Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Musics role in society education and individual life
Musics role in society education and individual life
Importance of music in our life essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Musics role in society education and individual life
Playing the trumpet has been the most significant part of my high school career. The wide number of musical ensembles that I have participated in since I first started in the fourth grade have given way to new experiences that have not only been impactful on me as a musician, but on my character as a student and as a person. In Jazz Band, I learned to play solos, pieces of music of my own creation, bursting forth in a flurry of improvisation. Originally difficult for me in middle school, I struggled to find the confidence to play solos written out for me. As I progressed into high school, my perception changed. Solos were no longer just a source of insecurity – they were an opportunity for me to express myself and demonstrate my ability as a musician. By the end of the 2015-16 Jazz Band season, I was improvising my own solos with ease, even across fast and difficult chord changes, with hardly a care in the world as to how other would interpret …show more content…
my music. It was mine, and I had the confidence to own it. This confidence that I had built up from years of soloing and jazz band had also seeped into my academics – my poise, my self-assurance, and the strength with which I delivered presentations improved. But Jazz band would only be the start. My time in the high school marching unit would prove to be equally fruitful. Participating in the marching unit would yield obvious benefits, such as respect, discipline, and good posture. However, to me my time in the marching unit would become a symbol of inclusion and teamwork. As a group that strived for extreme unity in performance, the ensemble was only as strong as the weakest link – we could leave no one person behind, nor could we rest the entirety of the show on the shoulders of a select few. This became especially apparent in our 2015 season show. The previous season and my first season, the band was small, majorly inexperienced, and performed rather poorly all year. This set the foundation for redoubled effort in the following year. It paid off –we won the Bronze Finalist at State Championships, as well as the award for Most Improved. The teamwork that had been so important to us those first wto years would, like the confidence from my jazz solos, find its way into my life elsewhere – working with others in situations from school projects to soup kitchen shifts became easier. I was accustomed to it. As I look to the future, my sights set on yet another musical ensemble.
I joined the Brass Quintet only last year, but as its Student director this year, I find that it is pushing the boundaries of my musical expertise to their limits. As important as accountability for each member is because the Brass Quintet is such a small chamber group, I have found that my duties as the student director have proven to be much more important. As part of my responsibilities as student director, I am expected to select new repertoire music for the group – I have taken it upon myself to create a personal, unique arrangement of my high school Alma Mater for the chamber group myself as part of this. This pushes my capabilities as a musician, but also serves as a reminder of how much of an impact music, and specifically playing the trumpet, has had on my life. It is a symbol of how I will continue to push myself musically, and in whatever course of life I choose, and how I will remember and maintain my trumpet playing for the rest of my
life.
Sweat dripping down my face and butterflies fluttering around my stomach as if it was the Garden of Eden, I took in a deep breathe and asked myself: "Why am I so nervous? After all, it is just the most exciting day of my life." When the judges announced for the Parsippany Hills High School Marching Band to commence its show, my mind blanked out and I was on the verge of losing sanity. Giant's Stadium engulfed me, and as I pointed my instrument up to the judges' stand, I gathered my thoughts and placed my mouth into the ice-cold mouthpiece of the contrabass. "Ready or not," I beamed, "here comes the best show you will ever behold." There is no word to describe the feeling I obtain through music. However, there is no word to describe the pain I suffer through in order to be the best in the band either. When I switched my instrument to tuba from flute in seventh grade, little did I know the difference it would make in the four years of high school I was soon to experience. I joined marching band in ninth grade as my ongoing love for music waxed. When my instructor placed the 30 lb. sousaphone on my shoulder on the first day, I lost my balance and would have fallen had my friends not made the effort to catch me. During practices, I always attempted to ease the discomfort as the sousaphone cut through my collar bone, but eventually my shoulder started to agonize and bleed under the pressure. My endurance and my effort to play the best show without complaining about the weight paid off when I received the award for "Rookie of the Year." For the next three seasons of band practice, the ache and toil continued. Whenever the band had practice, followed by a football game and then a competition, my brain would blur from fatigue and my body would scream in agony. Nevertheless, I pointed my toes high in the air as I marched on, passionate about the activity. As a result, my band instructor saw my drive toward music and I was named Quartermaster for my junior year, being trusted with organizing, distributing, and collecting uniforms for all seventy-five members of the band. The responsibility was tremendous. It took a bulk of my time, but the sentiment of knowing that I was an important part of band made it all worthwhile.
The history of the Concert Band and Wind Ensemble will be reflected through a timeline of events, including an analysis of significant events, groups, composers, and advancements. When society envisions a Wind Ensemble, talented musicians, grand music halls, and difficult arrangements typically come to mind. However, a modern-day Wind Ensemble includes a variety of musicians, each with positive and negative aspects. In society today, music is greatly appreciated and accepted. It is considered an honor and a privilege to expose our ears to the music.
The details of intense experiences are often times not easily lost to others who acknowledge secondhand wonder when it is conveyed passionately. In other words, there are stimulating occurrences within even the most mundane lifetime that provide incredible sensory and a life changing incentive. Furthermore, this experience has the overwhelming power to convince others to pursue that event’s awe. An example of such an influential event is expertly playing an instrument and marching deliberately within The Pride of the Devils in front of a populous crowd. The primary reveal of The Pride’s strength is portrayed within the time-withstanding moments of the pregame exhibition as well as the enduring image of the half-time show. Because of the precise
George Helmholtz, as the head of the music department at Lincoln High School, is very determined with his regular students and the gifted musicians of the band. Each semester and year at school he dreams of “leading as fine a band as there was on the face of the earth. And each year it came true”. His certainty that it was true was because he believed there was no greater dream than his. His students were just as confident and in response, they played their hearts out for them. Even the students with “no talent played on guts alone” for Helmholtz.
