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Othello as a tragedy by Shakespeare
Tragedy of othello in shakespeares
A short note on Othello as a Shakespearean tragedy
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Recommended: Othello as a tragedy by Shakespeare
The Tragedy of Othello, the moor of Venice, otherwise known as Othello, is a Shakespearean tragedy believed to be written in 1603. The quarto edition of the play first appeared in 1622; the version printed in the 1623 Folio edition is around 160 lines longer than the quarto and has over a thousand words differences in the writing. Othello revolves around the four central characters: the titular character Othello, his wife Desdemona, the main antagonist Iago and his lieutenant Cassio. Due to the play’s themes of racial prejudice, betrayal, love, jealousy, revenge and appearance vs reality, it has been consistently performed in theatres worldwide and Othello has been the source for many film and literary adaptations. In this essay, I aim to explore the different ways in which Othello is …show more content…
The setting and historical context of both adaptations proves to be important in culturally transforming the original play. The events in the original source take place in Venice and Cyprus during the early modern period which was approximately Shakespeare’s time in history. Likewise, the film Othello is set in the same locations and therefore follows the original source text closely, however the context seems much more prevalent. Situations such as the beating of Rodney King and the OJ Simpson murder trials were clear examples of why the film adaptation was much more provocative than its original source. It is said that during these events in the 1990s, Othello would “become a play saturated with racial anxiety” . Meanwhile, in O, the setting has changed to retell the tragedy in a contemporary manner. A way to convince the viewers of Odin’s otherness in O was setting the film in South Carolina, an extremely conservative state known for its racism and slavery during the time of the Civil War. Odin’s otherness is therefore treated as a sense of irony due to the
‘O is a modern spin on Othello that attempts to address issues that are relevant for a contemporary audience. However, ultimately the literary value of Othello is lost in this appropriation”
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.
Many older plays or movies are remade to appeal to a different age of people. These renditions often follow the same story line with only subtle differences to be more appealing. Many of Shakespeare’s plays have been made into movies to enhance the studying or understanding of his plays. An example of this would be Othello which has been created into a movie called “O”. Othello and “O” both follow the same story line. The similarities between them make "O" an excellent rendition of the play. Othello by William Shakespeare and “O” directed by Tim Nelson are very similar in many ways; however, they have distinct differences in their Protagonists. The heinous villain, Iago from Othello and the devious teenager, Hugo from “O” have many of the
Snyder, Susan. “Othello: A Modern Perspective.” Shakespeare: Othello. Eds. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 1993.
Shakespeare, William, and Kim F. Hall. Othello, the Moor of Venice: Texts and Contexts. Boston: Bedford/St. Martin's, 2007. Print.
In the production “O” the main character’s position in society does not truly capture the same importance as it did in Othello. The life of a war leader seems much more influential than that of a basketball star’s life in high school. The drama that comes with being on the high school basketball team lacks the responsibility that Othello has. Othello has a well-known reputation for being able to handle himself in many situations emotionally and physically, which may be the reason the Duke of Venice chose him individually to lead the war in the foreign land of Cyprus. This being such a huge obligation for Othello, it created tension for the audience, especially one at the time of this plays creation. As the war breaks out between Venice and Turkey, things seem to be extremely tense within the characters, especially, Othello. Between the defeat of the Turkish and Cassio’s drunken fight, the recently captured Island of Cyprus and the venetians look overwhelmed with a lot of explosive emotions. Othello’s responsibility in the war creates an easy way for the audience to emphasize with the pressures his character faces.
Othello avoids all irrelevancies and the action moves swiftly from the first scene to the denouement. We never get lost in a multiplicity of incidents or a multitude of characters. Our attention remains centered on the arch villainy of Iago and his plot to plant in Othello’s mind a corroding belief in his wife’s faithlessness. (viii)
Oedipus the King and Othello are both plays in which are known for their dramatic tragedies. Oedipus the King is an Athenian tragedy by Sophocles that was first performed in 429 BC. The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare, which was written in approximately 1603. These two plays do a profound job at making sure the audience understands the background of the main characters, however, there are minor characters who are just as important. Emilia, Othello’s wife, and Jocasta, Oedipus’s mother and wife, both aid in the understanding of the major characters throughout these plays. These two plays showcase the power of love and how destructive it can be.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994.
Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare’s Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
Essential to the success of Othello is the fact that the issues and themes explored in this tragedy, written by Shakespeare in about 1604, are still relevant to the modern audience. The interest of an audience is held by themes that are fundamental to the human condition, as these reflect our world and examine human nature. Othello explores the issues of racism, gender, domestic violence, the supernatural and the pathology of the entirely evil person, which are all remarkably relevant to our time. Thus the interest of the audience is held, as issues that affect the viewers and readers of the play spark individual opinions, reflection and thought.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.