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Elizabethan time period fashion
Clothing during the Elizabethan era
Elizabethan time period fashion
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“Style is a way to say who you are without having to speak.” This quote by Rachel Zoe speaks volumes about fashion in the time period in which Shakespeare lived. Many people believe royal women from the Elizabethan era only wore fancy dresses for looks, however, their outfits were more complex because they contained many layers, the law regulated them, and they showed which class they were in.
During this time period, the royal women’s outfits were extremely complex and contained many different pieces such as a chemise, stockings, a corset, a petticoat, a farthingale, a gown, sleeves, a neck ruff, and wrist ruffs (Leed 1). Gowns, embroidered with colorful threads and all kinds of jewels such as diamonds, rubies, and sapphires were handmade
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for the royal women of the Elizabethan era. When a royal woman would go outside in the cold, she would add a velvet cloak and gloves of cloth or leather to her ensemble. If it was sunny, she would wear a hat to protect her face. A queen would typically wear all of these things along with many elaborate accessories and make-up. After 1562, royal women, such as Queen Elizabeth I, started wearing more makeup on their face in order to cover their scars from smallpox. They would paint their faces with makeup made of white lead and vinegar, then add red dye to their cheeks. In addition, royal women would wear red powder, called rouge on their lips. Also, wigs were very fashionable during the Elizabethan era. Lastly, to complete their appearance, royal women wore accessories such as fans, earrings, a pearl or diamond necklace, a brooch, and a watch. This era was highly fashion-conscious and greatly influenced by Queen Elizabeth I’s fashion (Thomas 1). The fashion of royal women in the Elizabethan era was not only a statement because the law controlled what they wore. The Medieval Feudal System set these laws, called the Sumptuary Laws, in place during June of 1574, and they soon became known by all of the people of England (“Elizabethan Sumptuary Laws”). The Sumptuary Laws, which later became known as the Statutes of Apparel, say which types of clothes and the color of the clothing the people could wear (Hun 1). For example, only the royal family had permission to wear clothes trimmed with ermine and the colors purple and gold (“Elizabethan Upper Class Fashion”). Just like any other law, the Sumptuary Laws also had punishments if anyone violated them. Whoever broke these codes faced penalties, fines, and loss of property; they could even lose their title or even their life. After the Bubonic Plague, also known as the Black Death, King Henry VII updated the existing Sumptuary Laws. Just like her father and sister before her, Queen Elizabeth I continued to use the Statutes of Apparel during her reign. The reason for these laws were to maintain the social structure of the Elizabethan social class system. The Statutes of Apparel insured that everyone knew their place in the hierarchy. Just like everything else in the medieval period, the Feudal System dictated the clothing laws (“Elizabethan Sumptuary Laws”). The Elizabethan era was full of many beautiful gowns, however, not just anyone could wear them.
Clothes were an important symbol of “who was who” during this time period (“Elizabethan Sumptuary Laws”). In addition, which social class a person was in determined which clothes they wore. For example,only royalty and the highest nobility wore colors such as: gold, silver, crimson, deep indigo, violet, black, and white. People who wore the color blue were often servants of the royal family (Hun 2). The queen, the queen’s mother, daughters, sisters, and aunts often wore clothes of gold (Elizabethan Upper Class Fashion). Along with color, a person’s title or status also determined the material of clothes they wore. Women of the upper class were often wearing clothes of velvet, satin, fur, silk, lace, cotton, or taffeta. They used imported materials from other places to make these expensive clothes (Hun 3). Despite all of the fancy garments of the upper class, the queen still dressed more magnificent than everyone else in the land (Thomas 1). On the other end of the spectrum, women of the lower class mainly wore natural colors such as brown, yellow, and beige. In order to follow the dress code, they made their dresses with only wool or linen (Hun 7). Women of the middle class also wore simple dresses like the women of the lower class, however, their dresses were nicer wools and linens and were often white (Hun
6). In conclusion, royal women’s outfits in the Elizabethan era contained many layers, the law regulated them, and they showed which social class they were in. Many people nowadays believe the Elizabethan women dressed nice just to look pretty and to impress others, however, that was not the case. Lastly, there was always a purpose to each woman’s outfit no matter which social class she was in.
