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Elements of trickster tales
Traits of trickster tales
Traits of trickster tales
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Recommended: Elements of trickster tales
A trickster is a character of a story that cheats or deceives other people, and all tricksters possess a select group of traits that are easily identifiable. Every trickster displays a handful of these characteristics, and, in fact, it is impossible for a character to be deemed a trickster if none of these qualities are present. Some examples of these traits are brain over brawn, cleverness, and negative qualities, and all of them were able to be identified in various trickster tales that were assigned. Brain over brawn is an element of a trickster tale that can be shown when the trickster is using his/her intelligence, rather that force, to swindle other characters. It is an essential aspect that is shown in all three of the tales that we …show more content…
Cleverness of the Trickster is straightforward evidence of how intelligent the trickster character is. The story “How Stories Came to Earth,” uses Cleverness of the Trickster is when Kwaku Anansi tricks the animals he needs to capture by telling them lies his wife told him. Kwaku does this many time to creatures like a python, a leopard, hornets, and fairies to buy the stories from the sky-god. Also, the story “Coyote Steals Fire” uses Cleverness of the Trickster when Coyote and Thunder are playing a game and Coyote keeps taking Thunder’s pieces to win the game. In the story it says “Whenever Thunder took his eyes off of Coyote’s hands, even for just the tiniest part of a moment, Coyote turned his dice up so that they showed the carved sides.” Lastly, the story “Master Cat or Puss in Boots” uses Cleverness of a Trickster when he was trying to catch rabbits to eat. On page 48 it states “Then he waited for one of the little rabbits, on inexperienced in the ways of the world, to crawl into the sack and try to eat it when it was in it.” Cleverness of the Trickster is found plenty of times throughout the stories “How Stories Came to Earth,” Coyote Steals Fire,” and “Master Cat or Puss in Boots,” and is probably one of the easiest traits to pick out in
Archetypes are a common theme in many ancient mythologies across the world, and have become a common characteristic in modern day pop culture. A popular archetype is the Trickster, which has a strong influence in the popular T.V. show Supernatural. The trickster archetype in Supernatural is similar to the tricksters Loki in the Prose Edda and Prometheus in Roman culture because they share similar powers, they experiences a battle of wits with the gods, and the outcomes of the trickster’s deeds lead to their punishment. The trickster in Supernatural is also very similar to the god trickster Loki in the Prose Edda because of their relationship between the other gods.
Often, the trickster finds his antics to come back and hurt him, due to greedy, conceited, or boastful behavior. These tales are told in a humorous manner, meant to entertain the reader, but are specifically designed to teach a lesson about human behavior or morals. One trickster tale, “The Coyote and the Buffalo,” is the quintessential trickster story, and uses a coyote as a main character, very popular for early Native American literature. It tells of a coyote that has gotten himself into trouble with Buffalo Bull, his enemy, and has made a deal to give the Buffalo new horns. To express his gratitude, Buffalo Bull gives Coyote a young cow on the condition that he does not kill it, but only cuts off the fat. Soon Coyote gets greedy, and kills the cow for the better meat. However, he is quickly outsmarted by a woman who offered to cook the bones. She ends up stealing them, and the coyote is left with nothing. He pleads to the buffalo for another, but the buffalo will not give it to him, “and that is why there are no buffalo along the Swah-netk’-qhu.”(Allen et. al. 52) The moral of this story is that having too much greed can leave you hungry, instead of full of the riches of life you can gain by listening and following the
Many people, no matter their age or background, find the trickster figure to be intriguing. Karl Jung says archetypes surface in cultural and religious literature all over the world because of what he calls the collective unconsciousness, what connects all humans and cultures, so it is not surprising that the trickster is an archetype that surfaces in many stories. Even in our own culture we see depictions of the trickster in characters like Brier Rabbit and Wily Coyote. In this essay I will describe what a trickster is using the information I learned in class and discuss the role of the trickster in Raven and the African and African-American stories we discussed. Even though every trickster is unique to its culture, all tricksters share certain
“Labeling theory,” which states that our self-identity and behavior can be altered by the names or terms that people use to describe or classify us. Labeling is using descriptive terms to categorize or classify something or someone. Sometimes these labels can have positive impacts on our life or as Amanat’s mentioned that these labels can limit our full potential to do anything by believing that people’s expectation about us is how we should define ourselves. In doing so, we act against our true nature because we’re trying to live up to others expectations or deny their assumptions.
...lf-confidence. The Scarecrow was the one who believed that he had no brain even with him coming up with brilliant and clever solutions to the many problems that they faced on their journey. The tin man believed that he didn’t have a heart, but cries when bad things are brought upon the creatures they come to encounter. The lion believed that he had no courage even though he was the one brave enough to continue the journey, he always stated how brave he was and pushed forward even when the others did not want to. A famous quote from Carl L. Bankston III of Salem Press stated that "These three characters embody the classical human virtues of intelligence, caring, and courage, but their self-doubts keep them from being reduced to mere symbols of these qualities” (). This is an important quote because it highlights the self-confidence that Baum explored in his story.
