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To what extent does media control society
Media control over society
Media control over society
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Terry Gilliam’s Brazil, released in 1985, is a science fiction film that centers on a dystopian society where everything is controlled and yet there is still this strong sense of lawlessness and chaos that goes along with it. The movie focuses on Sam Lowry, played by Jonathan Pryce, who is an unambitious employee of “Information Retrieval”, a department in the ministry. He lives in a world that is simultaneously futuristic and primitive; they have access to progressive technology, yet it is clunky and inconvenient. In the film, the citizens are tricked into believing that they live in a progressive world, when in reality they have no agency as a result of their heavy reliance on the aid of technology, governmental restrictions, and refusal …show more content…
It is absurd fiction that becomes fact as the viewer finds themselves relating the content to current issues. Historically and presently there has always been a problem with individuals who fail to think for themselves, and mindlessly cooperate with the system without considering its faults and trying to resist it. If it isn’t harming them, it doesn’t matter to them, even if other people are being treated unfairly. This is shown in Sam at the beginning of the film. He is perfectly content to work at his dead end job without trying to challenge it. It can also be seen with his coworkers, there is such a large number of them, and yet none band together and revolt. Their only “crime” is when they watch television when Mr. Kurtzmann isn’t looking. His other coworkers in information retrieval also fail to think for themselves and are shown mobbing their boss, asking for his opinion on every little thing. Because Sam is so willing to conform and relinquish his individuality, he is giving up his agency and handing it over to the government without so much as a squeak of resistance. The ease and comfort in which he does this speaks
Another example is how the government had set up an ideal citizen in society, such as Mildred, she would just stay happy, watch the parlor walls, and listen to the seashells. These simple everyday technologies distract the citizens, keeping them entertained and from knowing what is actually happening around the world not wanting to panic them. One way this relates to the real world is how on social media they would make one situation into a bigger deal than it is supposed to be lasting for weeks, such as with the dress some said it was black and blues and others said it was white and gold. They would even lie about certain topics such as capturing Montag when he ran away to know let everyone that the force has it under control, “A voice cried, ‘There's Montag ! The search is done!’ The innocent man stood bewildered, a cigarette burning in his hand.”(pg.69). These censorship had actually made people upset since they rely too much on technology and once away the people are lost and do not know what to do. One way of showing this was how Montag had turned off the parlor walls with Mildred, Mrs. Phelps, and
The 1985 Argentine film La Historia Oficial, directed by Luis Puenzo, is truly deserving of its academy award. The film is set in Argentina in the 1980s, during the last years of a military dictatorship that killed and tortured thousands of its own people who did not agree with their radical polices. The film has many underlying themes especially regarding government-sponsored terrorism, classroom politics and the authority of certain texts. However, one theme is represented again and again throughout the film. The theme that “machismo” will reign supreme in the relationship between males and females, and males in political aspect in the country of Argentina. Men had to hold all the authority in the household and all aspects of life, including
Tompkins, C., 2009. The paradoxical effect of the documentary in Walter Salles’s “Central do Brasil”. Studies in 20th & 21st Century Literature 33 no1 p9-27
In the book Fahrenheit 451, by Ray Bradbury, the main character, Guy Montag, lives in a city where there is no knowledge, emotions, nor anything else. The citizens of this city also have to live their lives be watched by machines. All these rules setup by the government are in place in order to keep citizens from overthrowing the government. They, the government, keep these rules so that the government can manipulate and corrupt citizens, overall making a corrupt city.
In these novels the main characters are, or become, unable to conform to the society’s standards. These characters represent the authors’ view of the ‘utopia’ as they see it with the veil of ignorance removed. In 1984, for instance, we start out with a character, Winston, who is constantly observing the ironies of the world about him. Through his job at the ministry of truth, he becomes a hand of the state, creating fiction to support its endeavors: “Comrade Ogilvy, unimagined an hour ago, was now a fact … he would exist just as authentically … as Charlemange and Julius Caesar.” (1984, p54) As the book progresses he becomes more aware of his individuality and eventually is unable to hide it. Similarly in Fahrenheit 451, Montag becomes aware of problems with his society, but not logically - emotionally. It disturbs him greatly when a medical team that helps his wife appear and disappear within a matter of minutes: “There are too many of us, he thought. There are billions of us and that’s too many. Nobo...
To conclude, because the government was able to use censorship and promote ignorance, they were able control and manipulate their citizens. This novel also has resemblance to our world, this novel is a reminder of how powerful media can become if used the right way, society can be mislead into thinking false things. By promoting ignorance, the citizens started having very bland lives with no depth. People did not talk about ideas and feelings because they were obsessed and dependent on instant pleasure, they will start denying they own feelings because of this. Television and easy access to entertainment made books nonexistent.
