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The use of technology in human relations
Technology and human interaction
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The text of “Burning Chrome” by William Gibson, is based on the tale of two professional hackers, Automatic Jack and Bobby Quine. Jack buys a piece of unknown software that turns out to be a sophisticated and almost untraceable Russian hacking software. Bobby decided to use this software to break in and steal money from a high level and well connected criminal known as Chrome. After Jack agrees, the two hackers successfully break in and steal money as well as take down Chrome. These two characters live in a futuristic world where human anatomy and customizable technology have become one and both software and hardware have become crucial to the people of this time. In this essay I will briefly explain how software and hardware play a crucial part within the plot and how they differentiate from one another. Softwares are instructions, commands, or data that direct the operation of computer systems. Hardware is the physical aspect of computers, telecommunications, and other devices. Hardware such as electronic circuitry and other components of a computer use software or programs to make technology do things. Hardware is permanent and not flexible, while software or programming can easily be varied and modified. You can put an entirely new program in the hardware and make it create an entirely new experience for the user. People can change the modular configurations that most computers come with by adding new adapters or cards that extend the computer's capabilities. In the text the character named Bobby Quine is a specialist in software, but before he retires from hacking, he has been looking for one last big job.Which is why he uses his software abilities to steal from the big crime boss, Chrome. Another character within t... ... middle of paper ... ... to be human and the limitations we a human being has, have been demolished in the world William Gibson has created. In Conclusion William Gibson created a cyberpunk/ postmodernism tale that has blurred not only the physical state between mechanics and human anatomy, but has as well blurred the line between the natural and virtual world. He is making the reader contemplate how both software and hardware have influenced the natural world. Gibson’s fictional world would have not been possible without the existence of software and hardware, that is why the distinction between them is very crucial and play a different part within the text. Without these two things, the reader would not be able to comprehend and relate to Gibson’s view on how our society is interlocking with the advances of technology and the normality of today will no longer exist in the future.
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Together they work together as a whole in order to persuade his audience of those involved in technology. Carr uses these strategies in order to back up his information and validate his point. Carr begins by using pathos by stating an anecdote from the movie A Space Odyssey, then he uses logos by stating factual evidence and statistics, lastly Carr uses ethos by stating appropriate vocabulary and conceding to opposition. Throughout the article Carr compares the past and present and how the Internet has changed not only himself, but also people. In order to show his credibility, Carr uses research and examples of other credible writers who have the same beliefs as he does on the Internet. Due to the article being lengthy in text we are able to assume that Carr does that on purpose in order to validate his point that the Internet is affecting our mind as it shortens our attention span and ability to think creatively. The purpose of the excerpt is to persuade his audience of those involved in technology that people in the society today are unable to have complete focus on a longer text due to the Internet causing us to artificial intelligence. For this purpose, Carr develops an influential tone for his audience
Hacking has two primary definitions; the first refers to the enthusiastic and skilful use of computers to solve problems (Techterms, 2013); the second, to “gain unauthorized access to data in a system or computer” (Oxford Dictionaries, 2013). In the context of this essay the second definition is more appropriate and will be the meaning inferred throughout. This definition also more closely aligns with legal terminology used in the UK when describing the hacking of computers. The Computer Misuse Act (1990) introduced three criminal offenses:
The conclusion that no matter how close the virtual world can get to the real world, it will never be the same. The virtual world lacks the human interaction that you can only receive while living in the real world. Even with all of technology’s advancements, it is and never will be better than the real world. Maybe at first people will fall for the visage, but eventually everyone will see technology for what it truly is, a tool to make human lives easier, not a replacement for the world in which humans
In conclusion, technology has evolved and influenced our society drastically when it comes to human interaction. William Gibson’s Burning Chrome is a postmodernism/cyberpunk story that blurs the boundaries between what is being human. The story also blurs the line between the physical and the virtual that a human being interacts. The advances we had made with our technology have gotten to the point where it has entwined with human anatomy. Gibson’s novel was partly based on how our civilization is more and more coming together with technology. Another thing Gibson portrayed was how a person’s mind is transferred into a whole new world with the use of our modern devices. In the end, our society’s interaction with both machines and humans is getting to the furuturistic virtural world that Burning Chrome depicts in its text.
In this book Sterling discusses three cyberspace subcultures known as the hacker underworld, the realm of the cyber cops, and the idealistic culture for the cyber civil libertarians. At the beginning of the story Sterling starts out with discussing the birth of cyberspace and how it came about. The Hacker Crackdown informs the readers of the issues surrounding computer crime and the people on all sides of those problems. Sterling gives a brief summary of what cyberspace meant back then and how it impacted society, and he investigates the past, present and future of computer crimes. For instance he explains how the invention of the telephone led to a world that people were scared of because the telephone was something that was able to let people talk to one another without actually being in the same area. People thought that it was so strange and so different because they didn’t understand all of the information behind it. Back then people thought of the telephone as a tool that allowed others to talk to them in a way that was so personal yet impersonal. Sterling then goes on to explain how “phone phreaks” played such an important part in relating the telephones to computer crimes and how they were so closely related back then.
