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Historic ceramics papers
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This work of art is known as a Chinese Porcelain Jar. Though the artist is not stated, we know it is apiece influenced from the Chinese culture. The date is assumed to be from the 19th, and 20th century. The vase is made from glass porcelain, and is finished with a nice glaze. It has an abundance of detailed Chinese art, that I take is trying to tell a story. The layout on the jar reminds me of the art that is done on a long scroll. This is work not to be looked at all at once, but in sections. The front of the jar includes a large gathering of people, around a great open house or tower, used as a meeting spot. The left side includes, about fifteen people, either walking on a bridge above the water, or in a boat on the water. The right side …show more content…
includes a congregation of men surrounded by mountains. The lid consists of one mountain and a few men walking around it. When I first look at front of the vase, the thing that catches my eye the most is the bright orange tower. It is a two story open building, with curved black roofs. Inside the bottom story is a table and a few men gathered near it. The men closest to the table are doing a variety of things. Some of the men appear to be banging a tiny tong, playing a drum, or blowing a trumpet. The other men assembled around them look to be sitting, and listening to the music they are playing. On the second story of the house, are two men sitting in a room, looking out the window witnessing every action going on. Outside of the tower are many other people listening, walking and congregating. At the bottom right of the vase, are four different men carrying tall items, Two are carrying tall orange lanterns on a stick. The other two men are carrying words on a stick. On the front stick, it says下 and 天, which translates as sky and fall. The second stick has太 and丰, which states highest, and abundant. The entire front piece of this vase is made up of a few colors, which include orange, green, pink and yellow. Moving to the left side is a enormous body of dull grey water. At the top left are six men in a curved boat with a dragonhead at the front, and a dragon tail in the back. Also in the back is a sign with the ying yang symbol. Four men are paddling the boat, and the other two men are playing music with a drum and a tong. Below is a bridge with four men walking, and one woman riding a horse. On the right end is the leader of the music that is also being played. After him, is two men holding an umbrella on either side of the woman riding the horse. She appears to be very special to them, perhaps a royal. The colors still remain in the orange, green, pink, and blue spectrum. The right side of the jar is a large gathering of about thirty- forty people.
They look to be traveling in a large group. Above them is a very large grey-blue mountain. Every man has at least one thing each in his hands. Some are playing instruments. The others are carrying different things on sticks. The top half of men appears to be carrying unusual fish on sticks. The farther down the vase, are men carrying a dragon on many sticks. The colors are still saying in the same range, but on this side the colors are more vibrant and bright, and nothing dull. The lid of the vase is a bit duller. It consists of a mountain, and a few men. The mountain has some twigs, and a couple of flowers growing out around it. The few men are carrying flowers on a T shaped stick. The very top of the lid is a very bold orange. It is painted to look like a flower. The entire vase is very well done. It consists of bright to dull pale colors. The artwork has a movement to the entire painting. No matter where your eyes go, something exciting is happening throughout the entire thing. Line is used through the whole art piece. The painter mainly sticks to think use of lines, and rarely ventures to anything thick. The use of paint, and color is very smooth, and sometimes a little splotchy, which calls me to think the paint was watered down. The entire painting is very well put together, and appealing to the eye all the way
around.
The ‘Teacup Ballet’ is one of the first and best artworks Olive Cotton has exhibited outside Australia. It was created in 1935, a Gelatin Silver, 37.3cm x 29.6cm, photograph. Six identical teacups are laid out precisely, they each have pointed, triangular handles and slender bodies. Each teacup is placed on a circular saucer. In the centre, background two teacups are placed diagonally to each other, their handles pointing in the same direction, on the left hand side. In the middle ground, three teacups are placed in a diagonal line, parallel to teacups in the background. This time the teacup handles all point to the right hand side. In the foreground, right hand corner, there stands alone one teacup, its handle facing towards the left, pushed a little more inward, than the others. In the background, there is a light shining through lighting up the teacups, and shadows are formed. A curved line is also shaped contrasting the light from dark.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
The Athenian vase can be identified as a red-figure Type B Kylix. The height of the vase vacillates between 12.1 and 12.3 centimeters, and the diameter of the foot is roughly 12.5 centimeters. Whereas the diameter of the mouth varies between 33.1 and 33.5 centimeters, the diameter with handles is close to 41.5 centimeters. The vase is completely restored, a condition in which pieces on the body of the vase are glued back together.
The visual elements in this painting are shape, color and light. The shapes and contours of the mother and child are life like.
