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By just observing a flock of birds, John James Audubon and Annie Dillard are able to create a detailed piece of writing by representing their experience through their usage of literary devices and syntax. Indistinguishably, both Audubon and Dillard view the birds as one of the most interesting creatures on Earth. However, their diction along with their comparisons contradict when they conveyed their emotions when they viewed the flocks. As an Ornithologist, John James Audubon is factual when expressing his experience on the impression that the flock had on him. Without utilizing a graphic explanation, Audubon begins “counting the dots then put down, [and realizes] that 163 had been made in twenty-one minutes.” By doing so, the reader gains an understanding of the wonders that Audubon holds. The way he describes the flock as an “eclipse”, a “torrent”, and a “gigantic serpent”, as well as, the varied diction, “eminence” and “inconceivable velocity” conveys his fascination with the sight. As seen in his passage, Audubon creates descriptive commentary, though he does lack the usage of imagery. In actuality, Audubon does confess …show more content…
that “[he] cannot describe to [the reader] the extreme beauty of their aerial evolutions,” thus adding proof that Audubon is more descriptive than visual. On the one hand, Dillard put together a more creative portrayal of the flock of birds.
Of course, with the mind of a skilled author, she is no wildlife expert like Audubon. Nonetheless, she was competent enough to capture “the flight [, that] extended like a fluttering banner, an unfurled oriflamme.” In other words, Dillard is able to observe the “starlings” by making simile comparisons. Of the innumerable similes that she included within her essay, Dillard is able to compare the starling's formation as “transparent and whirling, like smoke” and “like a loosened skein,” and also compare their speed “like wind,” in order to explain the numerous amount of starlings were at the scene at the moment. Ultimately, Dillard doesn’t make an attempt to truthfully collect information about the birds, rather, she is remains still and experiences the
moment. Even though both writers had some different ways in expressing their experiences, they both shared similar emotions. Both remained outside for hours, and both experienced the flock of birds. And with that, they were able to create such acute observations. In other words, with observations comes commentary, and with commentary comes emotions. With precise details, Audubon tells how “he observed the pigeons flying…and feeling an inclination…[he] dismounted…and began marking with his pencil, making every dot for every flock that passed.” Of course, with that, Audubon creates an understanding that such detailed description wouldn’t have been born without the patience that was made to appreciate the Nature at hand. Likewise, Dillard, drew a picture for the reader when she narrated, “It was starling’s…gathered deep in the distance…Each individual bird [bobbing] and [knitting] up and down in the flight…My eyes prickled from the effort of trying to trace a feathered dot’s passage…”Once again, a moment of appreciation and emotion is shown. Both Audubon and Dillard convey their experience and observations differently through their usage of rhetorical devices due to the way in which the birds acted once they approached the two. Together, the two authors view the birds as one of the most interesting creatures on Earth.
In the narrative poem “Cautionary Tale of Girls and Birds of Prey” the author, Sandy Longhorn, tells the story of a young girl who is afraid of a hawk, and her inconsiderate father who doesn’t take her concerns seriously. The story shows how her father is determined to get rid of her fear of the hawk, because he thinks it is both foolish and childish. The daughter very well knows the capability of the hawk, however her father doesn’t acknowledge it until it is too late. In the poem, Longhorn uses alliteration and rhyme to help explore the theme of how being inconsiderate towards others can in the end hurt you as much as it hurts them. The poem takes place on a little farm where the girl and her father live with all of their livestock.
There are many writers that write poems and books with the same styles. This essay will compare the styles of Greasy Lake by T. Coraghessan Boyle and the fictional Pet Fly by Walter Mosley.
The diction surrounding this alteration enhances the change in attitude from self-loath to outer-disgust, such as in lines 8 through 13, which read, “The sky/ was dramatic with great straggling V’s/ of geese streaming south, mare’s tails above them./ Their trumpeting made us look up and around./ The course sloped into salt marshes,/ and this seemed to cause the abundance of birds.” No longer does he use nature as symbolism of himself; instead he spills blame upon it and deters it from himself. The diction in the lines detailing the new birds he witnesses places nature once more outside of his correlation, as lines 14 through 18 read, “As if out of the Bible/ or science fiction,/ a cloud appeared, a cloud of dots/ like iron filings, which a magnet/ underneath the paper
Auburn’s passage inhabits a sense of seriousness and monotone. Incorporating direct details such as his departure from his house on the “banks of the Ohio” and observing pigeons fly “north-east to southwest” reveals his scientific train of thinking. By him pinpointing each step of his experience of watching birds, it displays how his mind functions and distinguishes situations. Show casing his down to earth tone, Auburn delivers a step-to-step encounter with the birds flying high above him. Auburn describes the flock of birds “like a torrent” that made a sound “like a noise of thunder” that came by with such a “compact mass”. Auburn’s passage consists mainly of scientific observations but the word incorporations towards the end of the passage are significant components which assist in portraying a poetic and metaphoric language. By Auburn incorporating this poetic feel, it displays his exhilaration and pure amazement of theses specimen.
Mary Oliver’s unique responses to the owls illustrate the complexity of nature by displaying its two sides. Mary Oliver at first enjoys owls and all they have to offer, yet she later emphasizes her fear of a similar animal. The visual imagery she uses in her descriptions
Firstly, in Anne Lamott’s Bird by Bird she uses several literary tools to craft her writing style and convey important information. Lamott’s tone is very likable and relatable. She allows for room discussion and does not give off an arrogant vibe that many published writers are prone to. She utilizes contemporary, conversational tone throughout her writing. As a result, the readers feel personally engaged, as if she is talking directly to them. Lamott even uses the word...
