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Gender and roles of women in literature
Narrative essay about beauty
Gender and roles of women in literature
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Most adolescent girls these days want something. It could be wanting to be in with the latest trend, become the prettiest girl at school, go out and hang out with their friends until the brink of dawn, or to get all the boys’ attention. In Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”, the female protagonist named Connie shares these everyday struggles but takes them to a new level. Connie takes pride in her greatest vanity, her physical appearance, and finds satisfaction knowing that she can make boys and even men take a double glance at her. At fifteen years old, she thinks she already knows what she wants and believes she has a sense of entitlement. However, her family does not believe so and because of that, her relationship …show more content…
with her family is troublesome. Connie’s life takes a turn when an ambiguous boy named Arnold Friend comes honking on her driveway and invites her to go for a ride with him. Although Connie initially refuses Arnold’s invitation, she eventually decides to leave her home and family. Due to her arrogance, she considers her stable family life as oppressive and subconsciously views Arnold as her savior. Connie is a very conceited girl who is only concerned about her physical appearance.
She is described as being self-centered because of her “quick, nervous giggling habit of craning her neck to glance into mirror or checking other people's faces to make sure her own was all right" (312). Connie wants her life to be different from everyone else's in her family. She believes she is entitled to so much more because she is prettier. Her mother always complains about how often she gawks at herself. It does not help that Connie also spends a great deal of time grooming herself to the point where her mother would think that’s the only thing she’s good for. Connie compares herself to her older sister June and describes her as “plain and chunky and steady” (312). This is a reflection of Connie’s ego and how she feels superior to June, who cares about other things rather than her looks. Connie’s description of June as “plain and steady” exhibits how Connie thinks being normal and stable is a negative. Connie does not want to be an average person and thinks her life is monotonous due to her …show more content…
family. Although Connie lives in a stable household with her parents and older sister, she feels suffocated by her mother because she often interrupts her day dreaming.
She tries to stay out of her mother's way, but somehow her mother manages to keep "dragging her back to the daylight by finding things for her to do" (314), in other words, keep her grounded in reality. Connie and her mother do not get along very often because “the two of them kept up a pretense of exasperation, a sense that they were tugging and struggling over something of little value to either of them” (315). Connie believes her mother is always criticizing her because her mother is envious of her good looks and youth that she no longer has. Her mother would irritate her with her words to the point where she “wished her mother was dead and she herself was dead and it was all over” (312). However, considering Connie’s narcissism, it is possible that she does not realize that she is neglecting her duties of being a daughter and not doing her fair share of household chores. Her mother could be tired of always having to clean up after her and because she cannot literally force Connie to do her chores, she has to resort to constantly reminding Connie of her responsibilities. That is why her mother always compares Connie to June because June actually does productive things with her life. For example, June "saved money and helped clean the house and cooked" whereas "Connie couldn't do a thing, her mind was all filled
with trash daydreams" (312). Unfortunately, Connie does not seem to recognize this. Connie is unhappy with her current life and thinks the problem is her family that is holding her back. This all changes, however, when Arnold Friend becomes a presence in her life and presents her with an opportunity to escape her home. Although Arnold is a stalker, Connie still sees him as her savior from her monotonous life. Out of the blue, Arnold shows up in her driveway in his bright gold, open jalopy and asks her to go for a ride with him. He tries to be as patient and charming as he can be with her as he compliments on how pretty she is and constantly reminds her that he is going to be her friend. Arnold also promises that they will “go out to a nice field, out in the country here where it smells so nice and it’s sunny” (325) and he will show her what love is like. Arnold says he is going to give her everything she has been wanting for so long. Being with him, Connie will no longer have to deal with her mother and be liberated from the household she feels trapped in. Even though Connie is fully aware of Arnold’s true intentions by seeing through his masquerade, Connie still goes with him on her own free will despite the fact that all she had to do is make a phone call to alert someone that she is in danger. Connie never physically resists Arnold, but rather does everything he requests like opening the screen door. Furthermore, as she steps outdoors, she sees the "vast sunlit reaches of the land behind him," in contrast with the house she is leaving, which "looked small” (326). Arnold is her gateway to freedom, at least that is what she believes. He will be able to show her “so much land that Connie had never seen before” (326). This signifies that a Connie will be embarking on a new path and there will not be a chance for her to turn back and she accepts that. In the end, Connie succeeds in proving to herself that she is mature and capable of making a conscious decision for herself by leaving her life behind and going away with this man. Her desire for freedom overpowers her fears of the unknown. Connie’s decision could be depicted as an act of rebellion towards her family.
