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Redemption is a key element in everyone’s life. Be it from a poisonous marriage, a difficult assignment, or eternal damnation. It is a hope that one’s future could be brighter and that salvation from grim circumstances is possible. Flannery O’Conner explores the path towards redemption in her story “Good Country People.” The plot revolves around a 32-year-old woman with a wooden leg and strong atheist views. She is in need of redemption because she is arrogant and spiteful, constantly bashing her mother and acting childish and haughty. Mrs. Hopewell, too, is in need of redemption as she lives in an idealized bubble, relying on clichés to justify the wrong in the world. Joy-Hulga’s devotion is mostly focused on the care of her wooden leg. She “took care of it as someone else would his soul, in private and almost with her own eyes turned away” (1643). This line demonstrates a sincere side to Hulga and the reality that every human worships …show more content…
O’Conner believed that one must be shocked into salvation to be saved. Thus, Hulga’s trauma is the start of her journey to redemption. Ironically, Manley Pointer was used as an “agent of God” to change Hulga’s life even though he was lying when he said he has devoted himself to Christian service. The moment of truth for Joy occurs when she realizes she has been swindled and Pointer was only after her prosthetic. However, the fleeting feeling of belonging to someone and being completely surrendered has placed a new yearning in her heart. According to O’Conner’s beliefs, the path to salvation is not easy and it is marked by suffering and disaster, but the joy and hope that results is worth any pain along the way. Whether “redemption” is the right word or not, every person will have a moment in their life when they are stripped of control and must rely entirely on a constituent beyond their
The religious imagery in Flannery O'Connor's 'The Life You Save May Be Your Own' gives the story a cynical undertone along with a healthy dose of irony. O'Connor uses allusions to Jesus and Christianity to examine the hypocrisies of the religion and its adherents. Her character Tom T. Shiftlet is portrayed paradoxically as both the embodiment of Christ and an immoral, utterly selfish miscreant. By presenting these polarities side by side within one persona, O'Connor shows the dichotomies between so-called Christian morality and the reality of the Church.
In "Good Country People," Flannery O'Connor skillfully presents a story from a third-person point of view, in which the protagonist, Joy-Hulga, believes that she is not one of those good country people. Joy is an intelligent and educated but emotionally troubled young woman, struggling to live in a farm environment deep in the countryside of the southeast United States, where she feels that she does not belong. Considering herself intellectually superior to the story's other characters, she experiences an epiphany that may lead her to reconsider her assumptions. Her experience marks a personal transition for her and constitutes the story's theme--the passage from naïveté to knowledge.
At first, Joy-Hulga wants nothing to do with Manly Pointer because she is an atheist and he is a Christian. They eventually form a connection because they both share the same condition, and Manly Pointer tends to say all the right things to bring her in. Hulga soon realizes that she is not who she thought she was when she is face to face with evil. Manly Pointer is an evil young man and a direct reflection of who Hulga wanted to be. Mrs. Hopewell took pride in her daughter, Joy.
O’Connor, Flannery. “Essays and Letters On ‘Good Country People’” Literature: Reading Fiction, Poetry and Drama. Ed. Robert DiYanni. 6th ed. New York: McGraw Hill, 2007. 233-234.
The story “Good Country People”, by Flannery O’Conner is a work that uses characterization in a new and interesting way to help shape and present the characters of this story. One of the main characters is Hulga Hopewell, also known as Joy Hopewell. This characters name plays a very ironic role in the story. Through the use of such a peculiar name O’Conner helps to develop and build the characteristics of Hulga. In the story “Good Country People” the use of the name Hulga (Joy) Hopewell helps to further build upon the characterization of Hulga and give the reader a deeper understanding of the character.
He has qualities of “good country people” by selling bibles and “not attending college but devotes his life to Christian service” (178). His appearance and name is a great symbol that signifies of something that is not real which connects to Hulga’s name. Manley’s name has an impact towards Hulga because his name signifies a manly figure which is a missing part in Hulga’s life. On the other hand his last name Pointer symbolizes great divulge of something amazing that will stand out in Hulga’s way. However his name is seen as a false and in reality symbolizes the emptiness of a male presence and the revelation that her life consists of only falsities. O’Conner also used a great mirror description between a bible and his name. Manly pulled out two bibles though one “was hollow and contained a pocket flask of whisky, a pack of cards and a small blue box with printing on it” (192). O’Conner used this hallow bible filled with several profane and contrary items as a symbolism to expose the meaning of Manley’s true self character. Manley is seen as a true nihilist, and through his name, hollow bible and false Christian morals he has revealed himself towards Hulga, as a true meaning of simply believing in nihilistic
Joy/Hulga has two items that are used alternately to describe her, the eyeglasses that counter her weak eyes and are a sign of her intellectuality, and the wooden leg that she wields through sound and appearance as a weapon against her mother’s solicitude. When Manley Pointer removes her glasses and steals her wooden leg, she is left totally weak and vulnerable. The Bible salesman himself uses the illusion of Bibles as a symbol. He has claimed to have a suitcase full of Bibles to sell, but his moral laxness is revealed when he opens the case to reveal two Bibles, one of which has a hidden
Larsen notes how Helga is “unused to happiness,” (1542) and how she wonders, “What, exactly...was happiness” (1535). The only hit of Helga’s happiness is her love for Dr. Anderson, and her only true reaction is her consequent disappointment over destroying her potential happiness with him: Helga ultimately realizes “how passionate, how deeply she must have loved him,” (1605) making her inaction tragic.