To start the dressing process, Victorian women had so many layers of clothing it all had to be placed upon them one at a time. The first layers consisted of undergarments such as items women of today would call underwear and socks. However, the Victorian women wore drawers as modern women wear underwear. Stockings; usually knit, cotton or silk, covered the lower leg with a garter to keep them from falling down the leg or revealing any flesh of the lower leg (Mitchell 17). Upon the upper part of the body a Chemise was worn to cover the skin below the corset...
Throughout history, there were many things that influenced fashion and the ideal body image of the time. Things such as politics, and changes in social roles were some things that had an influence on the fashion of the day. One particular shocking thing that had influenced on the fashion around the 1800s were sickness and diseases. Not only were diseases and sickness caused by different fashion trends, but it set the tone for certain ideal body images and also influenced the fashion of the time.
This dress features trimming with a silk polychrome fly fringe. It compares to the size of an adolescent. It is quite small in size and has sharp angles among the waist, hips, and shoulder areas. The structure of the gown is what some may consider traditional. While the front of the dress has a dip near the chest area the back has a long cape that extends to the ground. The fabric is rather thick and matte. There is various pleating that adorns the ends of the sleeves, the cape, and the hips. At the front of the gown there is cross-hatching in the stitching at the waist. The gown features one main fabric with various colors and patterns. The fabric has a light blue background with cream-colored leaf shapes. There are also olive-green leafs and maroon (white) flowers printed on the
"Do not make yourself uneasy, my dear cousin, about / your apparel. Lady Catherine is far form requiring that elegance of dress in us which becomes herself and / daughter. I would advise you merely to put on whatever / of your clothes is superior to the rest / ...she likes to have the distinction of rank preserved" (137 Austen).
The early nineteenth century which was in the Regency Era consisted of harsh judgments towards what was believed to be a “wealthy” look and what was considered to be “proper.” In Austen’s Pride and Prejudice, the clothing is more than just a fashion statement, it determines how they are perceived and their overall rank and social class in society. Therefore, fashion represents the importance of self appearance during that time.
In Sarah J. Maas’ book, A Court of Thorns and Roses, the characters exist in a fantasy world. This world cannot then be placed in a specific time period. However, the setting can be related strongly to medieval European times due to the: styles of clothing, housing, technological level, and culture. The style of clothing is one of the subtlest hints of the time period. Maas describes the servants as wearing ‘homespun brown aprons,’ and the main character’s outfit as a dressing gown, with “the finest silk, edged with lace- simple and exquisite enough that I ran my finger along the lapels” (Maas 55). The opulent clothing relates to the life of a wealthy medieval European. The house of Feyre, the central figure in the story, is similar to the life of a medieval peasant. “The stone houses of the village were ordinary and dull, made grimmer by the bleakness of winter” (Maas 21). These simply built houses also reveal a low technological level within the novel. There appears to be no electricity even in manors, and Feyre takes a journey on a carriage. “... their brows rising at the gilded carriage” (Maas 252). These are minor correlations, however, to the similar cultures of medieval Europe and the setting of the novel. A major piece of evidence linking the two worlds is the
Shakespeare lived in a society where clothes were key in identifying certain social statuses. Only certain social statuses were able to wear specific colors or fabric. For example, purple silk was only reserved for the Queen, King and their family members, and velvet was reserved for only the highest nobility (Hanson). A person’s appearance affects how others in society view them. Shakespeare shows that clothing does not make a man. Characters in The Taming of the Shrew change their appearances to fit the role they are disguising as. Their change of clothes affected how society looked at them but did not change who they truly were. A servant dressed as a lord is still a servant and a lord dressed as a servant is still a lord no matter their change of clothes and a women is still a women even if she is labeled as a shrew. In the end of the play, they all changed to fit society norms.