Brian Doyle’s “Joyas Volardores” explores the life and emotions that come with being alive. This essay, even though it is written about hummingbirds, speaks about the hearts of many. To convey such emotion, Doyle intertwines long, detailed sentences with short and to the point ones all while telling a captivating story. In The Well Crafted Sentence, Nora Bacon describes a “both/and” (10) style of writing that can be used. This manner of writing showcases metaphor filled sentences that are seen as more pleasurable because they are paired with plain style sentences. By beginning his essay with compact, then leading into lengthy and descriptive sentences, Doyle accomplishes a both/and style of writing.
Even when Jim is in this awful war-stricken place, one thing that he can still find comfort in, and which reminds him of his peaceful home is the birds, which are everywhere, still living their lives unaffected by mans war. This shows how nature is unaltered by mans cruel antics against other man, and how life and nature must, and will go on through all circumstances.
Both Virginia Woolf and Annie Dillard are extremely gifted writers. Virginia Woolf in 1942 wrote an essay called The Death of the Moth. Annie Dillard later on in 1976 wrote an essay that was similar in the name called The Death of a Moth and even had similar context. The two authors wrote powerful texts expressing their perspectives on the topic of life and death. They both had similar techniques but used them to develop completely different views. Each of the two authors incorporate in their text a unique way of adding their personal experience in their essay as they describe a specific occasion, time, and memory of their lives. Woolf’s personal experience begins with “it was a pleasant morning, mid-September, mild, benignant, yet with a keener breath than that of the summer months” (Woolf, 1). Annie Dillard personal experience begins with “two summers ago, I was camping alone in the blue Ridge Mountains of Virginia” (Dillard, 1). Including personal experience allowed Virginia Woolf to give her own enjoyable, fulfilling and understandable perception of life and death. Likewise, Annie Dillard used the personal narrative to focus on life but specifically on the life of death. To explore the power of life and death Virginia Woolf uses literary tools such as metaphors and imagery, along with a specific style and structure of writing in a conversational way to create an emotional tone and connect with her reader the value of life, but ultimately accepting death through the relationship of a moth and a human. While Annie Dillard on the other hand uses the same exact literary tools along with a specific style and similar structure to create a completely different perspective on just death, expressing that death is how it comes. ...
Thesis: Glaspell utilized the image of a bird to juxtapose/compare/contrast the death of Mrs. Wright’s canary to the death of Mrs. Wright’s soul.
Audubon and Dillard hold opposing views in terms of their portrayal of the flocks of birds. Audubon starts is passage off by stating that he “observed” the birds flying in “greater numbers” than he had ever seen in the past. He conveys this first encounter as more of a scientific inquiry, detecting that there is a strangely abundant amount of pigeons in flight altogether. Afterwards, he began to “count” the flocks of birds, making a “dot for every flock that passed”, and stopping after 21 minutes after finding the task he undertook “impracticable.” Audubon attempts to gather quantitative information on the pigeons as a typical objective scientist would do, and the fact that he stopped counting as soon as he felt that it was of no use or reason of doing so anymore proves that Audubon observed the birds objectively. Later on that day, Audubon mentions how he had unsuccessfully ran multiple “trials” to “reach” and “disturb” the birds with his...
Kelly, Joseph. The Seagull Reader Poems Second Edition. New York: W.W Norton and Company, 2001.
It is clear that Bishop’s “The Unbeliever” is heavily influenced by her poetic idol Moore because it contains elements are inconsistent with Bishop’s work as a whole. History shows that Elizabeth Bishop was not a strict modernist poet, yet in this sample of her early work you can see her imploring strategies more consistent with Moore’s own unique style. The habit of following a strict structure and the habit of carefully sculpting her poems are two of Moore’s distinctive mannerisms. While the shape of “The Unbeliever” does serve a specific purpose, it is interesting to note that this is an uncommon tactic for Bishop. Not only does Moore heavily influence Bishop’s work “The Unbeliever”, but it is clear that the poem is also specifically impacted by Moore’s poem “The Mind is an Enchanting Thing”. Beyond following a strict rigid structure and rhyme scheme, Elizabeth Bishop goes one step further and borrows an image from Moore’s poem. While it could be mere coincidence that both poems use the image of a bird, the way that Bishop writes the gull to “blindly [seat] himself astride” (Bishop, 24), represents a direct allusion to the way Moore’s kiwi walks along the ground as if it was “blind” (Moore, 124).
bird as the metaphor of the poem to get the message of the poem across
“A Bird came down the Walk,” was written in c. 1862 by Emily Dickinson, who was born in 1830 and died in 1886. This easy to understand and timeless poem provides readers with an understanding of the author’s appreciation for nature. Although the poem continues to be read over one hundred years after it was written, there is little sense of the time period within which it was composed. The title and first line, “A Bird came down the Walk,” describes a common familiar observation, but even more so, it demonstrates how its author’s creative ability and artistic use of words are able to transform this everyday event into a picture that results in an awareness of how the beauty in nature can be found in simple observations. In a step like narrative, the poet illustrates the direct relationship between nature and humans. The verse consists of five stanzas that can be broken up into two sections. In the first section, the bird is eating a worm, takes notice of a human in close proximity and essentially becomes frightened. These three stanzas can easily be swapped around because they, for all intents and purposes, describe three events that are able to occur in any order. Dickinson uses these first three stanzas to establish the tone; the tone is established from the poet’s literal description and her interpretive expression of the bird’s actions. The second section describes the narrator feeding the bird some crumbs, the bird’s response and its departure, which Dickinson uses to elaborately illustrate the bird’s immediate escape. The last two stanzas demonstrate the effect of human interaction on nature and more specifically, this little bird, so these stanzas must remain in the specific order they are presented. Whereas most ...