Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Cultural effects on art
Cultural effects on art
Influence of art on society and culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Cultural effects on art
Mariko Mori: Inspiration Inspiration comes from many forms; it comes from friends, family, music, television, and even strangers. Inspiration can come at one subtlety or it can hit you like a bus. Professional, amateur, or even a novice can be inspired to make something. No matter what, an artist needs inspiration in order to create something out of nothing or in order to help finish an already existing art work. Here the inspiration from Mariko Mori will be conveyed, to know what helps give her inspiration that motivates her to do the art work that she does. Whether she herself is doing the performance or it is just a sculpture in a gallery, her works are unique, just like a finger print. What gave her the inspiration on two of her works; …show more content…
Nirvana (1996-97), Birth of a Star (1995). Mariko Mori was born in Tokyo, Japan in 1967 to a European art historian and an inventor. She first began working as a fashion designer and as a model in the 1980s. She later developed as an artist in London at the Chelsea School of Art, and then rigorously at the theoretical Independent Study Program at the Whitney Museum of American Art in New York. This type of background has given her a unique footing for all of her art work, as she continues to analyze to a more complicated and mixed nature of one's personal identity as a world citizen. During her time as a fashion designer, she has designed clothing as well as organized sets. She would choose the locations and selected the photographers, which produces tableaux wearing of her own designs. This ended up being a technical choice as it would be the determining factor in her stylistic development in all her art works. As new forms emerged, she began to incorporate them into her art pieces. An example art piece would be placing herself multiple times in different poses in a large picture of a man-made beach, Empty Dream (1995). For the Nirvana piece of 1996-97, Mariko Mori's art began to take a more spiritual aspect of Buddhist art.
In her photograph she began to place herself as a goddess in a floating position in a infinite landscape and seascape. Her transformative impulses went from confronting quotidian concerns, to a divine matter of mythological emphasis. Nirvana is one of three large works of art that have technical and intelligent aspiring pieces that look for nothing but in making the viewer thinking of about her works. The way that she combines art and science is of a personal matter to her. Part of her inspiration for this is her parents, one a Europe art historian and the other an inventor. She uses both of these as a way to incorporate into her works, using the technology that comes out or the ones already available. She uses them so the viewers can have a well thought out discussion about her art pieces. As well as inviting them to feel the enlightenment that gives the audience a way to leave their earthly aspirations and burdens from their every day lives. Nirvana was meant to help the audience think of other topics as they looked upon the piece. Helping them escape the mundane and stressful times in their lives. The title itself suggest this: in Buddhism nirvana is the state achieved by Buddha through meditation, signifying his ability to transcend suffering and karma. Nirvana is also a part of the Pure Land (1996-98) art work. Both are made of billboard sized with digitally …show more content…
made photographs, with a 3-d video added, and the acrylic Enlightenment Capsule in the shape of a lotus flower that was made to have the artist stand in the piece when needed. Mariko Mori's Birth of a Star (1995) is about a "cyber popster." The "cyber popster" is a Japanese teen in a computer-manipulated photograph with android eyes, spiky hair, wearing a pair of white go-go boots, and with futuristic plastic adornments with oversized headphones and a radio that we can listen to.
