Bodhisattva Distinctively Visual Analysis Essay

Bodhisattva, a sculpture from the region of central Tibet, is now being displayed in the Rubin Museum in New York. It is a large-scale sculpture, standing at approximately 6 7/8 inches, that was made by craftsmen recruited in Tibet, whom were known for their artistic skills. Bodhisattvas are awakened beings who aspire to attain enlightenment and help others to achieve it by postponing nirvana and buddhahood. This sculpture is portrayed in a harmonious and compassionate state. The Bodhisattva is showcased as a mentor figure, seeking to help others achieve Enlightenment, through the presence of its physical elements.
The sculpture is shown to be severely damaged: there are several bullet holes present and the materials used to built this figure are wearing off with notable scrapes appearing all over its body. Made from gilt copper alloy, the Bodhisattva is extremely ornate, displaying elegance and beauty throughout its image even though the entirety of

the sculpture is shown to be worn out. It gives off an shining complexion giving it an almost painted appearance when looked upon closeup.
The Bodhisattva, who are regarded as deities, are emanating great spiritual power. Appearing very relaxed and calm, the sculpture’s face are soft and slender, portraying masculinity to the figure. It is symmetrical as the figure is proportional, showcasing proper alignment of the body. The sculpture’s form and shape creates clean beautiful curves along with the simplicity of the figure depicted in its stillness. There is a sense of deep contemplation from the Bodhisattva. It has curving eyebrows and eyes that appears to casting down as if its resting to meet the individual staring at it. This sculpture has long ears and elongated earlobes indicating its connection with Buddha, whose long ears are part of his iconography. With physical signs of damage present to the body, the Bodhisattva’s left hand is broken and both of its legs are missing. It seems to be holding something on the palm of its right hand. The sculpture’s identity as the Bodhisattva is indicated by its graceful bending posture and hand gesture in contemplation, imparting a sympathetic attitude.
A strict full frontal view is depicted of the figure, allowing representation of the objects it carries and wears to be seen. Probably the most noticeable piece on the sculpture are the lavish jewelry the Bodhisattva wears. The use of copper enhances the jewelry that adorns its body. It is wearing a three-leaved bejeweled crown and there is dramatic rendering of the hair where the strands of braids end in little curls as it rests towards its broad shoulders. There are insets for precious stones visible on the bejeweled crown, large earrings, pearl necklace, armbands, and bracelets that are now missing. The complementary of jewelry on the Bodhisattva represents the its status as an deity.
A sacred thread is draped over the left shoulder of the Bodhisattva, following down to its chest.

It appears to be wearing a belt where there are layers of drapery folding down the legs. There is a sense of focus and devotion towards figure. It is peacefully standing and shows off the Bodhisattva’s commitment to studying and learning to the attainment of wisdom. With its masterly craftsmanship and idealized proportions, the Bodhisattva projects this majestic image of a deity-like figure, portraying a more distinctive and individual appeal.
The princely bearing sculpture of the Bodhisattva is distinguished by its form and shape of its body, high class jewels, and rich garments worn. The relaxed pose represents the Bodhisattva’s connection with mankind, through compassion, and depicts that it has devoted itself to helping further the spiritual progress of others to attain Enlightenment. By postponing its own achievement of nirvana and buddhahood, it emphasis the Bodhisattva’s peaceful and compassionate state of

being.