Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits …show more content…
He’s coming to get me” (8). In her vulnerability, Connie even seeks her parents despite previous efforts to distance herself, revealing her childish nature. This demonstrates a loss of innocence and a desire to return to the safety of childhood, as Connie realizes the danger of Arnold Friend. Despite her efforts, Connie is not ready for adulthood. In her pursuit of independence, Connie becomes entangled with a dangerously mature situation she is unprepared to handle. This parallels the loss of innocence many adolescents suffer as they venture into adulthood: many teens quickly lose their idealized vision of adulthood as they realize the challenges of adulthood. Connie’s confrontation with Arnold Friend is a metaphor for the loss of innocence all teens are confronted with as they seek maturity. Although the story encompasses a teenage girl's dangerous romantic rendezvous, it is more of an encounter with the expectations and reality of adulthood, through Connie's infatuation and later fear of Friend. "Where Are You Going, Where Have You Been" is a metaphor for the loss of innocence teenagers face, as their idealized perception of adulthood
Throughout “Where Are You Going, Where Have You Been?” Arnold Friend is a very intimidating and mysterious character that is hard to figure out. Arnold knows everything about Connie, a teenage girl that he has never met before. He is very persistent with getting Connie to run away from her awful teenage life at home with him. Arnold’s appearance adds even more mystery to who he actually is. Arnold has a roughed up look to him, a secret code painted on his car that can be interpreted as a Bible verse, and he can not stand steady on his feet, because of all of these attributes Arnold appears that he is possibly Satan.
Connie, from “Where Are You Going, Where Have You Been”, wants to rebel against her family. She uses her attractiveness to flirt with boys at the local restaurant behind their backs as a form of rebellion. She feels as though her family does not appreciate her; her father does not pay any attention to her and her mother constantly compares her to her sister, criticizing her every move and asking why she cares so much about her appearance. On one of her outings she sees a boy who she vainly chooses to ignore. Later he shows up at her house posing as her friend, calling himself Arnold Friend, and talking to her as though he is another boy she flirts with down at the diner and pretending to be her age. She subtly flirts with him at first, only realizing the danger when it is too late.
In “Where Are You Going, Where Have You Been” by Joyce Carol Oates, Connie is a normal teenage girl who is approached outside her home by a guy named Arnold Friend who threatens to harm her, and she obeys, if she does not get in the car with him. Connie is the main character in this story who teaches us that sometimes we might search for adult independence too early before we are actually ready to be independent and on our own. Connie is so focused on her appearance that she works hard to create a mature and attractive adult persona that will get her attention from guys. This search for independence conflicts with Connie’s relationship with her family and their protection of her. Connie’s insecurity and low self-esteem is triggered by her fear of intimacy. Connie confuses having the attention of men with actually having them pursue her in a sexual way.
Ignorance and vanity can be good, in small amounts, but too much can lead to very unwelcome consequences. Connie, a teenage girl who can’t get enough of herself, learned this the hard way when a strange man by the name of Arnold Friend arrives at her house with the intent of taking her on a ‘date’. Instead of calling the police or locking herself in, like common sense would imagine, Connie uneasily greets Arnold from her door when he gets out of his car, instantly letting her vanity and ignorance get the best of her. Joyce Carol Oates shocks the reader with the twist ending in her short story “Where Are You Going, Where Have You Been” in which after hearing Arnold’s threat towards her family, Connie hands herself over to Arnold allowing him
She immediately trusts him because they simply like the same radio station. The young girl has proven throughout the story that she is curious about sex. The reader also learns that she loves attention and Connie initially finds the attention that she is receiving by Friend to be rather flattering and the fact that she thinks he’s an older boy intrigues even more. Her fate though, seems to fit the extremist world in which she inhabits. A habitat where women are viewed by men as objects of beauty for their consumption. Connie later realizes that something is odd about Arnold. She notices that the slogans on his car are outdated. She notices his painted face, his wig, and his boots. Susan Nyikos was another writer that wrote an analysis on Where are you going, where have you been. She suggested that the reason Connie realized this was because he was only a figment of her imagination and that she had never awaken from her nap. Nyikos also noted that another critic stated that Arnold Friend was the devil and that’s what explained the hooves hidden by the boots. What Susan mainly argued was that “Like many of Oates's stories, “Where Are You Going, Where Have You Been?” is based on real events—the story of a "tabloid psychopath known as 'The Pied Piper of Tucson'" whose specialty was the seduction and occasional murder of teen-aged girls,"
Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" written in the late sixties, reveals several explanations of its plot. The story revolves around a young girl being seduced, kidnapped, raped and then killed. The story is purposely vague and that may lead to different interpretations. Teenage sex is one way to look at it while drug use or the eerie thought that something supernatural may be happening may be another. The story combines elements of what everyone may have experienced as an adolescent mixed with the unexpected dangers of vanity, drugs, music and trust at an early age. Ultimately, it is up to the reader to choose what the real meaning of this story is. At one point or another one has encountered, either through personal experience or through observation, a teenager who believes that the world is plotting against them. The angst of older siblings, peer pressure set upon them by their friends, the need for individualism, and the false pretense that at fifteen years of age, they are grown are all factors which affect the main character in this story.