Which was made to seem like a perfect product and embodiment of contemporary popular culture. In her mind, Mori believes that the Japanese people have let go of their traditional ways and moved to embrace more of what the Western culture has to offer. she also believe that popular culture is a way for people to free themselves of the everyday mundane aspects of life. Japan has something unique that lets the people of Japan embrace a different culture and add to it their own traditions and make it their own. Mori has shown this in Birth of a Star by adding western culture into the piece while still making it seem like it is strictly from Japan. The function that Birth of a Star has is to give the viewer is to put off the viewer and to seduce the viewer by Mori's ambiguousness. It can also be seen as her way of predicting her own success in the world of art. This piece also helps one to feel the balanced blending of Japanese tradition with Western
culture. Mariko Mori gets her inspiration from her parents careers. As the daughter of a European art history scholar and an inventor she has taken what they do and blending it into her art works from the start of her career. She also uses Japanese traditions and blending them thoroughly with the Western culture to make pieces that make the audience think and escape their worlds, even if only for a moment. She tries to make her own future and a utopia with her works by combining what she has seen and felt. Mori then began using the social criticism to bring to light al the issues that Japan was facing at the time. Then, when she was making the Nirvana piece she also had inspiration from the five elements of Buddhism; fire, air, water, earth, and empty space in order to create a futuristic scene of nirvana. For the performance aspect of the art that she does, what first motivated her to do so was a tea ceremony that she performed at the age of three. The new technology that emerges helps to motivate her. She will collaborate with other artist to help them with their technology and in return they help her with the aesthetics for her art works. She uses science and religion in her works to ask questions: Where do we come from? What is reality? What is the self? Just to list a few of the questions. She also see's Andy Warhol as a main influence and recognizes a large influence in her own art works. The freedom that he had in stepping out of tradition and to cross the barrier of what the territory of the fine arts was considered to be. These are some of the conditions that help her in the making of her arts. To make the audience think and speak about what her art means, for the present and for the future.
Her curiosity is also to be admired as she asked the traditional artist questions of, ? what will happen if I want to do or make this, but I am not sure how, what do I do next?? (Maloof 28). It has been said that ten percent of true artist endeavors are inspiration, and ninety percent are perspiration. In Maria?s case that surely holds true. A great artist is always recognized in his or her ability to see in different ways than the rest of the world and then translate that vision into a form for others to see and understand. It is this idea that defines an artist.
The statue that will be the focus of this paper portrays the figure “Amida, the Buddha of Infinite Light.” Like many other statues of the Buddha, this Amida Buddha was portrayed to be deep in meditation, sitting cross-legged. A viewer could observe that the Amida Buddha is making a hand gesture while in deep meditation. These gestures, also known as “mudras,” are symbolic in the Buddhist religion, and they are used to convey certain ideas (O’Riley 70). In this case, the Amida Buddha is making the mudra of appeasement (“Amida”). More physical observations could be made by pointing out the “balanced form, divine features, and flowing drapery” (“Amida”) of the Amida Buddha. Those qualities represent the nature of the Buddha, revealing him as “transcendent, graceful, and compassionate” (“Amida”). Features common to other Buddha sculptures show up on this Amida Buddha, like the elongated earlobes, the mole on his forehead, and patterned hair. At first glance, the Am...
The temple puja is identified as a public and formal form of worship and devotion undertaken by adherents of Buddhism. Within puja each of the steps of the Eightfold path can be approached and there is the opportunity for one to reach Nirvana with puja alone. The last step of the Eightfold Path, right concentration is the end point for the chanting and the meditation. Adherents enter the temple in a physical and mental state of reverence or Puja, and inside they primarily recognise the importance of the Three Refuges. Additionally, temple puja has great significance for the community as it intrinsically reflects on the significance of the community as part of the Sangha, and strengthens relationship and devotion within the community. The temple itself is often in the centre of a Buddhist town or village, symbolising that is the heart and the central point of the Sangha, and acts as a daily reminder for the community to remain devoted. Thus reinforcing a quote written by Buddhaghosa in 5th century India, “[Nirvana] can only be reached, not produced, by the Path . . . it transcends the intrinsic nature of matter . . . being attainable through special insight affected by strong effort” (Stimulus). The quote is explaining that by remaining devoted, one can reach Nirvana through total enlightenment. Temple Puja provides social cohesion in that the role and function of participants demonstrate the social status of the individuals and their connection with each other, for example, the role of members of the Sangha lead the participants in prayer and reflection. Overall, temple puja has a profound impact on the individual and the greater community as it allows them to reach
Mademoiselle Reisz states to Edna that in order to be considered an artist, "one must possess many gifts-absolute gifts-which have not been acquired by one’s own effort. And, moreover, to succeed, the artist must possess the courageous soul." (63) Although Edna and Mademoiselle share many characteristics that may possibly contribute to their future paths, they have one stifling difference; Mademoiselle Reisz possesses the wisdom to live the way that she does, Edna Pontellier does not.
