Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dracula literary analysis
Bram Stoker's Dracula and the portrayal of women
Bram Stoker's Dracula and the portrayal of women
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Dracula literary analysis
Bram Stoker's Dracula is Anti-Christian
There are many ways that Bram Stoker's Dracula can be considered Anti-
Christian by showing of Anti-Christian values and perversions of the Christian
religion. In chapter one as Jonathan Harker is traveling to Castle Dracula he
is met by several people. When he meets these people and tells them where he is
going they cross themselves along with doing several other superstiscious
actions. One of the women he meets gives him a crucifix to protect him on his
journey. This crucifix protects him when Jonathan cuts himself shaving and
Dracula lunges for his throat he stops when he sees the crucifix around Jon's
neck. Later in the book it discusses how you can defend yourself from Dracula
and other vampires by the possession of a crucifix or practically any
consecrated item from the Christian religion can be used to save you from the
attack or presence of a vampire. For example, in the latter of the book Van
Helsing uses a Host to prevent Dracula to enter his coffin. Another time,
during the night Van Helsing and Lucy stay out near the courtyard of Castle
Dracula, Van Helsing makes a (Holy circle) with the Host to keep vampires out
and to keep Mina safe in the (Holy circle). Another time when the Host is used
as a deterrence of vampires is at the time Van Helsing and the other men are
going to leave Mina alone in the house. Van Helsing touches a Host to Mina's
forehead and it burns into her head since she, herself, was unclean. Another
abstruction of the Christian religion would be the fact that Dracula sleeps in
a coffin and especially because the dirt in his coffin is consecrated and
Dracula, being evil, uses this ground to rest in. Dracula has several of the
powers that Christians believe no one but God could control. For instance,
Dracula can control the weather, wild or unclean animals and, he can change
form and disappear into the air. Christians believe that consuming God's body
and blood will give them everlasting life with God in heaven. Dracula getting
life after death or living an afterlife on earth by consuming the blood of the
living to survive, build his strength, and create more followers of him in his
evil ways. By this, Dracula is relying on humans to renew his life after death
and thus not concentrating on God as the source of life. As Dracula feeds on
the blood of the living he creates followers as Jesus had disciples. Dracula
has evil ways and spreads his evil not by sexual reproduction as God meant it
The story of Dracula has many components of it used in the film The Lost Boys. The comparison’s begin with the vampire. Dracula is centered around the main vampire, Dracula. Dracula has many powers and ways he can alter reality. In the novel Bram Stoker's Dracula we see that there is a power struggle. In all of the universe, no one being has complete control over another. In Dracula God, Dracula, Nature, and Humanity have some form of dominance over another, whether it be direct control or as the instrument through which another must exert its power. In this paper we will examine the different ways that control and power are used.
Life is a cruel. It, will attempt to take one down; it will humble one; it will attempt to break many down. In moments one may not know what to do, instead he/she must a find a way to use what they have around them as an advantage to defeat the problems that stands their way. Throughout dark fiction, authors utilise different elements as a tool to defeating the antagonist. the story Dracula uses completely different approaches in taking down the mighty Dracula. In the novel Dracula, Bram Stoker effectively employs the different elements that are used to defeat Dracula. Stoker effectively demonstrates the elements that are used to destroy Dracula through act of Religion, the aspect of Science and the setting.
Religion was the core of his tale, and modeled it. On one side were the humans and on the other Dracula. Through their struggles to defeat the monster, they experienced changes in gender roles, which was also present in real time.
In the universe, no one being has complete control over another. In Bram Stoker's novel Dracula, God, Dracula, Nature, and Humanity have some form of influence over each other, whether it be direct control or as the instrument through which another must exert its power. In this paper I will examine the ways that power and control are presented in Dracula.
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
What if in between good and evil did not exist? Where would you stand? Today, it is believed that everyone was born with the slightest bit of evil in them. In the Victorian Era, this theory would be considered very wrong, because one would either be all good, or all evil. In Dracula, by Bram Stoker, good versus evil was symbolised throughout the book as two antithetical forces without an in between. By clearly demonstrating the relationship between the dualistic ideas of intuition versus logic, good characters facing figures comparable to the devil, and symbolism within the natural world, Bram Stoker effectively recounts a “holy war” between the antagonistic forces of good and evil.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
‘Dracula’ is a novel that probes deeply into people’s superstitions, fears and beliefs of the supernatural. The creature Dracula is an evil being with no concern for others, he kills for his own ends and cannot be stopped, and this is what makes ‘Dracula’ truly frightening.
...n. Throughout the novel these men were presented as very dominant men who seek out count Dracula to terminate him and restore society to its normalcy. In the novel the women were overpowered by his powers because they were too weak and the men were strong enough to find the count to end him.
In chapter eight of Bram Stoker’s novel, Dracula, Mina Harker’s journal entry serves to illustrate using the rational mind to combat the supernatural. In Mina’s entry, she recounts the strange event that has just occurred to her and caused her not to be able to sleep. In times of stress, Mina translates everything into analog, which is a familiar and understandable medium for her. After the events of the evening, instead of going into a dream state where she would be met with irrational dreams fueled by her subconscious, she chooses to write, which, unlike her dreams, she can control. The precise nature of writing is a comfort to Mina.
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre; These factors include setting, actions of each vampire, the initial reactions to news of them, and how their presence affects the people who live within the region the vampires inhabit.
... much he himself resembles the monster that he despises, Dracula does encourage readers to see ourselves in the novel, to recognise our connectedness with the Other.” Readers continually return to Dracula because they recognise in the novel desires that, as Jonathan remarks in the film “[we] dare not confess to [our] own soul[s]”
When Jonathan first discovers Dracula’s true nature, he is teeming with fear, as do many of the characters they encounter the true Dracula.
it horrifies us and reinforces our sense of boundaries and normalcy” (Halberstam 13). Assuming that Bram Stoker’s Dracula sets the archetype of the vampire, it is clear that modern vampires have demonstrated a decrease in the Gothic horror despite similarities in the Gothic imagery and themes, and such a shift is attributed to a changing value of the limit within society and postmodernism. The Count is the benchmark of the vampire archetype as the monstrous Other that “announces itself as the place of corruption” (Anolik and Howard 1). Dracula is associated with disruption and transgression of accepted limits—a monstrosity of great evil that serves to guarantee the existence of good (Punter and Byron 231).