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History essay of cultural revolution in china
History essay for China
History essay for China
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While most would find it difficult to describe what they want for lunch in ten words, it seems to be enough for renowned author Yu Hua to describe a nation. As one of China’s most eminent authors, “China in Ten Words” serves as Yu Hua’s first work of nonfiction to be published in English. Through this work, Hua has forged a dynamic narrative that provides an insight into modern China through the breakdown of ten words: people, leader, reading, writing, Lu Xun, disparity, revolution, grassroots, copycat and bamboozle. Throughout the novel Hua’s biting banter and sophisticated foresight is heavily noted as he goes in depth to characterize each of the ten words. Through the book’s ten chapters, Hua sheds light upon everyday life in China over recent decades, including the disturbance of the current economic phenomenon. Hua conjointly illustrates his own personal account of the coercive years of the Cultural Revolution, while ultimately providing a forewarning of widespread social discontent with dangerously infectious abilities.
“China in Ten Words” undeniably exhibits the passion of the Chinese in a deeply intimate yet ominous manner. Hua directs readers along a progressive path, touching upon stepping-stones such as economics, politics, societal concepts and history. Such fields are meant to serve Hua’s ultimate objective to “clear a path through the social complexities and staggering contrasts of contemporary China.” It would not be far fetched to declare Hua remotely successful in hitting his target, although China remains a collaboration of successes and failures that arguably could use an additional word or two to address. However, there is no denying Yu Hua has stimulated the minds of reader’s, encouraging profou...
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...cts of earlier years have a faint presence in modern times, the disparities among wealth and social injustice have become more evident.
“China in Ten Words” is notably striking on many fronts. From one of China’s most acclaimed writers, Yu Hua fearlessly addresses forbidden subjects all the while stringing together past and present China. It is an intimate and unique look at the Chinese experience over the last forty years. Connections between Cultural Revolution China and Market-Driven China are made, as each topic is lightened with traces of his wit and humorous tones. However, it cannot be denied that even with Hua’s banter, some realities cannot help but remain bleak. Through personal encounters and insightful analysis, layers of China are revealed one by one. Word by word Hua exposes the unexposed, taking the reality of China’s past and present head on.
“The Death of Woman Wang”, written by Chinese historian Jonathan Spence, is a book recounting the harsh realities facing citizens of Tancheng country, Shandong Province, Qing controlled China in the late 17th century. Using various primary sources, Spence describes some of the hardships and sorrow that the people of Tancheng faced. From natural disasters, poor leadership, banditry, and invasions, the citizens of Tancheng struggled to survive in a devastated and changing world around them. On its own, “Woman Wang” is an insightful snapshot of one of the worst-off counties in imperial Qing China, however when taking a step back and weaving in an understanding of long held Chinese traditions, there is a greater understanding what happened in
Throughout, 1900- 1950 there were a number of changes and continuities in China. From the fall of the dynasties to the rise of the Communist Party, these changes shaped China’s government and society. Although, many political changes were made multiple continuities were held constant such as, consistent rebellions and the lack of democracy.
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
Gittings, John. The Changing Face of China: From Mao to market. Oxford University Press, 2005.
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
There are many things that most people take for granted. Things people do regularly, daily and even expect to do in the future. These things include eating meals regularly, having a choice in schooling, reading, choice of job and a future, and many more things. But what if these were taken away and someone told you want to eat, where and when to work, what you can read, and dictated your future. Many of these things happened in some degree or another during the Chinese Culture Revolution under Mao Zedong that began near the end of the 1960’s. This paper examines the novel Balzac and the Little Chinese Seamstress by Dai Sijie and a book by Michael Schoenhals titled China’s Culture Revolution, 1966-1969. It compares the way the Chinese Cultural Revolution is presented in both books by looking at the way that people were re-educated and moved to away, what people were able to learn, and the environment that people lived in during this period of time in China.
Jonathan Spence tells his readers of how Mao Zedong was a remarkable man to say the very least. He grew up a poor farm boy from a small rural town in Shaoshan, China. Mao was originally fated to be a farmer just as his father was. It was by chance that his young wife passed away and he was permitted to continue his education which he valued so greatly. Mao matured in a China that was undergoing a threat from foreign businesses and an unruly class of young people who wanted modernization. Throughout his school years and beyond Mao watched as the nation he lived in continued to change with the immense number of youth who began to westernize. Yet in classes he learned classical Chinese literature, poems, and history. Mao also attained a thorough knowledge of the modern and Western world. This great struggle between modern and classical Chinese is what can be attributed to most of the unrest in China during this time period. His education, determination and infectious personalit...
