Cavatine Op 47 Essay

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Recommended: The classical period of music

This semester I am playing a piece called Cavatine op 47 composed by Jules Demersseman. Demersseman was born January 9, 1833 in Hondschoote. Hondschoote is near the border of Belgium north of France. As an eleven year old, he enter in the Paris Conservatory in 1844 in the class of Jean-Louis Tulou. By 1845, he won the first prize in flute. Demersseman pursued a career in pedagogue and soloist. As a soloist, he mainly performed his composed pieces. Jules Demersseman lived a short life. In December 1, 1866, he passed away at 33, but he lived a very successful with his compositions. Demersseman wrote many pieces in his time for various instruments. One of the pieces he published is Fantasies for alto saxophone. When he composed this piece, Adolphe Sax, Demersseman close friend, publish it. Sax published a lot of his first piece for saxophone, saxhorn, and valved trombone. Other work Demersseman has done is Ave Maria for medium voice and organ, Deuxieme solo for flute and piano, and Introduction et Variations. Majority of these piece were later arranged by Paul Wehage. Cavatine op 47 was …show more content…

The main different between the two movements is the second piece have more of a ‘here I am’ persona. This feel continue on until the piece change to pianissimo where the feeling of the piece becomes suspenseful. This tension of the piece help with piece intensity. Right before the piece accelerate, the beginning of the second movement is repeated again. When the triplet section starts, the mood of the piece change to a prideful feel, as if a king is entering in the town. Demersseman ends the piece in a very grand matter because he end it with a five to one chord. Five to one is a great chord to end on because five always want to go to one each creates a strong end. This is the feeling the second movement gives throughout the

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