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Hip hop vs rap music difference essays
Hip hop vs gangsta rap
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Hip Hop and the Black Urban Experience
From its conception, hip hop has been branded as music for uneducated street hoods. But, the debut album of the obscure group, Midnight Voices, shatters this stereotype with its thought-provoking commentary on the Black experience in urban America. Featuring saxophone, keyboards, guitar, bass, and percussion, along with the scratches and cuts typically found in rap, Midnight Voices delivers its urgent message of racial injustice with its equally impressive music. The group merges the styles of hip hop and funk to create a refreshing alternative to mainstream rap, which is often characterized by the repetitive sample of beats. In doing so, the band effectively expresses the lyrical content of the songs through its music, and succeeds in creating a complementary blend of provocative lyrics and musical ingenuity.
True to the mysterious character of their name, Midnight Voices opens the album with a curious chant titled “If You Knew Us.” Beginning with a gradual fade-in, the group chants the puzzling phrase “If you knew us, then uh . . .” repeatedly and without any musical accompaniment. A steady rhythm is maintained throughout, even when the Voices modify their chant by including their names. After the chant is repeated a few more times, the group throws in yet another mysterious line, which further heightens the listener’s curiosity. The line, “If you knew the voices, then uh . . . you would know the world and uh . . .” provides a hint to the listener of the social commentary to come. The chant then returns to its first verse, and slowly fades out. This short piece serves as an introduction to both the group and the general message of their music and album.
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...n to the musical background. By not using any fancy accompaniment, the group shows that the power and effectiveness of their music need not necessarily be enhanced by any studio tricks commonly used in today’s hip hop and popular music in general. Wylie even comments on the effectiveness of this simplistic approach in raising issues to his listeners: “R you ready for the relevant rapper/rampaging never running/with knowledge I’m stunning/and gunning/down ridiculous rhymes/that rely on Romper Room beats/no knowledge? Why?”
Throughout the album, Midnight Voices manages to dispel the popular belief that hip hop is not “real” or “respected” music. Through the group’s gripping lyrics and original music, Midnight Voices has succeeded in proving that rap should be recognized as a unique cultural expression, as worthy of respect as any other art form out there.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
Some weaknesses of James McBride’s “Hip Hop Planet” include its cynical tone and his attitude towards the musical side of Hip Hop. McBride opens the essay with a reflection on what his ultimate nightmare is. He showcases the Hip Hop community in a negative light with phrases like, “music that doesn’t seem to be music—rules the world” (McBride, pg. 1). This starts the essay off negatively because it misleads the reader by letting them think he is not a supporter of the Hip Hop movement. As you read the entire essay you realize this is not the case. The article itself isn’t very inviting because tone of the entire essay is very cold and cynical. He also doesn’t agree with the typical Hip Hop sound saying things like, “It sounded like a broken record” (McBride, pg. 1). The sound of Hip Hop music is what helps define it and is a crucial aspect of
Prophets of the Hood is the most detailed and a brilliantly original study to date of hip hop as complicated and innovative literary story form. It is written with a refreshing harmonious combination savvy significance rigor as well as brave and creative narrative verve. Imani Perry’s research is an interesting analysis of late twentieth century in American great culture. Prophet of the hood is an excellent and unique book. It draws up a clear division between the negatives and positives involved in hip hop. She takes the discussions of rap to a deeper and greater levels with an insightful analysis of the poetic and political features of the art form. Being a fan and a scholar, Perry is aware the art, tradition of hip hop through an analysis of the song lyrics.
“A Good Man Is Hard To Find” and “Good Country People” are two short stories written by Flannery O’Connor during her short lived writing career. Despite the literary achievements of O’Connor’s works, she is often criticized for the grotesqueness of her characters and endings of her short stories and novels. Her writings have been described as “understated, orderly, unexperimental fiction, with a Southern backdrop and a Roman Catholic vision, in defiance, it would seem, of those restless innovators who preceded her and who came into prominence after her death”(Friedman 4). “A Good Man Is Hard To Find” and “Good Country People” are both set in the South, and O’Connor explores the tension between the old and new South. The stories are tow ironically twisted tales of different families whos lives are altered after trusting a stranger, only to be mislead. Each story explores the themes of Christian theology, new verses the old South, and fallen human nature.
