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Calle 13
“Soy América Latina. Un pueblo sin piernas pero que camina” (Latinoamerica). Calle 13 is a popular Latin music group known for their political and social stance portrayed in their music. Mostly known for their 2006 Grammy nominated song “Atrevete”, Calle 13 has skyrocketed in becoming one of the most influential music groups in the reggeaton genre. It is no secret that Latin America has become a part of the world that is looked down upon because of its poverty. Calle 13 fights against the social stigma of Latin America being an area people should feel sorry for. They define social justice through their music by making sure that L.A. isn’t being degraded by the rest of the world. The United States media has portrayed Calle 13 as the
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Most if not all Calle 13 songs address what life is like in Latin America, however, their songs are not to make people feel bad for LA but for the people of LA to be proud of who they are and where they come from. For example, in the song “Latinoamerica”, Calle 13 sends a message to the world proclaiming that LA may look poor yet they are rich in spirit. They remind Latin American people about where they come from and let them know that they should be proud of their roots and culture. Calle 13 constantly reminds LA that they shouldn’t let the world look down upon them because they are just as great as anyone else. Also, in the song “Pal Norte” Calle 13 recognizes the struggles people in LA are going through. They let the world know why a lot of people have no other choice but to migrate to the U.S. and have a better life. Calle 13 speaks for those with no voice because there is no other way those people can be heard.
Calle 13 has been recognized several times for their influential music and have been awarded at least 19 Latin Grammys since their start in 2004. The United States media began to follow Calle 13 and realized that their lyrics are not just lyrics but they are backed up by their actions. In other words, the media saw how passionate and authentic Calle 13 was about their people and music. In an article on the Los Angeles Times titled “The politics of Calle 13, to the beat of reggaeton”, the media acknowledges the political power and movement Calle 13 has on Latin American people. Also, the article
Many of their fans have crossed the border illegally, or have relatives that have done so. The song goes into saying, “Mis hijos son grandes y no les entiendo-- no hablan español,” translating into “My children are grown but I do not understand them-- they do not speak Spanish,” (1:14). A study done by the Pew Research Center reveals that the number of Latinos in the United States that speak Spanish is slowly decreasing (Krogstad and Lopez), which shows that this is an all too real issue facing those among the Latino community. This particular occurrence is becoming too common for many families because as they push to fit into the American way of living, their roots may sometimes get lost in translation. It is one thing to not be able to properly communicate with your children, but it is another to not be able to talk to them because of a language
In Sueños Americanos: Barrio Youth Negotiating Social and Cultural Identities, Julio Cammarota studies Latina/o youth who live in El Pueblo, and talks about how Proposition 187, the anti-immigrant law, is affecting Latina/o youth in California (Cammarota, 2008, p. 3). In this book review, I will write about the two main points the author is trying to get across. The two main points I will be writing about are how Proposition 187 is affecting the Latina/o community, and about how Latina/o youth are copping in the El Pueblo barrio. Afterward I write about the two main points the author is trying to get across, I will write a brief description of the author and write about the author’s strengths and weaknesses.
Spain's bishop of the Yucatán, the Franciscan friar Diego de Landa, is known for his brutality with the Mayans. In 1562, he testified that he destroyed 5,000 Mayan "idols" and burned 27 hieroglyphic books which had mayan history in them. He believed Mayan culture, beliefs, and writings were nothing more than a waste of space. Landa's narrow-mindedness came with consequences. After destroying Mayan books, Landa wrote his account of the Mayans of the Yucatán “Relación de las cosas de Yucatán” using information provided by the Mayan sources he had destroyed. Landa's account also became the most important source for much of what we know today about the Mayans. In this writing Landa provides details on how the Mayans used their ancient calendar
These corridos talk about how America was born free, and how man divided it, and how essentially these people are as much as “real” Americans since they worked hard for what they have with blood, sweat, and tears. And even being a first generation Mexican American, I too can relate to the struggle, having to work twice as hard just because I do not look a certain way. They talk about how they just came to America to work, to provide a better living situation for their families. These corridos motivate me to never lose track of what I want for myself in life in order to one day have all that I set out to accomplish. Ultimately, these corridos voice success stories of Latinos who started from the bottom and worked diligently to achieve their life goals and aspirations.
More than eight million copies sold is a great figure for any music album. However, for a CD labeled with World Music genre, that number means an unprecedented success. The album, named Buena Vista Social Club, has changed the attitude of the world to Cuban music forever. Nonetheless, Buena Vista has been criticized for being a commercial product, and for causing negative effects to Cuban society. Let us discover the story behind this phenomenon from Cuba, and more importantly, explore the music inside this brilliant CD.
