Victims of Charming Predators Century after century woman fall victim to men and are taken advantage of either sexually or physically. Women have historically been the ones to romanticize and fantasize about their perfect romantic evening. Typically, every little detail is thought out and planned to create the perfect and romantic atmosphere. However, these fantasies do not always pan out as they are originally conceived. Flannery O’Connor brings this to light in her story, “Good Country People”, where Hulga fantasizes about her romances with Manley Pointer. Throughout the story, Hulga is portrayed as the innocent virgin country girl who is still planning out her first magical night. However, the tables quickly get turned on Hulga and she …show more content…
is no longer the one in command of the situation when Manley Pointer quickly takes advantage of her through his crafty ways of manipulation. Once again, a man, Manley Pointer, successfully manipulates a woman, Hulga, who is blinded by his charm in order to achieve his ulterior goals. Manley Pointer is nothing shy of a master manipulator.
Flannery O’Connor helps insinuate this with his name. Manley’s “name alone [is] something to pay attention to because it is meant to remind the reader of penis (Nolan 1). This is a form of O’Connor foreshadowing how Manley will rape Hulga of all her possessions in the end of the story. Manley begins manipulating by kissing all over her and telling her “when he seen her he loved her” (O’Connor 8). Manley has masterful at his seduction methods to get a girl to bed through his sale skills as a bible salesman. Throughout Manley and Hulga’s interactions, Manley begins to “[reveal] himself [through his] language, [instead of his] appearance” which is a large part of what Hulga is blinded by and attracted too (Reesman 33). Manley and Hulga eventually make their way to the hay barn where Hulga finally gets to use her seduction tactics to bring to life her fantasies. However, when Hulga and Manley get to this point the tables quickly turn and Manley becomes in control of the situation. Manley takes advantage of the situation to steal Hulga’s leg and “eyeglasses at the end of the story” (Reesman 38). Manley is not in love with Hulga, but instead shows a false charm to help conceal his true motives which is to steal from Hulga. In the end, Hulga is “furious feeling that she had been tricked” by a man of master disguise and trickery (O’Connor 7). Manley Pointer is nothing shy of a con man who is successful at his job. He uses his …show more content…
innocents as a bible salesman to work his way into Hulga’s heart and steal what is most important to her. Although it is not first known, Manley Pointer is ironically an Atheistic bible salesman.
He plays the role of a good ole country boy by preaching to Hulga how “God takes good care of [her]” (O’Connor 7). Manley uses this tactic to show his innocents and emphasize his young age to Hulga. Hulga has never been one to believe in God; consequently, this has led to Hulga to resisting “her connection [with] the whole community” (Reesman 52). Now Hulga has the opportunity to preach her beliefs to young Manley Pointer. However, the news never broke Manley from his mission and continued to kiss and love on Hulga “panting at her side” (O’Connor 7). Manley is still on his mission to take advantage of Hulga. After Manley successfully steals Hulga’s leg, he reveals to her that he has played her the entire time. Manley uses his bible to conceal his stolen possessions and sinful items such as a glass eye and alcohol. These acts are designed to bring light to the fact that Manley is merely psychotic and could be a part of him trying to “obtain wholeness” through the physical parts of other people (Reesman 52). Manley Pointer leaves Hulga without her glasses and legs, in addition to revealing his atheistic views. Hulga in turn is left to simmer in the humiliation of being torn apart and left in despair by Manley Pointer. Without much dignaty, Hulga is “rap[ed] of her identity” and left to be nothing in society and a disappointment to Mrs.Hopewell (Nolan 1). Manley Pointer mercilessly stole
Hulga’s identity in a con scheme only a true sly of a human being can pull off. Men have always been stereotyped to play the dominant role. However, just when O’Connor seems to put a woman in the power position the story takes a plot twist and leaves a man in control of the reigns in the end. History tends to be nothing more than events repeating themselves and just now is society starting to see woman break free of being the victims and becoming equal members in society.