In his memoir River Town: Two Years on the Yangtze, Peter Hessler explains his time teaching English in the town Fuling. However, he paints a portrait of China that defies the preconceptions that a Westerner would have. Furthermore, while doing so, he discusses all the personal challenges and experiences that one would have in being a westerner in China at the time period. Ultimately, however, the value of his book comes from the image that he paints, which shows a side of the country that many do not know.
Growing up in the People’s Republic is a detailed account of two individual women’s generational struggle during the controversial periods of The Great Leap Forward, the Cultural Revolution and the Cultural Fever of the 1980’s. Their case study tries to define their individual identity growing up in a Communist China. Ma Xiadong and Ye Weili’s life allow the reader to understand the struggle that ensued for the individual at a time of change that was the Cultural Revolution.
In Ha Jin’s Under the Red Flag, the author interweaves different stories to showcase the individuals’ struggle to go against their natural instincts, as a means to comply with New China’s standards. These standards have been dictated by the political enforcers, and have established a new underlying moral basis that is expected of everyone to comply with. Although the stories are quite different, the connection they share is clearly explicated—they all combat the societal pressures to change themselves or face the consequences of being different. Two characters in particular: Ding Liang and Zhu Wenli, reveal the result of two different choices made.
China has gone through many changes in its history. Changes include economic, political, and social. In the early 1500 and throughout history, mostly all social classes followed Confucianism. Confucianism is a type of religion based on an ideal society (Chang 2012, 22). China was molded though Confucianism but that slowly deteriorated as years went on. One main group that has been a main part in these changes is the Chinese literati. The Chinese literati include the higher-class people such as officials and scholars. The Chinese literati were the dominant social class during the 1500’s but their power slowly decreased throughout history. Throughout my paper, I will explain the Chinese literati involvement as centuries passed.
China’s Great Proletariat Cultural Revolution (GPCR) is a well-documented period in world history, but the most profound records are found vivified in the literature and films later into the 20th century, respectively. One of the most profound novels is “To Live”, authored by Yu Hua, which as a fictional narrative offers both a unique and realistic sense of the time period at the individual level. However, the provocative film adaptation directed by Zhang Yimou in 1994 was formidable enough that it was banned in Mainland China. Zhang paints a more realistic picture of how the GPCR influenced Chinese society but adds zest to Hua’s ambiguity but acceptable imperfection. Naturally, the film has many different characteristics yet still manages to overcome the challenges that implicate film adaptations.
... cannot be shared in the legal Chinese media. Moreover, despite the repeated refusal of the label “political poet,” political reading of his work remain an exasperating continual practice and fortunately for him, he cannot avoid being read by his Chinese readers against the social context of coeval China.
The book, “The True Story of Ah Q” was written by Lu Xun. It is a form of historical fiction, which “is a literary genre that takes place in the past. The setting is drawn from history.” The historical events and social phenomena will be presented in the story though it is a historical fiction. It can impress deeply historical frames in people’s mind and plays a significant role in history. It is another way to record history. Additionally, the author, “Lu Xun (1881-1936) is widely regarded as one of modern China’s most prominent and influential writers.” Lu Xun has enough patriotism. He advocated “literary movement”. “He concluded that a “literary movement” was needed to build awareness and incite action amongst the oppressed.” Moreover, he published many books and articles, which have had significant influence for Chinese society. “The True Story of Ah Q” was one of the most outstanding opuses. It was published in December 1921. The book was around by one person who is Ah Q. Also, satire and humor language were used by Lu Xun in order to portray the characters of Ah Q and mental activities, Lu Xun attempted to illustrate the condition of China and the story insinuated the social activity and people’s ignorant during the primary stage of new China and Revolution. Lu Xun tries to state that internal problems are vital for China. Moreover, “ The True of Ah Q” insinuates several aspects of the state of Chinese society during that period: ignorant and pathological Chinese masses, corrupt and cowardly officials and unhealthy social ethos. These are the core meanings of Lu Xun’s writing.
A country’s struggle to power is much like that of two rivalling siblings. They are locked in a constant competition as they attempt to one-up the other. Countries do the same as they race against each other to produce better exports, and to attract more money into their economy. They are constantly vying against each other for the center of attention so that they are the main focal point of the international world. This competition continues until one finally relents, or blatantly falls, and allows the other to shine; much like how China is slowly managing to overtake the U.S. in terms of international influence. The success of one individual cannot remain forever, and eventually they will begin to fall. This is the current situation where the U.S. and China stand today as China is beginning to overtake the U.S. in terms of economic capability. With a superior economy, it is possible for China to overcome the challenges it faces as it moves into position as the next world power. Though, just like the pair of siblings, despite China’s recent successes, the other won’t disappear completely. The U.S. will not disappear into the background and allow China to take complete control as hegemon, or world power, and establish something akin to a uni-mulipolar system. A system where there is one main power and many already established rising powers. This uni-multipolar system allows for other countries to continuously compete for the position at the top.