During the teenage years they no longer want to be labeled the “child; matter of fact, they have a strong desire to rebel against the family norms and move quickly into adulthood. This transition and want for freedom can be a very powerful and frightening thing as there are evils in this world that cannot be explained. Most parents try to understand and give their teens certain freedoms, but at what expense? Joyce Oates gives us a chilly story about a teenager that wanted and craved this freedom of adulthood called “Where Are You Going, Where Have You Been?”. This is a haunting story of a young girl by the name of Connie who gives us a glimpse of teenager transitioning from childhood with the need for freedom and the consequences of her actions. Connie is described as a very attractive girl who did not like her role in the family unit. She was the daughter who could not compare to her older sister and she felt her Mom showed favoritism towards her sister. Connie is your average teen who loves music, going out with friends, and she likes the attention she receives from boys. During this time, Connie is also growing into her sexuality and is obsessing with her looks as she wants and likes to be noticed by the opposite sex. Her sexual persona and need to be free will be what is fatal to her character’s life and well-being.
Where Are You Going, Where Have You Been?” a powerful and fascinating story. This mix is particularly evident in her depiction of both Connie’s and Arnold’s double identities. Connie carefully pulls her sweater down tight when she leaves home: “Everything about her had two sides to it, one for home and one for anywhere that was not home.” Arnold stuffs his boots in order to appear taller and more attractive or perhaps to hide the cloven feet of his satanic self. In Connie’s action, the reader recognizes the adolescent beginning to break away from her family and to test the powers of her emerging sexuality. In Arnold’s, the reader sees the devil’s traditional role as arch-deceiver and seducer. On a still deeper psychological level, Arnold Friend is the subconscious nightmare version of Connie’s waking desires and dreams, erotic love as her sister June might suppose it, not “sweet and gentle” as promised in Bobby King’s songs. Allegorically viewed, Friend brings the vehicle that will lead Connie to the “vast sunlit reaches” of the future, a metaphor that expresses the vagueness of her dreams while also representing an unknown attractive, perilous, and as inevitable as death.
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” tells the tale of a fifteen year old girl named Connie living in the early 1960’s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most popular interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is really the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be forever changed by her interactions with Friend.
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
Surely, this whole conversation can be viewed from various angles, acquiring one time literal, one time metaphorical. It is emphasized that this seemingly teenage boy is in reality a grown-up man; Connie has a strange psychological and physiological reaction discovering that. The sexually related seductive character of Arnold Friend's speech is emphasized: what he does can be viewed as taking the young girl to the real adult world. It is curious to remark that the image of the screen door of Connie's house is stressed: it might be viewed as a symbol of a crossed threshold. All the drama between the girl and the wicked imposter unravels around this, figuratively speaking, point of no return. It is interesting to make notice of the ways in which these two characters are represented in the dialogue: Arnold Friend is offensive and stable, he pursues his agenda and chooses the means according to the development of the situation; Connie, on the contrary, is unsure and submissive, she finally gives in to his threats and promises. The whole story is built around Connie's change throughout the conversation with Arnold Friend. First, she is careless and not interested. Later, especially when she discovers that neither Arnold nor his friend are the age they pretend to be, she feels indecisive and scared as she understands that something definitely
“Where Are You Going, Where Have You Been?” is told from the point of view of a girl with “long dark blond hair that drew anyone’s eye to it” named Connie. Connie was a very pretty fifteen year old girl, which loved to go out with her friends and meet new people. Laura’s, the best friend of Connie, father “drove the girls the three miles to town and left them at a shopping plaza so they could walk through the stores or go to a movie”. It became a lifestyle for Connie which eventually became a problem being that she met a suspicious
In the short story “Where Are You Going, Where Have You Been?” written by Joyce Carol Oats, the writer includes a very interesting character. One of the main characters, Arnold Friend, is a dynamic character due to the sudden changes of this physical appearance and personality. At first he seems charming and a little on the sweet side, but then his dark side starts to show as the story progresses. He first appears when Connie abandons her friend to go with a boy named Eddie. Arnold is seen in his gold convertible Jalopy, which is the first sign that he wants to be alluring. His first words in the story are "Gonna get you, baby" this foreshadows his intentions when it comes to Connie
In her famous short story, “Where Are You Going, Where Have You Been,” Joyce Carol Oates shows the transition from childhood to adulthood through her character Connie. Each person experiences this transition in their own way and time. For some it is leaving home for the first time to go to college, for others it might be having to step up to a leadership position. No matter what, this transition affects everyone; it just happens to everyone differently. Oates describes Connie's unfortunate coming of age in a much more violent and unexpected way than the typical coming of age story for a fifteen year old girl.
Have you ever been so focused on achieving your dreams that you become unaware of your current situation? When we focus on the goals ahead of us, we fail to see the obstacles and dangers that are in front of us. In order to achieve our goals we involuntarily put ourselves in an unwanted situation. Connie, herself, struggles to achieve her goal of being a desirable girl that turns heads when she walks into the room. She becomes so set on being this girl that she doesn’t realize the danger of the situation. In “Where Are You Going, Where Have You Been?” Oates utilizes metaphors, diction, and imagery to show how Connie is in a constant tug between her reality and her dreams, and how this confines her freedoms in a world that is surrounded with malevolence.