In "Good Country People," Flannery O'Connor skillfully presents a story from a third-person point of view, in which the protagonist, Joy-Hulga, believes that she is not one of those good country people. Joy is an intelligent and educated but emotionally troubled young woman, struggling to live in a farm environment deep in the countryside of the southeast United States, where she feels that she does not belong. Considering herself intellectually superior to the story's other characters, she experiences an epiphany that may lead her to reconsider her assumptions. Her experience marks a personal transition for her and constitutes the story's theme--the passage from naïveté to knowledge.
When an individual has to do a compare and contrast for a short story in the realm of literature, I believe that you have to take into account the deeper meaning in a short story. You have to read between the lines, one has to know what the symbols and what metaphors are. “A symbol is something that has a literal identity, but also stands for something else—something abstract—like an idea, a belief, or an emotion. A metaphor is a figure of speech in which an implied comparison is made between one object and another that is different from it.” (Clugston, 2014) The reader needs to know that the author is using figurative language in the short story. Once the individual can understand this, the literature work will be significantly easier to do a compare and contrast essay.
Flannery O'Connor's "Good Country People" In "Good Country People" by Flannery O'Connor, uses symbolism in the choice of names, almost to the point of being ironic and humorous. These names center around the personality and demeanor of the characters. Hulga, once known as Joy, simply changed her name because it was the ugliest she could think of.
The story “Good Country People”, by Flannery O’Conner is a work that uses characterization in a new and interesting way to help shape and present the characters of this story. One of the main characters is Hulga Hopewell, also known as Joy Hopewell. This characters name plays a very ironic role in the story. Through the use of such a peculiar name O’Conner helps to develop and build the characteristics of Hulga. In the story “Good Country People” the use of the name Hulga (Joy) Hopewell helps to further build upon the characterization of Hulga and give the reader a deeper understanding of the character.
Among the many immoral qualities that Pointer possesses, the one that is most plainly seen is that he is deceitful. He came to the home of the Hopewells, pretending to be a Bible salesman. They let him into their home and Ms.
Flannery O’Connor’s “Good Country People,” describes the lives of a mother, Mrs. Hopewell and her daughter, Joy and the irony of their relationship. This passage from the short story expounds on their character development through details of their lives. The selected paragraph uses a matter-of-fact tone to give more information about Mrs. Hopewell and Joy. Flannery O’Connor has given an objective recount of the story, which makes the third person narrator a reliable source. Mrs. Hopewell’s feelings are given on her daughter to examine their relationship. It is reader who takes these facts to create an understanding of these women and their lives. This part of the story illustrates the aspects of their lives that they had little control over. Therefore, it indirectly shows how each woman acclimated to their circumstance. Although genetically related and living with one another, Mrs. Hopewell and Joy were exceedingly different people.
O'Connor, Flannery. ?Good Country People.? A Good Man is Hard to Find and Other Stories. Comp. Flannery O'Connor. San Diego: Harcourt Brace & Company, [2006?].
"Good Country People", by Flannery O’Connor, presents us with a look into the monotonous lives of three women living together on a rural farm. All three women are set in their old-fashioned ways, having experienced very little of life, out on the farm. A bible salesman named Manley Pointer, appearing like nothing more than simple, "good country people"(1), pays them a visit one day. It turns out that this simple countryboy is actually a brilliant con artist who scams the pretentious daughter, Hulga (also known as Joy) into removing her wooden leg, which he proceeds to steal. A great change in Hulga is triggered by her experience with Manley Pointer. Although it was a cruel scam, the bible salesman helps her to see the truth about her education and human nature. Hulga realizes that in addition to book smarts, people skills are also crucial in navigating the real world.
The story is center around a small cast. In it Mrs. Hopewell and her daughter Joy, who had her name changed to Hulga, live on a farm with their tenants Mrs. Freeman’s and her two daughters- Glynese and Carramae. Interestingly, Mrs. Hopewell calls the Freeman Girls, Glycerin and Caramel while refusing to call her own daughter anything but Joy. “Good County People”, is told through the interactions of this dysfunctional gaggle of ladies, and their chance encounter with the Bible selling con-artist Manley Pointer. It is a story of a few not so, “Good Country People.”
