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The taming of the shrew soliloquy
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Shakespeare lived in a society where clothes were key in identifying certain social statuses. Only certain social statuses were able to wear specific colors or fabric. For example, purple silk was only reserved for the Queen, King and their family members, and velvet was reserved for only the highest nobility (Hanson). A person’s appearance affects how others in society view them. Shakespeare shows that clothing does not make a man. Characters in The Taming of the Shrew change their appearances to fit the role they are disguising as. Their change of clothes affected how society looked at them but did not change who they truly were. A servant dressed as a lord is still a servant and a lord dressed as a servant is still a lord no matter their change of clothes and a women is still a women even if she is labeled as a shrew. In the end of the play, they all changed to fit society norms. Sly is the first character to be disguised. In the Induction, a lord plays a prank Sly while he is found sleeping outside. The Lord decides to make Sly think he is also lord …show more content…
She is miserable and desperate because she wants a husband but does not like the way women are treated. In pursuit to be happy in life she decides to marry Petruchio. Petruchio tames her and her shrewish ways begin to fade away. She listens to her husband, obeys his commands, she does not talk back, and she agrees with everything he says. Katherine disguises being a shrew by taking up the role of a modern wife in that time.
Throughout The Taming of the Shrew, Shakespeare disguised his characters. With the disguises, he showed that clothes do not really make a man. Clothes label people into certain social structures but does not make them who they truly are. He disguised his characters physically and emotionally. Lucentio and Tranio disguised as each other by changing clothes while Katherine was disguised as a social wife by submitting to her
Kate and The Taming of the Shrew describes the progression of the outspoken and headstrong Kate, wife of Petruchio, as she gradually transitions into an almost perfect example of an archetypal loyal wife. This classic female archetype can be expressed through blind and ignorant support of their husband without any personal opinion or any priorities and objectives other than to satisfy the needs and desires of their husbands. While Kate begins possessing traits that oppose the loyal wife archetype due to her strong willed personality, her shift to obedience. However she continues to think with cunning strategy throughout the entire play, regardless of her weakened mental state caused by Petruchio limiting her food and sleep.
"Women have a much better time than men in this world; there are far more things forbidden to them." -Oscar Wilde. This quote embodies the fight over gender roles and the views of women in society. Taming of the Shrew deals with Kate and Bianca, two sisters who are at the time to he married off. However, suitors who seek Bianca as a wife have to wait for her sister to be married first. Kate is seen as a shrew because she is strong willed and unlike most women of the time. In his 1603 play The Taming of the Shrew, William Shakespeare enforces traditional gender roles and demonstrates how little say women had in society. He accomplishes this through the strong personality of Kate, Baptista 's attitude towards his daughters as transactions, and
many years. She is hurt and she seeks revenge. This is seen in Act II. Scene I, when Katherine sums up her own state: "I will go sit and weep." Till I can find an occasion of revenge" (35-36). It is an immature response. but the only one she knows, and it serves the dual purpose of cloaking her. hurt. The transformation, which she undergoes near the end of the play, is not one of character, but one of attitude. At the end of the play, we find out that her negative attitude becomes a positive one. & nbsp; The shrew is not a shrew at all beneath the surface. & nbsp; The play begins by introducing Katherine with her father's words of shame towards her when he offers his eldest daughter to the two suitors of Bianca. The audience is then given their first impression of Katherine.
Despite the fact that Shakespeare is mostly known for its tragedian playwrights, yet, in The Taming Of The Shrew, he once again proves that he is capable to write anything - even comedy. The Taming Of The Shrew is a play within a play. However, the play takes place towards the end of the 16th century. Most of the comedy scenes are shifted from the city to the country and back to the city. Therefore, most of the scenes took place in the city of Padua, Italy. Christopher Sly is a drunken tinker who appears in the induction of the play. Nevertheless, he is fooled by a lord stating that he is a lord and has been mad for fifteen years. Therefore, there is a play that is to be performed to the drunker. In the play there are two main characters and other minor personalities. As one of the main characters, Katherine is called a shrew, even by her father Baptista, but Katherine has a deeper character than what she seems to appear. Katherine's reactions are due to the preferences that her father resembles between her and her sister. However, as a consequence to her fathers' preference she is hurt and seeks for revenge. It is an immature response, but the only one she knows, and it serves for her dual purpose of her hurt and revenge. The transformation that she undergoes near the end of the play is not one of character, but one of attitude. She alters dramatically from the bitter accursed shrew to the obedient and happy wife when she discover that her husband loves her enough to attempt to change her for her own good, as well for his. The other main character is Pretruchio her husband. On the surface he appears to be a rough, noisy, and insensitive, one who cares nothing for Katherine's feelings so long as she has money. Yet, in the inside Petruchio's intention is not interested for her money but the challenge of capturing her because of the reputation that she has. Like a secondary character is Katherine's sister Bianca. Apparently in her gentle behavior, she is an unkind sister and through the play she is in fact a disobedient wife. She fosters her father's attitude of favoritism for herself and dislike for Katherine by playing the part of a whole victim.
...r, Shirley Nelson. "The Taming of the Shrew: Inside or Outside of the Joke?" In "Bad" Shakespeare: Revaluations of the Shakespeare Canon. Ed. Maurice Charney. London: Associated UP, 1988. 105-19.