Songs are one way of expressing feelings and emotion, many artist do this constantly in their music. To some it is why they make music. There are endless signs and verses that hint at many things such as problems, politics, living in racist era’s also places. I chose to focus on one main rapper and his music only. I chose to examine, review, and study a few of his songs. Kid cudi grew up in cleveland, Ohio. His father passed away when he was a young age which affected the kid ever since. He writes about living his life and having to go through many obstacles
1. (45 pts) For each major (CS, IT, DET, IS), identify three important and uniquely identifying characteristics and describe how the four types of professionals would work together in a professional setting. Include information learned from the various instructors for each discipline. How do professionals from these areas work together?
Martínez, Elizabeth Sutherland. 1998. De Colores Means all of us: Latina Views for a Multi-Colored Century. U.S.: South End Press.
This song from the time of Mexican Revolution puts into perspective to me about how things were back then and how the citizens realized why people wanted to be president.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
From its conception, hip hop has been branded as music for uneducated street hoods. But, the debut album of the obscure group, Midnight Voices, shatters this stereotype with its thought-provoking commentary on the Black experience in urban America. Featuring saxophone, keyboards, guitar, bass, and percussion, along with the scratches and cuts typically found in rap, Midnight Voices delivers its urgent message of racial injustice with its equally impressive music. The group merges the styles of hip hop and funk to create a refreshing alternative to mainstream rap, which is often characterized by the repetitive sample of beats. In doing so, the band effectively expresses the lyrical content of the songs through its music, and succeeds in creating a complementary blend of provocative lyrics and musical ingenuity.
Mexico’s drugs wars as well as bloody drug cartels are echoed in a controversial folk music genre commonly known as narco corridos or simply as drug ballads. They tell the stories allied to shootouts, drug lords, betrayals including daring criminal operations. Narco corridos are not a new style in Mexican music, in fact, they have been around for years, and they are popular among the old and the young. This genre has evolved to be modern fugitive music that fuses the emotional responses of antique ballads with the tense gravel of mobster rap. From global idols to rural artists documenting their neighborhood current events in the regions subjugated by guerilla war, narco corridos provides the songwriters in their homes with unique but artistic superiority, investigating the heartland of the infamous Mexican drug trafficking as well as publicizing municipal midpoints such as Los Angeles, in addition to Mexico City.
This episode of The First 48 documents a case in Atlanta, Georgia where two innocent, young women were brutally murdered by Ardentric Johnson, a 36 year old drug addict whom was living in the abandoned house on Madrona Street where he committed these savage murders. Ardentric Johnson had previous convictions for carrying a concealed weapon, theft, false imprisonment, and battery. In Criminal Justice and English there are concepts like Rehabilitation,Evidence, Pathos, and Logos that help solve bloody murders, just like the brutal case we saw in The First 48: The House on Madrona Street.
Ragland, Cathy. Música Norteña: Mexican Migrants Creating a Nation between Nations. Philadelphia, PA: Temple UP, 2009. Print.
As one moves past the initial onslaught of rhythmic beats that calypso has to offer, it is difficult to miss the way in which it reverberates with negative and demoralizing images of women to their male counterparts. Whether it is within the lyrics of Sparrow’s “Drunk and Disorderly” or Square One’s “My Ding-a Ling”, an ample number of verses are often dedicated to making lewd comments about the female body and the suggestive body language described through thinly veiled rhymes and puns, can be offensive depending on the listener. The half naked models being displayed on the various album covers of calypso, soca and rap mix tapes further reinforces these negative connotations. This bandwagon has been jumped upon by many, including the rap genre in the last two decades, wanting to capitalize on a marketing strategy that generally purports to flag consumer attention, playing on their sense of eroticism. The sections titled “Music, Sex, Sexism” and “Woman Rising” within Peter Manuel’s text: Caribbean Currents, dive into the many issues surrounding gender within music as well as female portrayal specifically in calypso. Observations can be made simply by reading through the textual comparisons. Many aspects of this subject area allude to the fact that the issue of gender portrayal in music can be construed differently depending on who the critical listener happens to be. With the increased awareness and heightened sensitivity to the way in which females are portrayed in popular media, it is important to reflect on the impact these lyrics have on male-female relationships within the communities who most often enjoy this music genre.