emaciated frame, that presently existed, harked back upon a body she must have once possessed. Driven by poverty to the realms of "painted cohorts," she makes up her face daily, distinguishing her life from the respected (264). She is an outcast, a leper, a member of the marginalized in society; she envelops the most degraded of positions and sins against her body in order to survive. As she looks up, her eyes reflect a different kind of light, a glimmer of beauty that has not yet faded despite her present conditions. She was, at one time, a "virtuous" woman, most likely scorned by a dishonest love. Finding no comfort or pity for her prior mistakes, she must turn to the streets and embrace the inevitable - the dishonor and shame from her previous engagement will follow her unto death. Shunned from society she becomes the woman who sells herself for money and sadly finds no love. She is the abandoned, the betrayed, and the lost, embarrassed girl; she is "of the painted cohorts," the female prostitute of the streets (264).

    Read More

  • Formal Analysis of Woman and Bicycle by Willem de Kooning

    808 Words  | 2 Pages

    The gestural and heavy working of the paint and the contrasting colors make the painting appear active yet are arduous to follow. The defining element of Woman and Bicycle is the presence of the black lines that do most of the work in terms of identifying the figure. Through the wild nature of the brushwork, color, and composition of the painting, it can be implied that the artist is making an implication towards the wild nature of even the most proper of women.

    Read More

  • The Work of Cindy Sherman

    2829 Words  | 6 Pages

    No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).

    Read More

  • Critical Analysis of Recitatif Toni Morrison

    1321 Words  | 3 Pages

    In the story, “Recitatif,” Toni Morrison uses vague signs and traits to create Roberta and Twyla’s racial identity to show how the characters relationship is shaped by their racial difference. Morrison wants the reader’s to face their racial preconceptions and stereotypical assumptions. Racial identity in “Recitatif,” is most clear through the author’s use of traits that are linked to vague stereotypes, views on racial tension, intelligence, or ones physical appearance. Toni Morrison provides specific social and historical descriptions of the two girls to make readers question the way that stereotypes affect our understanding of a character. The uncertainties about racial identity of the characters causes the reader to become pre-occupied with assigning a race to a specific character based merely upon the associations and stereotypes that the reader creates based on the clues given by Morrison throughout the story. Morrison accomplishes this through the relationship between Twyla and Roberta, the role of Maggie, and questioning race and racial stereotypes of the characters. Throughout the story, Roberta and Twyla meet throughout five distinct moments that shapes their friendship by racial differences.

    Read More

  • Artist Exploring Socially Sensitive Subjects: Sex

    1042 Words  | 3 Pages

    ...e sexual union between him and the woman. The couple is also wearing jewelry that symbolizes their sexual power and union as a whole. This particular piece of art shows how the physical appearance of a human is not needed to show sexual characteristics. The pieces are completely different in appearance, but the idea of sexual representation is fully shown throughout each piece.

    Read More

  • The Theme Of Sexuality In Passing By Nella Larsen's Passing

    1007 Words  | 3 Pages

    The Harlem Renaissance was a time of restrained liberation. African American artists’ contributions to American artistry was incredible, but closeted. Racial tensions kept a true liberation at bay, and any perceived amorality had to be closely guarded. Nella Larsen’s Passing explores this idea of closeted identities and racial expression. A close reading of Passing suggests that the novel’s title refers not only to the characters’ acts of racial passing, but of passing in terms of sexual identity. Larsen develops one aspect of sexuality, homosocial and homosexual desire, as a central theme in her novel through attention to physical descriptions of same-sex characters, the absence of physical or romantic intimacy in the novel’s central marital

    Read More

  • Various Art Critiques

    929 Words  | 2 Pages

    As I turned away from The Doll Man I immediately was taken in by this self -portrait. Although, the lighting was not very well. It was placed between the tow entrances into the Gioconda and Joseph King Gallery. The painting measured approximately at 4 ft. by 10 ft. The painting is representational and depicts animals and human. The bright red colors and dark features in the background made it stand out. Stopped time, implied space, and texture were also important elements of this painting. As the girl is sitting on the chair with a gaze in her eyes, the gorilla standing behind the chair with a look of concern and uncertainty in its eyes. It doesn’t want to step up in front of the chair and show it’s self completely. There is something to hide. It represents what is actually felt, the truth. Whatever it is, it is not to be revealed. The wolf standing by the girl’s feet has a particular look and is a loner; doesn’t want anyone to get too close. The wolf is there to ensure the hidden, the gorilla, doesn’t show it’s self.

    Read More

  • Art Analysis: Portrait of a Woman With a Man at a Casement

    2038 Words  | 5 Pages

    The painting depicts two figures, the one of a woman and of a man. The dominating central figure is the one of the woman. We see her profile as she looks to the left. Her hands are crossed in a graceful manner. She has blonde hair and her figure is lit by what seems to be natur...

    Read More

  • Edita's Gaze

    1304 Words  | 3 Pages

    As such, she is able to create new formulations of identity all the while the viewers are witnesses to the “new transgressive possibilities” (hooks, “The Oppositional Gaze” 202) such formulation entails, one that is not necessarily defined by garments, but by the gaze, the body and the ways it maneuvers itself, as well as the objects it holds on to. Such transgressive possibilities materialize in Edita’s gaze, one that seems to suggest, in hooks words: “Not only will I stare. I want my look to change reality” (“The Oppositional Gaze” 180). Beyond mere cosmetics, it is in fact Edita’s oppositional gaze that which allows for the disidentification with the domestic worker reality, and the movement from object to

    Read More

  • Essay on Portrait of the Artist as A Young Man and The Wall

    1790 Words  | 4 Pages

    ...at make up the crowd or the eerie, bulbous faces on the train. Stephen fulfils his role as an artist by becoming a sort of teacher-shaman as he gives his discourses on esthetics to Lynch and prepares to depart into the world, like some wandering monk or sage. Separate from society he is able to search out and convey the truth of society. Pink's isolation, however, utterly destroys him. Unable to endure, the wall is torn down by the hammer of conformity and Pink becomes the very personification of repressive society. If the role of the artist is to objectively show society the truth of itself, then Pink emerges an artwork in himself, an accurate mirror of the forces that shaped him.

    Read More

More about Compare And Contrast Ritta Redd

Open Document