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More handpicked essays just for you.
Racism and literature
The change of gender roles
The role of racism in american literature
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The subversion of the stereotypical passive role of women on the road is also seen in the Brazilian 1998 road movie ‘’Central Do Brasil’’, directed by Walter Salles. The road movie displays the leading female character as an active player in shaping and forming the story line. The opening scene of the movie shows us people pouring in and out of trains and bustling around the train station of Rio de Janeiro from every segment of society (Brandellero 2013, 152). On the faces of these people one reads fear, uncertainty, haste and hopelessness and in this setting, Dora, a retired school teacher, supplements her income by writing letters to be posted for illiterate people to their loved ones. We are introduced to various characters who are desperate to share their …show more content…
She dictates a new letter and in doing so, the viewer becomes aware that she is still deeply in love with Josue’s father. The shock is great when Ana dies in an accident next to the train station. Dora witnesses the tragedy and sees young Josue forced to fend for himself. She convinces Josue to come with her and passes him onto an adoption agency for a fee. Dora is an opportunist and has no intention of helping Josue. She is led by greed and leaves him behind. It is not until her friend makes her feel guilty by pointing out the danger she has put Josue in that something inside her stirs; a sense of compassion that forces her to kidnap him back and embark on a road trip in search of his father (Thunder 2001, 3). The journey on the road enlightens the viewer about the toxic relationship that Dora had with her father, and how this has affected her view on men and overall faith in humanity. Furthermore, the journey on the road paves a way for the development of a true friendship between Dora and Josue, who despite their differences, long for the same love and affection that they were deprived of in their
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
In the opening scene, Terry Gilliam's Brazil seems to be quite jovial. A shot in which the camera hovers through the sky, passing in and out of clouds, starts the film off while the song "Brazil," after which the movie was named, fills the soundtrack. Titles begin to appear over the soaring shot. The titles read, "Somewhere in the 20th Century," informing the audience of the time period, but confusing them as well. The world in which the movie's main character dwells is a dreary, dystopian, retro-futuristic metropolis, a far cry from anything that has been seen this century. In this world, nobody is protected from the government; individuals are executed as a result of administrative errors. The compensation for these wrongful deaths is a simple refund check.
The vast majority of blacks live in poor neighborhoods with very little government support for the construction of roads and other necessities such as garbage disposal. The black identifying girls from the movie all lived in poor neighborhoods of some sort, one saying that she didn’t feel safe where she lived. This comes in stark contrast with the middle class boy who lived in a nice house and even had a pool, he identified as white and went to a prestigious private school. The living conditions of black-identifying and white-identifying people was night and day, with Benedita da Silva pointing towards the fact that Rio’s favelas are overwhelmingly black and the residents of these slums are even targeted by
The Women of Colonial Latin America serves as a highly digestible and useful synthesis of the diverse life experiences of women in colonial Latin America while situating those experiences in a global context. Throughout, Socolow mediates the issue between the incoherence of independent facts and the ambiguity of over-generalization by illustrating both the restrictions to female behavior and the wide array of behavior within those restrictions. Readers of varied backgrounds will come away with a much deeper understanding of the challenges and opportunities that defined the lives of the diverse women of the New World ruled by Portugal and
The road movie embodies the human desire for travel and progression. The vehicle of journey is a contemporary metaphor of personal transformation that oftentimes mirrors socio-cultural desires and fears. Thomas Schatz believes that one “cannot consider either the filmmaking process or films themselves in isolation from their economic, technological, and industrial context.” This statement is especially applicable to the independent American films of the late sixties, a time of great political and social debate. Easy Rider (1969) was considered a new voice in film that was pitched against the mainstream. In the 1960s, there was a shift to highlight the outsiders or the anti-heros in film. This counter-cultural radicalism seems to have also influenced the 1991 film, Thelma & Louise. The characters of both films act as figures of anti-heroism by rebelling against the conventional and unintentionally discovering themselves at the same time. Despite their different backgrounds, the protagonists of Eas...