...cting characters that are both humorous and mischievous. Although this genre of “the shady character” and the character’s immoral, habitual actions are not new to literature, they begin to represent a new theme of American literature beginning around the late 18th century.
Pretend that you are class president. One day, you and your best friend since kindergarten have a huge fight, so as revenge, he releases one of your deepest, darkest secrets out into the world. The secret passes on all around and soon the whole school knows. Now it is too late to try and fix this because dark secrets are hard to forget. Ultimately, this causes all your peers to look at you in a different and bad way resulting in your reputation being ruined. You probably won’t be voted for class president ever again. This situation proves that “What you don’t know can’t hurt you,” is not always true and can do the exact opposite and cause destruction. William Golding’s The Lord of the Flies shows that ignorance can become a vicious monster and destroy. This can also be seen in many other novels, such as Ray Bradbury’s Farenheit 451 and in everyday life. Golding and Bradbury also provide characters that show knowledge, at times, is a good thing.
“As we speak of Trickster today, you must try to blow life into the image, to imagine Trickster as life energy, to allow Trickster to step out of the verbal photograph we create . . . . Because trickster stories still have power: the power to bring us to laughter, the power to baffle us, the power to make us wonder and think and, like Trickster, just keep going on” (Bright).
...and characteristic behavior, or creates a hero by letting his Nature triumph over the Fortune that has determined his previous actions. These interactions could, perhaps, be viewed merely as clever use of what we moderns would call "character" and "plot." Yet viewing them in terms of Fortune and Nature puts us more firmly in the medieval mind-view that characterizes so much of the Tales and lends them so much of their charm.
What is a villain? A villain is a cruel malicious person who is involved in or devoted to wickedness or crime in the fiction world a character in a play or novel that constitutes an important evil agency in the plot. In simpler terms a villain is the antagonist who challenges the motives of others. Iago from Shakespeare’s play Othello is like any other villain there is. He was a cruel malicious person who did unthinkable acts. He betrayed his own family and friends to satisfy his own selfish lust for power. Iago was a very strategic and analytical man besides being physically strong he showed through out the play how he was capable of using his mind in deceiving others and persuading them to do his bidding. As stated in the following passage he denied any sadistic intention instead thought of him self as a counselor who is trying to resolve matters.
Tricksters are both and neither argents of chaos or justice, right and wrong, yin and yang. The Joker within the Dark Knight exemplifies all aspects of what a traditional trickster is. The Joker is very anomalous to what most people would think a veteran of the armed forces is. The cookie cutter definition of what a veteran in the US is would be someone that stands up for social morals and defends the rights of the people whom he shares his country with. The Joker is very much the opposite of this and tells everyone that he is just that. He stands up for the people and organizations that do not support social norms. Throughout the movie the Joker is constantly playing tricks on people and deceiving everyone around him, it is comedic in how much deception he employs throughout his time in the story/movie. Although the movie is supposed give audiences the feeling that this could be real the Joker takes on many different disguises throughout the movie. From masked clown, to police officer, to female nurse demonstrating that no costume is too ridiculous for him. In his exchange with Harvey Dent/Two-Face the Joker tells us himself that he invents situations, albeit on a whim, showing that he is exemplifying the 4th trait of a traditional trickster. The Joker doesn’t hold anything sacred but he does show that he is a messenger of chaos. We know that mythologies have different gods that embody the qualities of chaos or directly represent chaos as their power to manipulate. It is not that much of a stretch to think that the Joker is merely acting as an agent of these gods making him a messenger of something they would hold holy and sacred to themselves. Lastly the Joker is very much a jack-of-all-trades as he has the skills to use many different weapons and explosives and even understands the inner-workings of criminal
"The Seduction" tells a story of a boy and a girl, who after a party,
“Knowledge may be power, but when it comes to self-knowledge, ignorance is bliss” (Why Peo…). One will deliberately search for ways to avoid the truth. Avoiding truth helps one to elude responsibility, pain, honesty towards one’s self, and swallowing of one’s pride. Characters in Lord of the Flies, Brave New World, 1984, and Heart of Darkness exemplify the concept of avoiding the truth.
Irving, Washington. "The Legend of Sleepy Hollow." Ed. Illustrated Arthur Rackham. United States: David McKay, 1928.
Fairytales and folktales have been told around the campfire, in the living room, the class room, and before bedtime for centuries. First told orally, the “… stories had to have remarkable features in order to remain memorable (Nodelman 246).” These stories were passed down from storyteller to audience until they were eventually written down and collected for consumption by the public. Due to the passing of time and fallibility the stories have changed throughout the years and slightly differ from culture to culture, however, “Stories similar to “Cinderella” can be found in historical records from as far back as the seventh century, and from a variety of places around the world (Nodelman 246).” Although the classic tales differ in various ways from their modern counterparts (such as Disney films, etc.), the characters and their journeys are still very much identifiable.