Clothing affected the lives of women greatly. Women wore many layers of clothing that could be hot and tight, making them uncomfortable. Different types of clothing were also used to make women seem more petite than they actually were (History of Fashion - Elizabethan). Many outfits included most of the following under layers: a smock, stockings, a corset, a farthingale, a rowel, a stomacher, a petticoat, a kirtle, a fore part, and a partlet. Then, most of the following over layers: a gown, separate sleeves, a ruff, a cloak, and shoes. Shoes were often a flat, Mary Jane style, or had a platform to keep one's feet dry. The biggest influence on woman's clothing during the Elizabethan Era was actually Queen Elizabeth I herself.
The ladies dresses of the early Middle Ages were influenced by the classical styles of the Greek and Roman women. Their dresses were tight to display the elegance of their figure. Dresses were embroidered and luxuriously decorated. Some dresses consisted of two tunics and of a veil or drapery. The veil was thrown...
When you get dressed in the morning, do you dress carelessly, or do you take your precious time to find the perfect outfit? Neither is the case for the people of the medieval era. They have to wear specific things every day in order to separate the different social classes. Here you can learn about items a person from this time would have to wear day after day.
The Renaissance time period could be considered one of the most artistic eras of all time. Both men and women were encouraged to make a transition from the medieval time period to the Renaissance time period. This was done largely in part by their style of clothing and the way they expressed themselves. Some fashionable trends for the women of the Renaissance time period include corsets, layers, ruffled collars, and closely fitted gowns called cotes. “Corsets like the merry widow were necessary for parties, dances, and other formal occasions” (Hoobler 98). Unmarried girls, brides, and queens of the time were allowed to wear their hair down, while most other women were to wear tall cone-shaped hats called hennin. The men of the renaissance era typically wore their ...
Royal women often wore stockings that covered the lower edges of their legs, they were called nether hoses. Headdresses that looked like veils covered the ears and the front part of the head, and no hair was visible. A form of their sleeves were having them start big and tighten as they move closer to the cuff, they formed a
The Victorian Era is a remarkable time in history with the blooming industries, growing population, and a major turnaround in the fashion world. This era was named after Queen Victoria who ruled United Kingdom of Great Britain and Ireland from June 1837 until she passed away 64 years later in January 1901.When Victoria received the crown, popular respect was strikingly low. The lack of respect for the position she had just come into did not diminish her confidence. Instead she won the hearts of Britain with her modesty, grace, straightforwardness, and her want to be informed on the political matters at hand even though she had no input. She changed Britain into a flourishing country. She also impacted how women interacted during this era based on her personality.
A time of exuberance and elaboration ushers in new patterns and cuts, along with creativity and fantasy which brought about a distinct societal issue called classism, as shown by European fashion trends. The style of Baroque is “characterized by formal redundancy, by the complexity of patterns, by the eccentricity of decorations, and by the textile sumptuousness” (vogue.com). From light and airy tints, to deep and earthy hues, the coloration of clothes gave this extreme period emotion and depth that strikes the eye, even today. Classism is a major factor and restriction during this era, reflecting the attire an individual wears. Regarding child-like garb to the working class, public could distinguish rank. Furthermore, society can differentiate the church and the nobility’s superiority. In Baroque culture, your status was visually depicted by the clothing you were able to wear. Garments impacted civilization for the duration of the Baroque age, just as is does in society today.
Fairly rare to see men wearing tights and a long coat over featured with some fur. Our dresses are less layered and aren’t as bright with so many different designs and colors. Our dresses are much more comfortable because we don't wear corsets to tighten the waist or ruffs around our necks. As an ordinary bride the dress is consisted of many layer as in the Elizabethan times and there is something similar to the farthingale with holds out the