“Good Country People” is a masterfully written example of irony as a method of characterization. It is more than snark or satire. Flannery O’Connor uses characterization to give this short piece a deep emotional impact. When Manley Pointer leaves Hulga Hopewell in the barn loft, helpless and hopeless. He declares that she, “…ain’t so smart.” That he has been, “…believing in nothing even since [he] was born” just as he slips away. Here we see the full irony of the characters names. These titles hold multifaceted meanings and expose each characters failure to acknowledge themselves and others as they are, They prefer instead their cherished assumptions until the ugly truth escapes from sight.
Society tends to encourage virtuous qualities such as kindness, patience and optimism, indeed, these are virtuous qualities that could make up potential leaders and role models. But, the irony is that in some circumstances virtues can become a hindrance not just to yourself, but the people around you as well. This happened to Aunt Burnie, a gentle caretaker of the narrator and two girls Min and Jade, in George Saunders’ “Sea Oak”. Due to burglary, Aunt Burnie’s life came to an end, but due to strange circumstances she was resurrected. This resurrection changed her completely Aunt Burnie was no longer her pleasant self but full of spite and anger due to her life experiences and her compensation in death. Though she worked hard and was complacent
Religion is a pervasive theme in most of the literary works of the late Georgia writer Flannery O'Connor. Four of her short stories in particular deal with the relationship between Christianity and society in the Southern Bible Belt: "A Good Man Is Hard to Find," "The River," "Good Country People," and "Revelation." Louis D. Rubin, Jr. believes that the mixture of "the primitive fundamentalism of her region, [and] the Roman Catholicism of her faith . . ." makes her religious fiction both well-refined and entertaining (70-71). O'Connor's stories give a grotesque and often stark vision of the clash between traditional Southern Christian values and the ever-changing social scene of the twentieth century. Three of the main religious ingredients that lend to this effect are the presence of divine meanings, revelations of God, and the struggle between the powers of Satan and God.
...ated and had a Ph.D. in Philosophy. She could not call her daughter a schoolteacher, a nurse, or a chemical engineer and that bothered her. These people and episodes in Joy's life made her a very miserable person. They made her hate all that surrounded her, which included flowers, animals, and young men. This is why Joy changes her name to Hulga when she was twenty-one years old. She believed the name represented her as an individual. The name was fierce, strong, and determined just like her. The name reminded her of the broad, blank hull of a battleship. Joy felt the name reflected her inside and out. It separated her from the people who surrounded her that she hated the most.
David Foster Wallace’s “Good People,” is a very touching, powerful story about a young, unwed, Christian couple facing an extremely difficult decision and the moral and religious implications that may result. As the story begins, we are allowed into the head of Lane Dean, a college student, as he sits on a park bench with his girlfriend, Sheri. Lane and Sheri find themselves faced with an unplanned pregnancy, which causes them to battle with several moral and religious dilemmas. Both of them are devout Christians who have built their moral beliefs upon God and their religious upbringing. Although torn Sheri schedules an abortion, which weighs on Lane deeply. Lane, frozen in fear and not having the courage to freely talk to Sheri about the situation, has a conversation with her in his own head which leads him to question love, morals, religion and life. As they face this unwanted pregnancy, Lane, controlled by fear realizes that sometimes in life certain situations are too complicated to solely be answered within the rigidity of religion. People are human and regardless of how strong their faith in religion is, the battle between right and wrong will forever exist. Ultimately, Sheri decides to carry the child, which Lane assumes is a statement of Sheri’s faith in him. Inspired by her leap of faith, Lane decides to break free from the fear, muster up some courage and ultimately makes a leap of faith of his own and decides to give loving her a try. Lane’s epiphany leads to the central idea that sometimes it takes breaking the confines of fear and having faith in love or in another person to win the battle between right and wrong, which Wallace conveys beautifully.
Beginning with Mrs. Hopewell, the title of the story comes from what she likes to call the poorer and less fortunate people that live off the land and work their whole lives just to hang on to some scrap of a life. This is how she views these people. She believes that they are good country people not a bad seed among them, that they are all eager to help out and bow in humility to the upper class. The gullible nature of Mrs. Hopewell betrays her true vision of a situation. She is one of those people who are all goody-goody to people who they view as less fortunate. She’s a person that commends or speaks for the people she knows nothing about. Altogether this is her true weakness that is taken advantage of by Manley Pointer. One of ...
Flannery O'Connor's "Good Country People" is a story told through the examination of the relationships between the four main characters. All of the characters have distinct feelings about the others, from misunderstanding to contempt. Both Joy-Hulga, the protagonist, and Manley Pointer, the antagonist, are multi-faceted characters. While all of the characters have different levels of complexity, Joy-Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.