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Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are his best-known, most popular works, and it was during these years that impressionism most closely approached a group style. Here . . . he painted the sparkling impressions of French river life that so delight us today” such as The Riverbank at Petit-Gennevilliers, Sunset. When impressionism began to approach a group style, it allowed for the movement to gain notoriety, which ultimately led to Monet’s recognition in the art community as a skilled painter. In order to produce his captivating landscapes pieces, Monet took advantage of the nature that surrounded him, ultimately allowing him to produce his awe-inspiring pieces. Monet was able to succeed in his mission in becoming one of the greatest painters in history by producing nature inspired landscape scenes such as Red Boats, Argenteuil, Arrival of the Normandy Train, the Magpie, the Train in the Countryside, and the Riverbank at Petit-Gennevilliers, Sunset.
In “Why Monet Gave up Figure Painting”, Anne Wagner uses Monet’s painting of Le Dej...
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...ke.edu. https://www.mtholyoke.edu/courses/rschwart/ind_rev/research/nature_and_industry.html (accessed April 3, 2014).
House, John. Monet, nature into art. New Haven: Yale University Press, 1986.
National Gallery of Art. "Picturing France 1830-1900." www.nga.gov. http://www.nga.gov/content/dam/ngaweb/Education/learning-resources/teaching-packets/pdfs/picturing_france.pdf (accessed April 3, 2014).
Nichols, Catherine, and Claude Monet. Claude Monet. New York: Rosen Pub. Group's PowerKids Press, 2006.
Seitz, William C., and Claude Monet. Monet. New York, NY: Harry N. Abrams, 1982.
Wagner, Anne . "Why Monet Gave up Figure Painting." The Art Bulletin, December 1994.
Wildenstein, Daniel, and Claude Monet. . Paris: La Bibliothèque des arts, 1974.
Wood, James N.. Impressionism and Post-impressionism in the Art Institute of
Chicago. Chicago: Art Institute of Chicago, 2000.
Claude Monet played an essential role in a development of Impressionism. He created many paintings by capturing powerful art from the world around him. He was born on November 14, 1840, in Paris, France. Later, his family moved to Le Havre, Normandy, France because of his father’s business. Claude Monet did drawings of the nature of Normandy and time spent along the beaches and noticing the nature. As a child, his father had always wanted him to go into the family grocery business, but he was interested in becoming an artist. He was known by people for his charcoal caricatures, this way he made money by selling them by the age of 15. Moreover, Claude went to take drawing lessons with a local artist, but his career in painting had not begun yet. He met artist Eugène Boudin, who became his teacher and taught him to use oil paints. Claude Monet
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
In conclusion, art comes in different forms. One artist may be able to show thing in ways other artists can’t. Both Seurat and Monet grew up in Paris, France, served in the military, made impressionist art, but yet they’re works are so different from each other.
I visited Norton Simon Museum in Pasadena, California for the first time hoping to learn more about the European artworks this place has to offer. Norton Simon Museum holds the remarkable amounts of artwork by world-renowned artists: Vincent Van Gogh, Rembrandt van Rijin, Caravaggio, Raphael, and Pablo Picasso just to name a few. I observed many European paintings in the 18th to 19th century; I chose to discuss the artwork by the incredible Claude-Oscar Monet. Claude-Oscar Monet’s Mouth of the Seine at Honfleur, 1865 is an oil painting of a seascape on a canvas. The Parisian artist is considered one of the most influential artists in the late nineteenth to early twentieth century.
Monet chose to depict exquisite landscapes from his own gardens and elsewhere, particularly in France. He uses small, elegant brush strokes and vibrant colour to match the scenes he paints. In the mid-1870’s, Monet’s influence over Degas lead Degas to lean his colour choices nearer to those of other Impressionists. In addition to this, Degas began employing pastels, which gave his works a more granular affect that more closely resembled those of other Impressionists. For numerous years in his life, after attempting to paint his the first of his famous “Haystacks” ,and, being unable to seize the right shading or colours due to the rising sun, Monet was intrigued by the affect of weather and light on his outdoor projects. On the other hand, Degas, although also concentrated mainly in France, based his works on people, nudes and ballerinas in particular. Monet never painted a nude.
While living in Paris, Van Gogh was first introduced to impressionist art and was inspired by the color and light. “Inspired by these artists, he brightened his own palette and
Rewald, John. Post-Impressionism: From Van Gogh to Gauguin. New York: The Museum of Modern Art, 1978.
Claude Monet made the art community address a revolutionary type of art called impressionism. In a style not previously before painted, impressionism captured a scene by using bright colors with lots of light and different shades to create the illusion of a glance. The traditional method of working in a studio was discarded and the impressionist artists carried any needed supplies with them into the countryside and painted the complete work outside. The manufacture of portable tin tubes of oil paints as well as the discovery of ways to produce a wider range of chemical pigments allowed artists to paint in a way unimaginable before this period in time (Stuckey 12). Monet and others, such as Pierre Auguste Renior, Paul Cezanne, Edgar Degas, Berthe Morisot, Edouard Manet, Camille Pissarro, and Alfred Sisley, took this style of art to a new level never seen before.
“To my mind, a picture should be something pleasant, cheerful, and pretty, yes pretty! There are too many unpleasant things in life as it is without creating still more of them” (P.A.R Quotes). Pierre-Auguste Renoir was an artist that put his heart and soul into a painting. Prior to Renoir there were many artists. Renoir was a man after diversity and difference in his paintings. He did not want to be like everybody else. He and many others felt this way, forming a new art called Impressionism. This new concept originated in France in the 1860’s. In 1874 Impressionism really took off, these artist were going against Realism in every way. These artist of Impressionism only became a group because they were rejected by the Salon des Refuses. Their
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
Janson, Harry W. History of Art. 5th Ed. New York: Harry N. Abrams, 1995. Print.
Barnett, Peter. “The French Revolution in Art”. ArtId, January 7th 2009. Web. 5th May 2013.
Evans, Mark. "Claude Debussy." Listen to This. 2nd ed. N.p.: Prentice Hall PTR, 2010. 1-534. Print.
When I saw Vermeer's Girl with a Pearl Earring about five years ago at the National Gallery in Washington, D.C., I felt something about the painting that I had never felt before when looking at artwork. I felt as if this girl, this young woman in the painting was real, hiding in the museum behind this canvas. She was in the flesh. Her skin was still dewy from three hundred-something years ago, the light across her face still glowing. She was in the round, her eyes followed mine, she was real. She was about to speak, she was in a moment of thought, she was in reflection. This girl was not crimson red or titanium white, she was flesh. Vermeer caught her, a butterfly in his hand. She was not just recorded on canvas, she was created on canvas. She was caught in a moment of stillness. Vermeer creates moments in his paintings. When viewing them, we step into a private, intimate setting, a story. Always, everything is quiet and calm. I realize now it is no wonder I had such a strong reaction to Vermeer the first time I saw him: he is a stillness seeker.