The Taming of the Shrew is set in a time period that did not accept women as we do today. In today's society, women who are strong and independent and quick witted are praised. In Elizabethan times women were supposed to know their role in life, being good to their husbands, making children and taking care of them. There were no women in politics, there were no women in business, it was only acceptable for women to participate in domestic areas of life. Women could not live a respectable life in this time period without a male figure to take care of them, rendering them helpless without men. If there was anything that must be done involving economics or education, it was up to the men. Men were the ones who worked and brought home the money to support the family. The roles of men and women were very distinct, and it resulted in giving the men the majority of the power.
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The Marriage formed between the two is a match made in heaven for two reasons. First Because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them. The second reason the bond survives is that Petruchio is strong enough to accept the fact that Katherine has a mind and, more importantly he loves her for that reason. Petruchio cleverly weaves the relationship into the framework of society without compromising the integrity of the relationship. Petruchio does this by comparing Katherine’s at attitude to repulsive clothing. Carefully and calculatingly, Petruchio forges a relationship that is envied by all who witness it.
In the Induction, we are introduced to Christopher Sly, a drunkard with a shrewish wife. Not long after leaving the alehouse, drunk, Sly falls asleep outside. A Lord returning from a hunting trip stumbles upon Sly and decides to have some fun “What’s here? One dead, or drunk? See, doth he breathe? /.../ Si...
Throughout a person’s everyday life, he or she grows as a person through the relationships and encounters they have with others. Similarly, William Shakespeare writes a play called The Taming of the Shrew that tells the tale of a young woman, Katherine, who is known to be erratic and short tempered. She is later married off to a man named Petruchio, who only agrees to marry her for her dowry. Katherine is unhappy with the marriage, because Petruchio interacts with her the way she does with other people. However, near the end of the play she learns to love and respect Petruchio. It is evident that she honors Petruchio as her husband through her drastic change in attitude towards her family and friends.
images to explain in the Shakespeare's play " The Taming of the shrew" and two
Even from the beginning of time with Adam, Eve and the serpent, deception has been used. Everyone has tried to deceive someone in their lifetime whether it be through a Halloween costume or to make yourself appear better. Deception is used for a variety of reasons today just as in the play. Some people are forced to use deception as a necessity while others find humor and entertainment in it. Whatever the motive, deception will continue to be a recurring them in all mankind; one with which we can all identify.
Moreover, Lear’s use of clothing imagery demonstrates his descent into madness and how he slowly becomes insane: “Is man no more than this? Consider him well. — Thou ow’st the worm no silk, the beast no hide, the sheep no wool, the cat no perfume” (III.iv.109-112). Lear truly begins turning mad once he seems Tom, and realizes there is not much of a difference between beasts and humans. By his wanting to strip himself of his clothes and become like Tom, he is stating his want to relinquish himself of human needs, and become that of a beast. He uses clothing as a symbol for what defines a human and what separates humans and beasts, and his stripping is his turning point for madness. His full insanity is demonstrated completely in Act 4, just through his clothing: “Ay, every inch a king” (IV.vi.127). Lear wears flowers and twigs on his head in the shape of a crown, because he believes he is still the king in his madness. Lear’s clothing is representative of him losing sight of who he is and what kind of position he is in, demonstrating the madness that his mind has fallen into. He is only a figment of the
In (Act 3 Scene 2 L.210-245) Katherine and everyone else who attended her wedding were ready to go to the bridal dinner, but Petruchio exhorts Katherine to leave with him for their honeymoon together. Petruchio states in (Act 3 Scene 2 L.210-245) that Katherine is his property, his everything, and that he will do anything to protect Katherine from anything, so he is leaving with her and anyone can try and stop him if they dare after this Katherine leaves with him effortlessly. This shows that Katherine is tamed because it didnt take much for Petruchio to convince her to leave with him, compared to the beginning of the story she was perverse, and didnt care about peoples commands toward her so she would rebuff what they said to her. With Petruchio, Katherine acted unseemly from her normal self she didnt argue with him at all and followed him out of the bridal dinner. This connects to the theme because Katherine appreciated the time he spent with her and even if she had to leave she followed and didnt argue after she asked him to
Katherine from The Taming of the Shrew is introduced as a mean, shrewish young woman who is considered to be “untameable.” She and her sister Bianca are complete opposites and do not get along. As her father has it, Bianca will not get married until his oldest daughter Katherine is married. But because Katherine is so shrewish, the plausibility of her getting married is slim. Similarly, Kat from 10 Things I hate about you is independent, loud, and not afraid to speak her own mind. Kat’s sister Bianca wants to start dating, but just as Katherine’s father said in TTOTS, Bianca cannot date until her sister does the same. While both Katherine in Taming of the Shrew and Kat in 10 Things I Hate About You are mean and shrewish in the beginning of the movie and play, the change in personality and character differs as each is introduced to the possibility of love. The time period’s expectations of women affects how Katherine’s personality deteriorates as she becomes more of a servant than an equal partner and how Kat remains her own person while still opening her heart to love.
Shakespeare has another example of illusion or disguise present in his induction. The Lord has his page dress as a woman, and his job is to play Sly’s wife, which we see in the induction when the Lord says, “go you to Barthol’mew my page / And see him dressed in all suits like a lady” (Induction 2.103-4). Bartholomew’s playing of a woman depicts an illusion because his appearance is meant to deceive Sly and the audience, specifically the playgoers. When reading the play he reader is aware that Sly’s wife is the Lord’s page dressed as a man, and “…we are comically aware that the “wife” is an imposter, a young page in disguise” (Bevington 2). However, we need to keep in perspective that when The Taming of the Shrew was performed in 1592, all