George Orwell's 1984 and The Lego Movie, are two texts which develop the theme that if one desires to obtain control one feels the need to alter feelings, capabilities and even the world seen in reality, which can result in a artificial society lacking the presence of human nature. In 1984 the Party of Oceania and the antagonist, President Business in The Lego Movie portray similar characteristics and goals which connect to the theme. In 1984 the ideology of thoughtcrime and the cotton swab in The Lego Movie portrays similar meanings which connect to the theme. In both the pieces of literature, there are totalitarian controlled communities. They are both controlled by hierarchies who's only determination is perfection and complete control over their society. In 1984, the Big Brother and the Party have total control over their society by asking the citizens to perfect the ideology of thought crime. They have the perfect vision of a society where people only love and worship the Party. In the Lego Movie, President Business wants to have a perfect society who only follows the rules given to them by him; if what he wills is not fulfilled he uses a cotton swab to perfect the blemish which would make his society perfect. In this society there are TVs everywhere displaying propaganda and there is also a 24/7 surveillance system. The two hierarchies illusion of a perfect society to obtain control, requires the loss of human nature and human creativity. This consequently involves the sacrifice of freedom of thought, speech and the expression of emotions .
Veloso, Caetano, and Barbara Einzig. Tropical Truth: A Story of Music and Revolution in Brazil. Cambridge, MA: Da Capo, 2003. Print.
Rio Bravo, staring John Wayne, Dean Martin, and Ricky Nelson to name a few, was released in 1959 and is the perfect example of a classic American Western genre film. The film blends American political and gender role ideologies with the classic genre conventions of a Western help Rio Bravo to deliver its somewhat understated message.
Haiti, during both economic wealth and poverty, was challenged by the suffering of its inhabitants; Alejo Carpentier uniquely addresses this marvel with the use of the ‘marvellous’ in his novel The Kingdom of this World (1949). This novel lectures on the progress of the revolution through Haiti’s era of emancipation during the turn of the eighteenth century. A stylistic decision by Carpentier to retell these events using magic realism leaves the reader confused and challenged to comprehend his fictionalized history. Through the character Ti Noël, and several others, the reader travels through this revolution and the marvellously exaggerated events that transpired. Carpentier uses magic realism to personify the desires and values of the numerous characters within the text as a means of action.
What is culture? Culture is the characteristics that describe a certain group of people. Culture defines those groups of people through religion, language, food and arts among many more. Culture is made up of many long lived traditions passed on through different regions. Brazilian culture is one of the most diverse out there. Some would say it has similarities to American culture when relating it to a "melting pot". Over 75% of the country follows the Roman Catholic faith. The official language of Brazil is Portuguese due to mass Portuguese settlements in much earlier centuries. Brazilian culture has a main focus on family unity and most Brazilians have a large number of family members.
The Portuguese were the first European settlers to arrive in the area. They were led by adventurous Pedro Cabral, who began the colonial period in 1500.
A society run through the means of a dominant government is bound to have rebels. These rebels go to extreme measures in order to prove their self worth and individuality. In George Orwell’s novel Nineteen Eighty-Four (1948), the Party acts as a supreme power and portrays Winston Smith, the protagonist as a rebel. Terry Gilliam’s film, Brazil (1985), has a government that works behind the scenes, authenticating authority through various propaganda posters and technological techniques, all of which Sam Lowry rebels against. Examples of government rebels in the real world are quite evident; in New Mexico a resistance group arose in attempts to save their village from the hands of the government only to have the leader murdered. “Unsilenced” written
In May 2009, I was ready to leave my home in Brazil to study in the United States. A few days after arriving in America I started to take "summer classes" at West Virginia State University. Since then a lot has changed in my life as a person and as a student. I have made new friends in West Virginia and done well at my studies. I have changed majors which added an extra year to my studies. My grandmother passed away in 2010 when I was taking my finals during my second semester at school. And, in the same year one of my two nieces, Juliana, was born. Life was happening, and changes were taking place. I was so busy with my studies and adapting into the new routine that I forgot to consider that my country, Brazil, was going through transformations as well.
Afro Brazilians have had to deal with centuries of oppression. During these times, Afro-Brazilians have had to deal with various methods of oppression. Many of these methods have had effects so profound, they are still affecting many Brazilians till this day. Political oppression is one of the oldest methods known to man, along with forceful police force. Authoritarian rule also played a major role in the shaping of the country. Furthermore, an inept justice system will fail those who need justice the most. These four key modes will be objectively examined, as well as the efficacy of each of these repressive strategies, and the impact that they have had or still have in the Afro-Brazilian communities.