In Joyce Carol Oates’, “ Where are You going Where have you been,” it was a sunday morning when Arnold continues another one of his daily routines. The main girl, Connie, is a self-centered and shy girl, whose mother is always puts her in the background and makes her feel excluded. For instance, her mother says rude comments like “you think your so pretty” and “you don't see your sister using that junk” (1). Then a guy came into her life. “Where are You Going Where Have You been illustrates a man who uses charms and good looks to get young or middle aged women to satisfy himself, but with this one girl he has some trouble along the way.
Connie is only concerned about her physical appearance. She can be described as being narcissistic because "she had a quick, nervous giggling habit of craning her neck to glance into mirror or checking other people's faces to make sure her own was all right" (Oates 148). Connie wants her life to be different from everyone else's in her family. She thinks because she is prettier, she is entitled to much more. She wants to live the "perfect life" in which she finds the right boy, marries him, and lives happily ever after. This expectation is nothing less than impossible because she has not experienced love or anything like it. She has only been subjected to a fantasy world where everything is seemingly perfect. This is illustrated in the story when Connie is thinking about her previous encounters with boys: "Connie sat with her eyes closed in the sun, dreaming and dazed with the warmth about her as if this were a kind of love, the caresses of love, and her mind slipped over onto thoughts of the boy she had been with the night before and how nice he had been, how gentle, the way it was in movies and promised in songs" (151).
Connie has the need to be viewed as older and as more mature than she really is, all the while still displaying childlike behavior. She shows this childlike behavior by “craning her neck to glance in mirrors [and] checking other people’s faces to make sure her own was all right” (Oates 323). This shows that Connie is very insecure and needs other people’s approval. Although on one side she is very childish, on the other side she has a strong desire to be treated like an adult. This longing for adulthood is part of her coming of age, and is demonstrated by her going out to “bright-lit, fly-infested restaurant[s]” and meeting boys, staying out with those boys for three hours at a time, and lying to her parents about where she has been and who she has been with (Oates 325, 326). “Everything about her ha[s] two sides to it, one for home and one for anywhere that was not home” (Oates 324). Even her physical movements represent her two-sided nature: “her walk that could be childlike and bobbing, or languid enough to make anyone think she was hearin...
However, as I continued to read the story I began to wonder if maybe Connie’s life was not in any way parallel to my own. I have a younger sister where she has an older sister, but that is where the similarities end. Her mother is always telling her that she should be more like June, her older sister. It seemed to me that June living with her parents at her age was unusual, but the fact that she seemed to enjoy this and was always doing things to h...
Joyce Carol Oates intrigues readers in her fictional piece “Where Are You Going, Where Have You Been” by examining the life of a fifteen year old girl. She is beautiful, and her name is Connie. Oates lets the reader know that “everything about her [Connie] had two sides to it, one for home, and one for anywhere but home (27). When Connie goes out, she acts and dresses more mature than she probably should. However, when she is at home, she spends the majority of her time absorbed with daydreams “about the boys she met”(28). This daydreaming behavior is observable to the reader throughout the story. From theories about dreams, theories about subconscious thought, and the clues that Oates provides, the reader is lead to believe that Connie’s experience with Arnold Friend is a nightmare used to awaken her to the consequences that her behavior could result in.
