Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Examples of connie's insecurities in "where are you going, where have you been?
Examples of connie's insecurities in "where are you going, where have you been?
Character analysis of arnold friend
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Literary Analysis: Where Are You Going, Where Have You Been?
In the short story “Where Are You Going, Where Have You Been?” written by Joyce Carol Oats, the writer includes a very interesting character. One of the main characters, Arnold Friend, is a dynamic character due to the sudden changes of this physical appearance and personality. At first he seems charming and a little on the sweet side, but then his dark side starts to show as the story progresses. He first appears when Connie abandons her friend to go with a boy named Eddie. Arnold is seen in his gold convertible Jalopy, which is the first sign that he wants to be alluring. His first words in the story are "Gonna get you, baby" this foreshadows his intentions when it comes to Connie
…show more content…
The foreshadowing statements made by Arnold when he says that he wants to "come inside you where it 's all secret" and show her "what love is like" (1104). No matter what Connie says or does, Arnold keeps talking, but reveals nothing about himself. He never physically forces Connie to join him, but his words have the same force and pull as actions, like the ones he only threatens to take. It is easy to support the sense that he has no good intentions. Arnold also threatens her family, while making his intentions quite clear. “It 's all over for you here, so come on out. You don 't want your people in any trouble, do you?”
A final conclusion that Arnold Friend is a dynamic character is that the whole story there are questions that the reader has questions about who this character truly is. If he was not a dynamic character then there would be little to no questions about who this character is.tells her to get up and start moving, it was as if he put her under an evil spell. First she did not recognize her own kitchen, and then she is going with him against her will. "Now turn this way. That 's right. Come over her to me" (1108). His words were not angry, but as if part of a spell. The spell was
Come over here to me. Now come out through the kitchen to me, honey, and let’s see a smile, try it, you’re a brave, sweet little girl’”(Oates 7). “She put her hand against the screen. She watched herself push the door slowly open as if she were back safe somewhere in the other doorway, watching this body and this head of long hair moving out into the sunlight where Arnold Friend waited”(7). What had gotten into Connie, why would she go out with Arnold knowing that all he is going to do is hurt her?
Arnold Friend could possibly be a symbol of the devil. Friend tries to be kind and tells Connie he will take care of her and everything to try and get her to come with him. Oates says, “His whole face was a mask, she thought wildly, tanned down onto his throat…”; this could symbolically be connected with the devil. The devil would never be out in the open he would be in disguise. McManus also talks about how Friend is related with the devil. “Friend’s suggestion is that if Connie’s house was on fire, that she would run out to him, may also suggest symbolism. Fire being associated with devil.” This is a great symbol of Friend and the devil because fire is most definitely associated with the
Arnold Friend imposes a devilish and menacing pressure upon Connie, who ultimate gives in, like a maiden entranced by a vampire's gaze. His appearance, sayings, and doing all combine to form a terrifying character that seems both reasonable and unlikely at the same time. There are people like Arnold Friend out there, not as incoherently assembled, and still he seems an extraordinary case of stalker. A small and even insignificant aside about his name, Arnold Friend, is that with the R's his name would read A'nold F'iend, or "An Old Fiend" i.e. the devil. But, regardless, Arnold Friend is very precisely portrayed as a corrupter of youths and a deflowerer of virgins. Without his useless sweet-nothings or his strange balance problem, he would come across less dangerous and alluring.
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
The narrator implies that Arnold Friend is Satan by giving certain clues that the reader can easily deduce. The name that Oates gives to the character is one hint to the reader: “Connie looked away from Friend's smile to the car, which was painted so bright it almost hurt her eyes to look at it. She looked at the name, Arnold Friend. She looked at it for a while as if the words meant something to her that she did not yet know” (583). The name “friend” was commonly used by the Protestants to refer to evil or the devil. Moreover, Arnold Friend's appearance also hints that he is Satan: “There were two boys in the car and now she recognizes the driver: he had shaggy, shabby black hair that looked as a crazy wig”(583). The narrator emphasizes the “wig” to make the reader think that he is wearing it for a purpose, which is hide his devil’s horns. Also, the fact that Arnold Friend's eyes are covered is another stragedy use by Oates to confirm the assumption of the diabolic presence: “ He took off the sunglasses and she saw how pale the skin around his eyes was it, like holes that were not in shadow but in...
Arnold Friend takes advantage of Connie’s teenage innocence for something of a much more sinister purpose. Connie thought she had it all figured out until Arnold Friend came into her life and up her driveway on one summer, Sunday afternoon and made her realize how big and scary the world can be. Arnold embodies everything that Connie has dreamed about in a boy, but is in the most malevolent form of Connie’s dream boy. She always wanted to get away from her family because she has always felt as if she didn’t belong and Arnold can make this possible just in the most predatory way. She always thought sex would be sweet (and consensual) and that she would be in charge of how it progressed, Arnold strips her of the authority she’s held in any other encounter with a boy. The moral of the story is always be careful what you wish
“Where Are You Going, Where Have You Been? “tells a story of teenage girl Connie, whose wild child antics cause her to become the special interest of Arnold Friend. Spending time at the local hangout for older kids, and committing lustful acts in alleys, Connie disregards the odd brown haired boy in the gold jalopy staring her way. Unnoticing Arnold until the Sunday afternoon his gold jalopy pulls up her drive. “ He wasn’t tall, only an inch or so taller than she would be if she came down to him … his face was a familiar face, somehow: the jaw chin and cheeks slightly darkened, because he hadn’t shaved for a day or two, and the nose long and hawk –like” (Oates 441). Intrigued by his looks, Conni...
In Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” Arnold Friend’s character shows up at Connie’s place when she is all alone, with his side kick and his golden convertible. At first Arnold tries to charm this young girl into getting in his car, but Connie quickly realizes that Arnold is not the young man she thought he was. She has noticed that his hair seems like it is a wig, that he may be wearing makeup, and that he is walking strange. Arnold Friend continues to try and smooth talk Connie into going for a ride with him, but when Connie insists she is not interested ...
Connie's actions also played a big role in her abduction. Connie liked to go out and hang out with guys. She liked to hang out with different guys, not the same one every night. Guys talk about girls like this and spread nasty rumors about them. These rumors probably did not escape the ears of Arnold Friend. So even before he saw Connie for the first time he probably had the idea that she was easy. He said as much towards the end of the story when he started naming people she knew and telling her that they told him things about her (Oates 983).
When Connie first meets Arnold, she doesn’t know who he is: he’s just a creepy guy in the parking lot. However, Arnold sees her as an adult woman who is ready to pursue a relationship with her because that is what her appearance says about her. In reality that’s all it is, her appearance and she is not ready for that type of relationship. So, when Arnold Friend came by and was persuading her to come with him saying, “Don’tcha wanta see what’s on the car? Don’tcha wanta go for a ride?” (Oates 375). This line is one of the many that he used to persuade girls to get into his car. Also, he is making all moves to get closer to kidnapping Connie. Connie did try to avoid him but she had false hopes. Although Connie seemed to be confused there are many girls like this that fall for someone’s charms even if they are sincere or not just because these girls seek for someone to appreciate them. Arnold Friend said. “But I promise it won’t last long and you’ll like me that way you get to like people you’re close to.” (Oates 383). These statements give Connie confidence to leave her house and go with him regardless if they just
When approached by Arnold Friend at first, she was skeptical but was still charmed by him. As she began to feel uneasy, Connie could have used her intuition to realize that he was trouble. Once she had been engaged by Arnold, her life was over. The influences on Connie and her lack of instilled reasoning led to her down fall. Her family’s fragmented nature was echoed in her actions; consequently, she was unable to communicate with her parents, and she was never was able to learn anything of significance. She felt abandoned and rejected, because no one took the initiative to teach her how to make good decisions. Connie was unable to mature until she was faced with death and self sacrifice. In the end, her situation made it difficult for her to think and reason beyond the position she was in. By not being able apply insight, she fell into Arnold Friends lure. Misguidance by the parents strongly contributed to Connie’s
In the short story “Where Are You Going? Where Have You Been?”, by Joyce Carol Oates, the use of the symbolism of Connie’s clothes, her fascination with her beauty, Arnold Friend’s car and Arnold Friend himself help to understand the story’s theme of evil and manipulation. The story, peppered with underlying tones of evil, finds Oates writing about 15-year-old Connie, the protagonist of the story, a pretty girl who is a little too into her own attractiveness, which eventually gets her into trouble with a man named Arnold Friend. The story is liberally doused with symbolism, from the way Connie dresses to the shoes on Arnold Friend’s feet. In “Where Are You Going? Where Have You Been?” the reader can pick up on some of the symbols very easily, while others need deeper thought. The subtle hints of symbolism throughout the story create a riveting tale that draws the reader in. Connie finally succumbs to Arnold Friend at the end of the story, it then becomes obvious that he represents the devil and the symbolism of her clothing and Arnold’s car all tie together to create a better understanding of the story.
In turn, her home life is also a large reason she is so easily manipulated. Her father is mostly absent from her life, which causes emotional distress, especially for girls her age. Because of this, Connie craves for attention from guys because she is not able to get it from her father. Additionally, Connie is not able to view her parents as an example of a healthy relationship, since her father is not around a lot. This enables Arnold to manipulate her because she doesn’t know what healthy attention is. Along the same lines as her father, Connie’s mother is dissatisfied and hates that Connie is so obsessed with her looks, often “[scolding] Connie about it” (Oates 2203). This causes Connie to be distant from her mother. Thus, Connie feels little, compared to her sister, who gets all the attention from their mother. The absence of both parents allows Connie to be manipulated because she feels alone, often rebels against the rules, and wants to be away from her family. All of the aforementioned traits make Connie a target, so much so, that Arnold, a master conniver, cleverly uses them to his
Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her “…intense desire for total sexual experience runs headlong into her innate fear…” (58); and aspects of the story do seem dream like - for instance the way in which the boys in Connie’s daydreams “…dissolved into a single face…” (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly; she is able to identify the many separate elements of Friend’s persona - “… that slippery friendly smile of his… [and] the singsong way he talked…” (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, “…all of these things did not come together” (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.
This device is mostly used in the climax of the narrative when Arnold Friend is trying to persuade Connie to leave with him. Although he is depicted in a demonic way, Connie is attracted to him. He is assertive and confident, but uses pet names like “honey” and “sweetheart” to groom her into trusting him. His voice sounds, “like a hero in a movie, declaring something important” (Oates 673). Arnold is charming and charismatic while being threatening. His last name suggests friendliness, but he is clearly the enemy. The duplicity in his personality parallels Connie’s antagonistic feelings towards having to live a double life. Connie believes that she controls the people around her. She tries to maintain that hold during her first moments with Arnold Friend, but she slowly allows him to dominate her. In a last ditch effort to defend herself, Connie employs her family despite her broken relationship with them. She threatens that something bad would happen if her “father comes home and sees [Arnold]” (Oates 671). Instead of dialing 911 when she picks up the phone, Connie yells for her mother while it feels like Arnold “was stabbing her again and again with no tenderness” (Oates 674). Up to this event in her life, Connie expresses nothing but disdain for her family, but in her moment of weakness, she wants them more than ever. Then, regardless of all the signs telling her not to leave, Connie goes with Arnold hoping to keep her family safe. The irony that arises from her sudden family loyalty leaves the reader wondering what previous familial conflicts were real and what were made up in her