This painting consists of regular lines as well as implied lines. Some of the regular lines that have been included are flowing, curved lines, such as the Earth that the woman is sitting on top of. Additionally, the background is made of small scenes that have been outlined by a dotted line, which places emphasis on the scenes. Besides regular and visible lines, there are a few implied lines in this painting. For instance, the woman's eyes are looking forward, so there is an implied line to the audience. Additionally, another implied line would be the woman's right arm, which is pointed towards her headpiece, while her left arm is pointed towards the earth. Nonetheless, this painting is not intense; although it does have splashes of color, this painting does not have a bright saturation. Instead, this painting is slightly dull, which makes this painting appear vintage. Additionally, since this background is a dark color, it makes the rest of painting, especially the headpiece, stand out. Besides colors and lines, even though this is a painting and there is no physical texture, there is invented texture. Upon viewing this painting, underneath the earth where the woman is sitting on, there are roots as well as grass, which give texture and feeling to the painting. In the end, this painting consists of several elements of composition, which Heffernan has done a wonderful job
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Unlike the Bell Krater at the Chazen, which merely shows the pursuit, several of the vases show a darker depiction of the story. The vases vary in the sequence of events of the myth and show different events such as the rape, the rescue, or the kidnap. In particular, a krater shown at Munich, Antikensammlungen, shows the act of abduction. The details of the cloth draped over the characters possesses the same style as the Bell Krater. With complex drapery and a similar reach of the hand, the vases show many similar features.
The mixed reaction I have towards the painting is because, first off, I still wouldn’t know what is really behind it or what it’s trying to tell us without looking at it from a distance. When I looked at it from a computer desktop I could see a shoe, a mountai...
The vases historically, visually and culturally have a greater meaning than simply being an object. Historically, the vases were created at the time in heart of the Mongol Empire. They are an icon representing the historical events featuring the mass production of porcelain and their demand all over Europe and Asia. Today, they stand as a symbol representing the cultural shifts when they were made. Visually, the vases are beautiful; from top to bottom they are extremely detailed with fine precision. The neck of the vases has inscriptions written by the artist. They serve as a label which explains the name of the artist, the date of their making and the city where they were made in. Below, on the upper part of the two vases bodies clouds painted with phoenixes swooping down from the skies. Lower, the greater part of the vases bodies are painted in dragons painted with great detail and extreme precision. At the foot of the vase there are peony flowers painted going around the entire foot of the vase. The two vases are astounding with the great detail presented. On a cultural note, a Chinese potter, Zhang Wenjin created the vases in order for them to serve as an offering at a Daoist temple. The symbols featured on the vases have great cultural meaning to the beliefs and practices of Daoism. The dragons on the main part of the body stand as a symbol of strength and power. The vases were created to originally
This is an extremely high relief sculpture made of limestone. It is to be viewed from a frontal standpoint. It however does have a potential for movement. There seems to be a great deal going on in such a close space. It is very crowded, but dramatic. The figures are intertwining with each other all at once even though there are different things happening. It reminds me of a play with scenes. You can actually step in to it and feel as though you are a part of what is happening because of all the different directions each individual is facing.
When you put all these aspects put together with my interpretation of what is happening in the painting, a sense of calmness and security was constructed for me. No matter what this couple may be going through at the end of the day they still lean on each other for support. The complementary colors symbolized a sensation of strength between them, the balance of the composition created a stability characteristic, and the smooth and fluid brush strokes created a tranquil energy between the
Along the far left bank you see a single brick red chimney with a low roof as light wafts of smoke drift toward the left. In the bottom right corner, we see a bit of the bank the perspective is from and bits of grass are also leaning to the left, so one is given the picture of a nice day with at least slight breeze. Towards the center of the painting, you can see large boulders, smoothed, rising out of the river. Far into the distance, past the bank of the river, onto a higher level of the valley area, you see small gathers specks and shapes that represents a small mountain village.
Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.
...aces. The younger man, too, also has a necklace. He is also holding a bird in his hand. The younger woman on the right carries something indiscernible in her left hand. The seated man is holding a sort of pot or vase in his left hand.
The art piece I chose was a pottery that I found very interesting, not only the art itself but the story behind it. This was a red-figure archaic type of pottery; the name of the pottery is called a Terracotta hydria, which is also known as a water jar. This specific pot was made in Greece and South Italy, around 340-330BC. It was also found at Canosa before the year 1878. According to the MET museum “This pot was created by a group of BM F 308, the specific artist is unknown. However, the potter and art was produced in Greek, South Italy, and Apulia.”