In the story, Oates presents the main character, Connie, as a somewhat bratty teenager that does not have a close relationship with her mother or sister. Her mother shows envy towards her daughter making comments to her such as, “ Stop gawking at
Connie's character plays a big role in what ultimately happens to her. Connie is a vain girl that thinks the way you look is everything. She plays the stereotypical part for girls in today's society. She thinks that as long as you are pretty and dress a certain way then you are everything. This comes across when Oates writes "Connie thought that her mother preferred her to June because she was prettier" (980). By flaunting her looks she could easily give a guy like Arnold Friend perverted ideas about her. It could make them see her as easy, which he did.
Her exposition is painstaking. She sets the scene by making the main character and protagonist, Connie, parallel to an average girl in the sixties. Oates' narrator introduces Connie using elements of description which puts emphasis on the vanity of the main character. Connie's mother is quickly introduced and is used by the narrator to reveal how much disdain her mother has for her vanity. The narrator uses the main character's mother to introduce her sister, June.
Being sexualized by the boys around her, Connie is self-conscious and finds her worth in beauty. The story even states, “She knew she was pretty and that was everything” (Oates 422). She is concerned about her appearance and what others think of her because she has been taught that she lacks any value outside of physical beauty norms. Arnold Friend, even tells Connie, “...be sweet like you can because what else is there for a girl like you but to be sweet and pretty and give in?” (Oates 432). Between this coaxing and the consistent message about the importance of beauty, Connie is nearly forced to conform to this mentality, which displays the lack of respect for young females as human beings. This in turn leads women to self-degradation as they are consistently viewed as sexual
Connie was tired of the life she was living and, she was ready to make decisions for herself and to deal with the consequences for them. She knew that if her parents found out about her going to the diner that she would be in trouble. Connie did not care about the consequences for her actions. She felt like it was time to grow up and be a woman. She wanted to start to experiment with her sexuality. Connie wanted boys to start to notice her and talk to her. Connie thinks that guys could be her savior by helping deliver her from the pressure and anxieties from her sister and mother. Her going out on her own makes her realize that she does not have to please anyone, only herself. When Connie and her friend went to the diner she met this guy Arnold. Obviously being with Eddie for three hours in a dark alley and diner was not the best first move for her. This is the one decision that will change her life forever. This was probably the first guy that gave Connie some attention. So obviously she is going to soak him up and just...
During the teenage years they no longer want to be labeled the “child; matter of fact, they have a strong desire to rebel against the family norms and move quickly into adulthood. This transition and want for freedom can be a very powerful and frightening thing as there are evils in this world that cannot be explained. Most parents try to understand and give their teens certain freedoms, but at what expense? Joyce Oates gives us a chilly story about a teenager that wanted and craved this freedom of adulthood called “Where Are You Going, Where Have You Been?”. This is a haunting story of a young girl by the name of Connie who gives us a glimpse of teenager transitioning from childhood with the need for freedom and the consequences of her actions. Connie is described as a very attractive girl who did not like her role in the family unit. She was the daughter who could not compare to her older sister and she felt her Mom showed favoritism towards her sister. Connie is your average teen who loves music, going out with friends, and she likes the attention she receives from boys. During this time, Connie is also growing into her sexuality and is obsessing with her looks as she wants and likes to be noticed by the opposite sex. Her sexual persona and need to be free will be what is fatal to her character’s life and well-being.
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
Oates drew the character of Connie very well - she possesses many of the qualities that teenaged children share. According to developmental psychologists, adolescents become highly critical of siblings, and peer relationships take precedence over familial ties during these years (Feldman, 455). These traits are apparent in Connie’s unflattering description of her older sister June, “…she was so plain and chunky…” (209) and the fact that Connie spends many nights out with friends, but refuses to attend an afternoon picnic with her family (211).
due to her family leaving to attend a barbeque. Like Chet, Connie also has to rely on herself to overcome her obstacles, such as the threatening Arnold Friend. Stegner and Oates both use this plot point in order to establish that their characters cannot rely on their family for help or protection, which emphasizes their transition to adulthood. In Stegner’s depiction, the purpose seems to be the successful overcoming of obstacles that a child, specifically a boy, has to go through in order to become a man.