Dora is undeniably not put forward as a sexual object which is meant to fulfil erotic desires of the male protagonist. Instead, when looking at the way Dora is displayed in the road movie, one would argue the opposite as one see’s a middle-aged women, who does not wear any make up and seems to not attach any value to her appearance (Salles 1998). This becomes clear when at one point Josué says in anger to her that Dora is a liar and so ugly that no one will marry her. He continues by saying that she looks like a man and does not bother to paint here face (Salles 1998). This outburst reinforces the idea that Dora is not confined to a passive role to fulfil male erotic fantasies. This is further shown when Dora flirts with Cesar the truck driver. At one point she leaves the restaurant to freshen up and in trying to make herself more attractive applies borrowed lipstick from a waitress. Her sexual advances result in Cesar abandoning them at the truck stop. Dora is rejected however, picks herself up and takes action to ensure that she and Josue get to the next destination (Salles
As she tours her hometown, one can see the horrendous circumstances in which her community thrives in, for example, to get from one side to the other they must cross a makeshift bridge where the water has begun to change color such as black, green, even beginning to foam. Numerous health problems have arisen due to the toxic waste that is being dumped into the streams that therefore leading to runoff when it rains such as sores developing on feet and legs, weakened immune system, spots that appear on the limbs, etc. Lujan, a third world feminist (could also be known as an environmental feminist as well) exposes the unsanitary environment in which she lives in, desiring a greater community where her children can live in without the worry of diseases or the contamination of their water sources. Though she was not always a promotora/advocator it was not until Lujan came face to face with a sign inviting women to participate in a health survey furthermore learning about the health risks that she made the decision to be outspoken about the cause. She took workshops to help her better apprehend labor and women’s rights in order to promote laws and speak out against illegal acts conducted by businesses. Therefore, it only makes sense that women would be the most outspoken group of the maquiladoras since they make up eighty percent of the
While female solidarity and partnership is at the center of Bande de filles, throughout the film, male opposition stands as its dividing factor. The benefits of women helping and building up other women become instrumental to the progressions within Bande de filles on multiple occasions. Sciamma (the film’s director) understanding that “[s]ame-sex friendships [provided] a dedicated space for women to give each other mutual support on gender issues…[and that] these friendships provide support during the process of breaking with gender conventions… [diminishing] women’s feelings of isolation or marginality (Bachmann 177)” became pivotal to individual and the collective female growth in Bande de filles. Furthermore, female solidarity allows for individual growth and exploration in a safe and understanding space, lead and directed by women for women. Throughout
One of the issues that was raised is the idea of the relationship between femininty, technology and sexuality. The relationship between all of these qualities converse in one character, Maria. The real Maria has many roles thoughout the movie, including one who cares for the workers children, a preacher of peace for the workers, and one who loves Freder. The machi...
Dickson, Christa. “Bugs in the Machine: Anti - and Post-modernism in Terry Gilliam’s Brazil.” http://www.public.coe.edu/~crdickso/brazil.htm Dec. 12, 2001.
Early Morning, Lonely Ride was written in 1976 and is, by far, a strongly feminist story. In 1976, women were not as well involved in the sociopolitical and economic arena as they are today. Being a woman, back then, mostly meant living the traditional role of a housewife and the fulfilment of their man’s desires, needs and wishes was of utmost importance. The author’s main agenda is to shed light upon the fact how women of her time are being neglected from the social interactions due to the dominating force of the male gender. She is using Frances as a means of propagating her message to the masses with the intense desire of reforming the society on how the female gender is perceived and treated. While she is lingering at the party, Frances thinks, “She was nothing among strangers at a rich man’s party” (Packer 174) and also, “She
The second is demonstrated as an Active Non-Giving situation. The Brazilian film “Central Station”, is about Dora, a retired schoolteacher who makes her living sitting at the station w...
Clarice Lispector, a Brazilian female writer of Jewish descent, tied her writing with her very life, for her writing reflects her viewpoint on many aspects of her life. She was well-known for her existentialist writing involving themes revolving around women’s roles. Through the characters and their interactions in her works, Lispector explores the societal status of women. The male subjugation of women influences many of the themes found in her works and a better understanding of women’s social status ultimately leads to a better understanding of the relationship between the characters in her works and actions by those characters. Thus, the evaluation of women in the society contemporary to the era Lispector lived in influences the overall existentialist ideas and the motif of women’s roles in her work.
Terry Gilliam’s Brazil, released in 1985, is a science fiction film that centers on a dystopian society where everything is controlled and yet there is still this strong sense of lawlessness and chaos that goes along with it. The movie focuses on Sam Lowry, played by Jonathan Pryce, who is an unambitious employee of “Information Retrieval”, a department in the ministry. He lives in a world that is simultaneously futuristic and primitive; they have access to progressive technology, yet it is clunky and inconvenient. In the film, the citizens are tricked into believing that they live in a progressive world, when in reality they have no agency as a result of their heavy reliance on the aid of technology, governmental restrictions, and refusal