One of the biggest decisions of my high school career came my sophomore year when I decided to try out for the role of drum major in my high school band. This decision was very tough to make due to the fact that I was a sophomore, and although I already had three years of experience under my belt as a band member at Northview High School, I knew that it would be very tough to earn the respect of my peers if I succeeded in becoming drum major. Out of the three years I had spent in the band, the biggest influence on my decision to try out came from my very first marching season, between August and December of 2012. From that year forward, after seeing many areas that the band could improve, watching how underclassmen and middle school band members
John Philip Sousa’s life started on November sixth, 1854 in Washington. “Philip was a rugged individualist at the age of four.”(9). His early stubborn nature prevented him from attending school due to catching pneumonia from sleeping outdoors when his mother denied him sweets. Sousa’s home-schooling left him craving for an activity and John Esputa started to teach young Philip music. A variety of music lessons took place, leaving Sousa frustrated with critical teachers and challenging new instruments. Eventually he enrolled in school, mainly for safety from the upcoming war, but the young musician excelled in his studies. Meanwhile, trouble with his music lessons occurred, leading him to quit music and attempt baking instead. His heart already belonged to music though, and he returned to music as the child prodigy who fearlessly performed at age ten for large audiences. He already conducted a band of grown men, accepted offers to play in a circus band, and ended up joining the Marine Band before his late teens. The Marine Band a...
Fletcher, A. (2002, August 24). Inspired students ensure symphony will endure. The Sun, pp. 5C.
I'm tough on myself, much like most people my age. So I feel like I haven't accomplished a lot, but I have. This essay prompt really made me think and a million achievements rushed into my head. My entire high school career has been focused around band. I've made many achievements throughout my high school band experience. I've gotten nothing but gold medals at solo and ensemble competitions and always had a perfect grade in the class. Most of all, I've been building my leadership position, and now I'm a field commander. It was a tough road, but I've made it very, very far. Band is an experience that has gifted me various skills and unforgettable memories.
Lehman, Paul R. et all. The School Music Program: A New Vision. (1994). Reston, VA. Music Educators National Conference.
Rebirth Brass Band the Grammy Award winning group was founded in 1983 by tuba/sousaphone player Philip Frazier, his brother, bass drummer Keith Frazier, and trumpeter Kermit Ruffins, with hits like Let's go get them, take it to the street, and We are one, Just to name a few.The brass band is a local favorite so it wasn't hard to find a schedule performance for the group.
On Tuesday, Feb. 23, The Faculty Jazz Sextet seamlessly performed eight pieces, six of which were original compositions of a few members. The sextet consisted of Michael Hackett (trumpet), Will Campbell (alto saxophone), Noel Freidline (piano), Ron Brendle (bass) and Ocie Davis (drums). The 8 pieces performed were “Down South,” “Everything I Need,” Mealy Mouth,” “South American Getaway,” “Blue Robin,” “Leaving Soon” and “New Point of View.”
Mauricio, being a freshman that was just placed in a random band class and having no knowledge of playing any type of instrument, is now a close friend that has had a change of heart about his views of marching band. Many can say, himself included, that he was just a “kid who was in a group of guys” that he called his friends, always one to get into trouble for the most childish things, but when joining this fine art he was able to “find structure and balance out [his] life” and “find his love for music”. When joining band, it can impact one’s life, no matter what circumstances you are in, it helps you find who you are as a person, and give you confidence to be able to pick yourself up after a downfall. Mauricio was able to discover his love for both saxophone and drumming. To this present day Mauricio now a junior in high school is the section leader of percussion. Having that position is not as easy as it sounds, it took him countless days and section leader battles to get him to where he is now. Making the heartbeat of the marching band sound incredibly sensational. Mauricio has overcome his obstacles and his so called “friends” who first judged him for being a part of the “lame” marching band, now salute him for not only being able to play two instruments, but for also expanding his horizons to play all different sorts of
Of all the instruments laid out on display, only one caught my attention. I was thirteen at the time, and naturally, my eye was drawn to the shiniest of the group. I had never heard the sound of a flute before, aside from the cheap imitation of one on my family’s electronic keyboard. Nevertheless, I picked the pretty, gleaming, easy-to-carry flute on that first day of band class. Three years later, I can’t imagine playing anything else. What started off as blind luck and an attraction to shiny objects is now a part of my life. Playing an instrument is always a worthwhile investment; you develop a skill that many people only wish they had, you have opportunities to meet other musicians, and you may even get to travel in a band setting. But in order to reap the benefits, you first have to learn how to play.
Pressing, J. (1998). Psychological constraints on improvisational expertise and communication. In B. Nettl & M. Russell (Eds.), In the course of performance: Studies in the world of musical improvisation (pp. 47-67). Chicago, IL: University of Chicago
I have played the trumpet since the end of third grade and have become fairly accomplished at it. Music is important to me, and I find the practicing every day to be a satisfying relaxation.