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Artist Research Rene Magritte
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Recommended: Artist Research Rene Magritte
The Chateau of the Pyrenees is an oil on canvas painting by Rene Magritte in 1959. Rene Magritte was born on the 21st of November 1898 in Lessines, Belgium. He is well known for being able to take simple everyday objects and figures and turning them into a mysterious and bizarre composition. Much of his artworks consist of objects being placed in strange situations or combinations. Giving new meanings to familiar things. There is little information about Rene’s early life. He started taking lessons in drawing in 1910. At the age of 13 his mother committed suicide by drowning herself in the river, this was not her first attempt. When her body was found her dress covered her face, this lead to several of his paintings in 1927-1928 where people concealed their faces, one includes Les Amants. Some of his earliest works used were impressionistic …show more content…
On top of the boulder a castle sits, almost the same colour as the rock which makes it unnoticeable at first. The calm blue sky accompanied by fluffy white clouds brings out the serenity of the painting. The gentle waves of the ocean below contribute to the overall peacefulness. If the waves were rough and destructive then that would change the overall mood of the painting from peaceful to somewhat a disaster yet to come. What’s most unusual about the painting would be the hovering boulder. It’s massive and yet looks weightless as it does not show any sign of dropping from the sky. While the peacefulness of the painting gives a positive feeling, there is also a sense of negativity as well. The small castle on top of the boulder is isolated from any other forms of civilisation. The boulder hovers far from anyone’s reach which would make getting to the top impossible. It’s as if the boulder acts as a barrier, keeping everything away from the castle on top and only to be observed from a
Claude Monet played an essential role in a development of Impressionism. He created many paintings by capturing powerful art from the world around him. He was born on November 14, 1840, in Paris, France. Later, his family moved to Le Havre, Normandy, France because of his father’s business. Claude Monet did drawings of the nature of Normandy and time spent along the beaches and noticing the nature. As a child, his father had always wanted him to go into the family grocery business, but he was interested in becoming an artist. He was known by people for his charcoal caricatures, this way he made money by selling them by the age of 15. Moreover, Claude went to take drawing lessons with a local artist, but his career in painting had not begun yet. He met artist Eugène Boudin, who became his teacher and taught him to use oil paints. Claude Monet
At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.
The mixed reaction I have towards the painting is because, first off, I still wouldn’t know what is really behind it or what it’s trying to tell us without looking at it from a distance. When I looked at it from a computer desktop I could see a shoe, a mountai...
Credited as one of the most important French painters during the late eighteenth century Fragonard began his career with painter Jean Simeon Chardin, but most of his talent and techniques were developed as a student of Francois Boucher. He soon started to paint using the same techniques as Boucher, featured on some of his earlier paintings. This method included painting with decorative pastorals and scenes of gallantry. Fragonard was known as a secretive man that lacked self-confidence, he was very mysterious and he was incapable of completing his projects. Researchers...
I visited Norton Simon Museum in Pasadena, California for the first time hoping to learn more about the European artworks this place has to offer. Norton Simon Museum holds the remarkable amounts of artwork by world-renowned artists: Vincent Van Gogh, Rembrandt van Rijin, Caravaggio, Raphael, and Pablo Picasso just to name a few. I observed many European paintings in the 18th to 19th century; I chose to discuss the artwork by the incredible Claude-Oscar Monet. Claude-Oscar Monet’s Mouth of the Seine at Honfleur, 1865 is an oil painting of a seascape on a canvas. The Parisian artist is considered one of the most influential artists in the late nineteenth to early twentieth century.
Jose de Goya y Lucientes was born on March 30, in the year 1746, in Fuendetodos, a small village in northern Spain. At the age of fourteen he became an apprentice for a local artist, Jose Luzan. Later he traveled to Madrid where he took interest in the last of the great Venetian painters. After attempting and failing to enroll in the Royal Academy of San Fernando, Goya then traveled to Rome, Italy. Then on to Sagossa in 1771 where he painted fresco in several local churches, establishing a reputation.
own painting. He sees some figures, along with a castle and somewhat of a landscape. The artist
During a visit to Brittany, Matisse discovered Impressionism (Essers 8). The works of Cezanne and Van Gogh influenced him. When he returned, he exhibited his first painting, Dinner Table, in 1897. This was his first painting of impressionistic style. Matisse’s art began to concentrate on landscapes, still life, and domestic interiors. Still life is a theme Henri would follow for the rest of his career.
While living in Paris, Van Gogh was first introduced to impressionist art and was inspired by the color and light. “Inspired by these artists, he brightened his own palette and
with of Impressionism. I also chose this painting because I find it really intriguing how a simple
how much he admired him that the painting he did was thought to be the
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
What I see in this piece is peacefulness. Stokes of the paintbrush are perfect to make it look whole. With the sun shinning down making the colors pop out even more. The olive trees glowing in the suns light with the mountains behind it. It is a piece I could look at for a long time with out getting bored. The colors of the piece just make it look so complete. With the lines of the
The implied sunlight is natural that has an illusion of coming through the clouds, the reality of the sunlight seems to dry out the land. Yet, it symbolizes the overcoming of the end of a drought on the rural crop lands. The colors of neutral tones are used predominately throughout the landscape. The brown neutral-toned houses are surrounded by wisps of yellow, overgrown, grass which seem to represent the destruction that mankind has caused, in turn, is suppressing nature and holding back the potential beauty it could unleash. The dull grass and trees lack vivid colors and present a lackluster mood. Yet, the yellow grass draws you to the horizon of the painting. This seems to resemble the hopefulness of a new crop in the dry crop land. The yellow grass shows the harsh results of a drought that has been sprinkled with blue horizontal streaks. The blue horizontal streaks demonstrate puddles of water as if it has recently rained. The blue color emits a feeling of calmness as if the uneasiness of the drought season has been lifted. The colors lack blending and create a blunt contrast appearance. The dark shadow in the bottom right corner mysteriousness and an ominous feeling of an omniscient presence. The form the artist chose to work with demonstrated an organic form with a combination of a geometric form because of the three structures at the focal point of the painting (DeWitte, et al., 2015). The artist made this choice to show the results of a drought caused by the