By definition joy means a great feeling of pleasure and happiness. In Mary Flannery O'Connor's short story Good Country People, Joy Freeman was not at all joyful. Actually, she was the exact opposite. Joy's leg was shot off in a hunting accident when she was ten. Because of that incident, Joy was a stout girl in her thirties who had never danced a step or had any normal good times. (O'Connor 249). She had a wooden leg that only brought her teasing from others and problems in doing daily activities. Joy was very rude as well. In the story it speaks of her comments being so rude and ugly and her face so glum that her mother's boss, Mrs. Hopewell, would tell her if she could not come pleasantly than for her to not come at all. (O'Connor 249).
Her artificial leg is made from wood, not flesh and bone. Her “superior intelligence” comes from books, not real world experiences. In actuality, Hulga’s artificial leg and “superior intelligence” are completely useless. Hulga’s poor eyesight symbolizes her blindness to reality. Hulga’s poor vision prevents from seeing through Manley’s disguise as a good country boy. Instead of seeing what’s inside of people, Hulga only sees superficial traits. Hulga’s eyeglasses do not help her to see Manley’s wicked intentions. Hulga spends all of her time reading philosophy books to learn about the world, instead of learning about the world through real interaction. Hulga also associates her doctoral degree with her intellectual superiority to “good country people.” Hubbard states that Hulga defines good country people as people who can be easily seduced because of their simplicity and lack of knowledge. It is ironic that a young, simple-minded boy could manipulate an intellectually superior woman. Hulga’s weak heart symbolizes her emotional weakness to seduction and her lack of compassion for others (Oliver). Manley seduces Hulga to the point where she wants to be a part of him. O’Conner states that Hulga allowing Manley to remove her artificial leg “was like surrendering to him completely. It was like losing her own life and finding it again, miraculously, in his.” Because Hulga
O’Conner believed that one must be shocked into salvation to be saved. Thus, Hulga’s trauma is the start of her journey to redemption. Ironically, Manley Pointer was used as an “agent of God” to change Hulga’s life even though he was lying when he said he has devoted himself to Christian service. The moment of truth for Joy occurs when she realizes she has been swindled and Pointer was only after her prosthetic. However, the fleeting feeling of belonging to someone and being completely surrendered has placed a new yearning in her heart. According to O’Conner’s beliefs, the path to salvation is not easy and it is marked by suffering and disaster, but the joy and hope that results is worth any pain along the way. Whether “redemption” is the right word or not, every person will have a moment in their life when they are stripped of control and must rely entirely on a constituent beyond their
The first name Manley, might suggest to the reader that he will fill a male void for Hulga. The reader is told that Mr. and Mrs. Hopewell are devoiced and there is no other mention of her father in the story. Also, the fact that Hugla sees herself as being hideous suggest that she probably doesn’t have many if any male suiters. While the last name Pointer, could suggest that he will most likely reveal, or point out something in Hugla’s life. Manley is a skilled conman and is able to trick both Mrs. Hopewell, who believes that he is good christian and Hulga, who thinks she is to smart to be fooled by anyone. At the end of the story the reader learns that not only is Manley not a bible salesman, but that his name isn’t even Pointer. “You needn’t to think you’ll catch me because Pointer ain’t really my name. I use a different name at every house I call”(O’Connor 1644). He then goes on to say to Hulga “ you ain’t that smart”(O’Connor 1644). Manley had tricked Hulga into thinking that he was a good Christian and that he was interested in her sexually, but really what he wanted was her false leg and some might also suggest to humiliate her.
Flannery O'Connor's "Good Country People" is a story told through the examination of the relationships between the four main characters. All of the characters have distinct feelings about the others, from misunderstanding to contempt. Both Joy-Hulga, the protagonist, and Manley Pointer, the antagonist, are multi-faceted characters. While all of the characters have different levels of complexity, Joy-Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.
The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.