Bandy, Stephen C. "One of my babies": The Misfit and the Grandmother in Flannery O'Connor's short story 'A Good Man Is Hard to Find'. Studies in Short Fiction; Winter 1996, v33, n1, p107(11)
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Vicarious trauma focuses on the cognitive schemas or core beliefs of the therapist and the way in which these may change as a result of empathic engagement with the client and exposure to the traumatic imagery presented by clients. This may cause a disruption in the therapist 's view
Inside the album jacket, Serch sums up hip-hop in ‘89: “There was a time when nothing was more important than the New York Rap Scene.” It’s dilluted, but not divided.” To hip-hop afficionados, Serch’s quote sounds like the equivalent to a Vietnam soldier’s letter home. Obviously, the group saw the possibility of the hip-hop culture being tainted.
“A Good Man Is Hard To Find” is a Southern Gothic short story written in 1953 by Flannery O’Connor (1925-1964) in a style that portrays the unfortunate demise of a family’s trip to Florida. Flannery O’Connor was raised as a Roman Catholic in the Bible Belt of the United States, which significantly influenced her purpose and style of writing towards themes of religious revelations and journeys (Flannery). This short story is a typical Foster quest story in that the family is oblivious to the fact that they are on a quest, but on their journey cut short to Florida, they learn more about themselves and others than they ever could have learned in their home-state of Georgia (Foster). Style is the manner in which an author chooses to write to their audience (“Style”). Style reveals a lot about the writer’s personality and through “A Good Man Is Hard To Find”, Flannery O’Connor reveals her desire to convey God’s grace and religion in everyday life through religious symbols in characters and their actions.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Influential Black Nationalist spokesmen Malcolm X, and others alike, preached racial solidarity, economic self-sufficiency, and black self-help during the tumultuous times of the 1960’s in America. Organizations like the SNCC, CORE, Black Panther Party, and Black Muslims attracted hundreds of thousands of followers for the sole purpose of bringing the black community, during these tremendously hard times, together. Musicians like Otis Redding, Ray Charles, and Sam Cooke touched on the struggles of the black man during this time period. It wasn’t until 10 years later that self-conscious poetry spoke of Black Nationalism over a beat, but from that point on the genre coined “hip-hop” has transformed.
The most common musculoskeletal disorder and a major cause of disability in people over 65 years is osteoarthritis (OA) (Felson DT et al, 1987) (1). According to World Health Organization (WHO) report, OA of knee is more likely to become the fourth most important cause of disability in women, and the eighth most important cause in men (Murray CJL, Lopez AD, 1997)(2) . Primary prevention of knee OA has become a major health care aim and a clear understanding of the risk factors is required to design preventive strategies. Many investigations reported obesity, previous history of knee injury, sedentary life style, hand OA (Heberden’s nodes), and a familial history of the disease are major risk factors for OA of knee (Cyrus Cooper et al, 2000) (3). In spite of recent advancements the causes and pathogenesis of knee OA remains largely unknown (A Teichtahl, A Wluka, F M Cicuttini, 2003) (4) but however there is increasing research interest in the contribution of biomechanical variables on progression and management of the disease (Andriacchi TP, 1991) (5).
The first phase is psychoeducation and parenting skills. In the first sessions we discuss the definition and nature of trauma, the effects of trauma on the brain, how it affects cognitions, behaviors, etc. This treatment approach focuses on trauma—it is in the name. It does not necessarily require a formal PTSD diagnosis, but the psychoeducation does focus on the effects of trauma, and the impact of post-traumatic stress. Essentially, it focuses on the label and “mental illness” of PTSD. Reality therapy would shy away from a focus on illness. Reality therapy would encourage the clinician to avoid the labels and focus on the choices behind the condition (pg. 15). Unfortunately, for victims of severe trauma, the neurological impact is very real. Ignoring it will not help the treatment process.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Norris, Fran H. “Epidemiology of Trauma: Frequency and Impact of Different Demographic Groups.” Journal of Consulting and Clinical Psychology 60.3 (1992): 409–418. Print.