When William Gibson's futuristic novel Neuromancer was first published, it seemed farfetched that technology could reach the level of sophistication he described. Science fiction movies have since repeated and expanded upon this theme, portraying corporate anxieties and paranoid fears of people to be controlled by aliens, man-made machines and artificial intelligence. Neuromancer takes us into the subculture of cyberpunk, a dystopia of an amoral society ruled by abstract powers. Gibson creates a world of fear and terror where technology permeates this futuristic world into its smallest detail and instead of serving humanity, rises to become its ruler and God.
To Build a Fire - Jack London The short story “To Build a Fire” by Jack London is a comprehensive story that tackles the struggles of a newcomer trying to survive a day in the Yukon with very harsh and cold weather. The man travels with a big native husky and tries many times to build a fire but fails due to his inadequate personality. The man repeatedly lets his ignorance and arrogance dictate his decisions, which soon leads to his demise. The theme of the short story “To Build a Fire” by Jack London is that being ignorant, arrogant and foolish can lead to bad decisions.
What is cyberpunk? What criteria must be entailed to fall into this category? In hopes of coming to an understandable definition this elusive category of cyberpunk I turned to the article “Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Science Fiction - Preface from Mirrorshades”, to illustrate how Neuromancer follows the cyberpunk category. The first part of the definition is the “certain central themes [that] come up repeatedly in cyberpunk. The theme of body invasion: prosthetic limbs, implanted circuitry, cosmetic surgery, genetic alteration. The even more powerful theme of mind invasion: brain - computer interfaces, artificial intelligence, neurochemistry - techniques radically redefining the nature of humanity, the nature of self” (346). Another aspect of cyberpunk that sets it apart from science-fiction is that “cyberpunk is widely known for its telling use of detail, its carefully constructed intricacy, its willingness to carry extrapolation into the fabric of daily life” (348). Lastly, to complete this definition is the use of “[m]any drugs, like rock and roll, are definite high-tech products” (346). William Gibson’s Neuromancer fits this definition of cyberpunk because, there is extensive use of the theme of body invasion, he uses explicit detail in the extrapolation of the matrix, and there is an important usage of drugs and music in the novel.
Cyberpunk is supposed to be the vision of a new technological world. However, the negative portrayal of the integration of technology and society is a fundamental tenet of the literature. This presents a pessimistic view of scientific advancement. The genre’s dark tones, seen repeatedly in Neuromancer, emphasize the bleak images throughout the futuristic fiction. The constant conflict between the individual and a technologically advanced society is a major theme as it stresses man’s insignificance. These characteristics are interwoven into the fabric of cyberpunk and form a bleak image of science fiction and the future. Gibson is very vague when describing the specific architecture and nuances of technology used in the designs of the futuristic objects. This lack of definite details is due to the fact that cyberpunk literature resists the concepts of technology.
William Gibson's Neuromancer sets tone 'postmodern science fiction' or 'cyberpunk science fiction.' According to the author of "Science Fiction and the Postmodern," John R. R. Christie, postmodern requires that humans take the associations of everyday life and transform them into something different (39).Sarah also claims that Neuromancer follows the cyberpunk category.Unlike other science fiction books that we read in this class, Gibson's story takes place everywhere in this planet, starting from Chiba in Japan, Istanbul, Paris and Vancouver in Canada. These familiar settings make Gibson's story more understandable and believable.
As a result, the society of this scary inhumane, Brave New World is full with technology that is destroying humanity form us. Yes it is a perfect world and there no war, disease, crisis but also there is no emotions, feeling, love and especially any hope which are some of the necessary part of human nature. As a conclusion, technology controls the life of everyday people from the day they were born till the day they die in this Brave New World.
The short story, “Unlighted Lamps,” by author Sherwood Anderson is about a relationship between a father and his daughter. Their relationship is a stressful one because neither of them talk to each other, nor show their emotions. Throughout the story, you find out why their relationship is the way that it is, and why it is hard for her father to talk to her. The unlighted lamps in the story represent flashbacks of memories wherever light dances across something.
In the latter half of the twentieth century society, culture and science evolved visions and capability around the common prefix ‘cyber’. It took on several virtual, computational, functional, scientific, sexual and criminal connotations. In the 21st Century, many computational notions have been replaced by ‘e’ to mean ‘of computer’ - however ‘cyber’, represented in music, words and films emerging at this time, which communicate the content of culture at the time, not simply technology – have not become ePeople, eMusic or eFilms, but remained postulated in cyberculture.
Harvey, Brian. A. Computer Hacking and Ethics. Ed. Paul Goodman, P.G., a.k.a. Electrical Engineering and Computer Science.