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Golden age of the film industry
Golden age of the film industry
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Citizen Kane (Welles, 1941) challenged the traditional narrative and technical elements of classic Hollywood cinema through the successful use of mise-en-scene. According to (Wikipedia) traditional narrative focuses on chronological order of history it is event driven and tends to center upon individuals, actions and intentions. Additionally (Wikipedia) also states that the title “Classic Hollywood cinema” were terms used in film history which designates both a visual and sound style for making motion pictures and a mode of production used in the American film industry between 1927-1963. This period is also known as the “Golden age of Hollywood.”
Orson Welles challenged traditional narrative and technical elements by using unique means
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of storytelling. Instead of starting the film in the tradition chronological format Orson Welles opens the story line from the death of (Charles Kane) the main character of the story. He continues the story by showing flashbacks of the Kane’s life even as a boy. One very significant event is the scene which he is sent away by his parents, which ejects the boy rapidly into adulthood. Having the life of a man narrated from different perspectives was also unheard of in Hollywood. He further challenged tradition with using all first time motion picture actors and actresses. These methods defied Hollywood cinema style and adhered to a new foundation in film. In 1941 the Great Depression had begun to dissipate primarily due to the war but, during this time all Americans were trying to seek employment and become innovative by some means to gather recognition.
Wells exploration into cinematography with the use of “Deep focus” and “Pan-focus” help to popularize the film during this time. Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image — that is, how much of it appears sharp and clear. Consequently, in deep focus the foreground, middle-ground and background are all in focus. An example of deep focus would be Charles Kane as a child outside playing in the snow with his sled, while his parents are inside (Dictionary Reference). Wikipedia states: Citizen Kane through the use of Pan focus, it is possible to photograph action from a range of eighteen inches from the camera lens to over two hundred feet away, with extreme foreground and background figures and action both recorded in sharp relief. Hitherto, the camera had to be focused either for a close or a distant shot, all efforts to encompass both at the same time resulting in one or the other being out of focus. This handicap necessitated the breaking up of a scene into long and short angles, with much consequent loss of realism. With pan-focus, the camera, like the human eye, sees an entire panorama at once, with everything clear and lifelike. A good example of this is when his wife walks out on him and he destroys the bedroom. When he walks to the doorway to see his wife walking away there is a long hallway camera
shot. With different techniques such as deep focus and pan focus the viewer is drawn into the film and it gives them a better perspective in the film. In movie Citizen Kane e (Welles, 1941) is a Classic Hollywood film that ultimately defies the conventions of Classic Hollywood cinema (1917-1960, but at a peak from the mid 1930’s to the end of the war), and it is for this very reason that the film continues to be valued so highly and discussed so keenly. The film emulates and yet defies various aspects of then-contemporary filmic production – mise-en-scene, cinematography, genre and narrative structure – and successfully introduced radical techniques of production into the Classic Hollywood canon of work. The film thus toes the line between being meticulously formulaic and exquisitely avant-garde so masterfully, that it easily escapes classification. (MegaEssay.com)
Mise-en-scène, cinematography and editing are used in all forms of cinema. Within the “Declaration of Principles” scene of Citizen Kane, lighting, blocking and panning are three of the main sub aspects that work in unison to consistently demonstrate important aspects of the film. Welles uses these attributes to portray to the audience how this younger Kane is an important newspaper owner, with an even more important document. He creates a scene that has a heavy emphasis on panning to continuously preserve a frame that centers Kane while also lighting the document so viewers can constantly see the important plot and characters of the movie.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
Citizen Kane, Orson Welles’ cinematic classic, is a film that centers on a group of reporter’s investigation into the meaning of Charles Foster Kane’s last uttered word, “Rosebud.” Citizen Kane ' brings into light many social problems between countries, relationships, and also between competing newspaper companies. It brings into light how a newspaper should react and also brings the corruption of politics. War was breaking out in Europe and throughout the entire film Kane states there will be no war. He ignores the fact people are being killed, tortured, and rounded up like livestock.
Classical Hollywood movies are important to the film making. They have set a guide and standards to be followed by filmmakers to come. Making films is not only a business but an art. It reflects the directors and writers imagination of what the film should be. Classical Hollywood films encompass many formal elements. One such film that encompasses these elements is the film Casablanca. IT is a classical Hollywood film because it uses the formal elements in a way to convey its message and has been critically acclaimed for generations.
Classic film noir originated after World War II. This is the time where post World War II pessimism, anxiety, and suspicion was taking the world by storm. Many films that were released in the U.S. Between 1939s and 1940s were considered propaganda films that were designed for entertainment during the Depression and World War II. During the 1930s many German and Europeans immigrated to the U.S. and helped the American film industry with powerf...
Frank Darabont (writer-director-producer) in 1999, returned to the director’s chair for the first time in five years. Darabont, who not only directed Shawshank Redemption, but adapted it from a Stephen King story, followed the exact same path with The Green Mile. The film was released by Warner Bros. Pictures, and Produced by Castle Rock Entertainment, Darkwoods Productions, and Warner Bros. David Valdes is the producer, David Tattersall, B.S.C. is the director of photography, Terence Marsh is the production designer, and Richard Francis-Bruce is the film editor.
The highly acclaimed Citizen Kane creates drama and suspense to the viewer. Orson Welles designed this film to enhance the viewer’s opinion about light and darkness, staging, proxemics, personal theme development, and materialism. Creating one of the most astounding films to the cinematography world, Welles conveys many stylistic features as well as fundamentals of cinematography. It is an amazing film and will have an everlasting impact on the world of film.
this one letter in a circle can now sum up his life, that people just
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
According to historians like Neil Burch, the primitive period of the film industry, at the turn of the 20th century was making films that appealed to their audiences due to the simple story. A non-fiction narrative, single shots a burgeoning sense
Most of the film was shot with 50mm lenses on 35 mm cameras. This technique carefully lets the audience see the film as though watching a ‘live scene’. This has the effect of drawing the audience closer into the action.
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
I first saw Orson Welles’s Citizen Kane when I was eight years old, and I remember complaining to my parents about how boring it was, but I still managed to sit through the whole movie. As I watched the film again for the second time as an adult, I really enjoyed it, because I was able to follow and understand the plot line. Even though I saw the movie about twelve years ago, most of the scenes’ images were still fresh in my memory. As a child I was unable to keep up with the narrative, but certain frames and montages stuck with me, and now I can understand why, because of how carefully and beautifully the scenes were shot, with such attention to detail.
Classical Hollywood is a tradition of methods and structures that were prominent American cinema between 1916 and 1960.Its heritage stems from earlier American cinema Melodrama and to theatrical melodrama before that. Its tradition lives on in mainstream Hollywood to this day. But what is it?