Art has always been considered the effervescent universal tool of communication. Art does not require a concrete directive . One sculpture,drawing or written creative piece, can evoke a myriad of emotions and meaning . Artistic pieces can sometimes be considered the regurgitation of the artist's internal sanctum. In Richard Hooks graphic painting,Adoption of the Human Race, the effect of the imagery,symbols ,color and emotional content projects a profound unification of a spiritual edict.
Balance can be a difficult characteristic to hold within one’s self as well as their pieces of work. To obtain this quality, an equal amount of time and effort must be put within the creation of any type of design. There should not be any form of emphasis towards a certain topic unless another placed on its opposite. Artists, musicians, and dancers alike have the option to convey these characteristics in their works; either having that balance clearly noticeable, or placing emphasis on other features or a specific one at that. The people under analysis; Pollock, John Cage and Merce Cunningham, all had constructions in which freedom, control, purpose and purposelessness are exhibited. The question, upon examination of these works is whether
When I first read about Marina Abramovic, I found her performance art can be both shocking and hold the attention of one. Her work ranges in physical intensity, emotional exposure, and sadness. Marina Abramovic work is about self abuse, self discipline, and unreasonable punishment and great courage. Through the conditions she puts herself and her audience in her performance. In my opinion, I feel Marina Abramovic and my main goal as an artist is not only to completely change the way art is seen by the public, but to push the performance the same line as fine art.
Art is a very important part of humanity’s history, and it can be found anywhere from the walls of caves to the halls of museums. The artists that created these works of art were influenced by a multitude of factors including personal issues, politics, and other art movements. Frida Kahlo and Vincent van Gogh, two wildly popular artists, have left behind artwork, that to this day, influences and fascinates people around the world. Their painting styles and personal lives are vastly different, but both artists managed to capture the emotions that they were feeling and used them to create artwork.
I look to other artists for inspiration and affirmation in regards to my work. I am certainly not the first artist to portray ideas of the body and its fragility. Hannah Wilke, whose work dealt with ideas of beauty and vulnerability, is perhaps one of more influential artists for me. While her work greatly differs from mine, I believe that fundamentally she was asking similar questions of society through her work as I am. When I first saw her work, I felt f...
Within the contemporary art world, artworks have various levels of influence from previous artworks which depend on two factors. The first factor is the lingering effects of previous art movements on the current art scene. The second is the artist’s experiences and how they utilise them alongside the lingering effects to create art. Elements of the effects including similar styles and techniques are present through the art installation Infinity Mirrored Room – Hymn of Life, 2015 by Japanese contemporary artist Yayoi Kusama in comparison to the oil painting titled Mama, Papa is wounded, 1927 by Surrealist artist Yves Tanguy. The influence of Tanguy’s work within Kusama’s art is evident through the incorporation of certain elements. These elements
Appropriation in the postmodern decade brings various aspects such as cultural exchange and finding identity. From the number of contemporary artists used the appropriation in their artwork covers a wide range of media. Appropriation art, sometimes cause responses varying from astonishment and suspicion to praise and acceptance, depend on the viewers and the performance by the artist. This essay then critically discusses two particular artists, Masami Teraoka and Yasumasa Morimura, who illustrate the appropriation in their art with similar and dissimilar concepts. The focus is on the visual arts, yet the argument of appropriation has significant effects for analyses of particular conceptualisations such as finding identity and dominion of cultural and intellectual chracteristics
All living beings try to avoid misfortune, except that negative emotions come from the mind and are nonexistent. Zen reminds me of the complete need for restraint and patience. You have to begin at one point and embrace life’s unique experiences as they come. When an individual is captivated and enthralled with the Zen practice, art is clearly an expression of their enlightenment. Zen artists, similar to Ranzan Shoryu, are not consumed by the lavish appearances of their art forms. The religion and religious art are interdependent, and may as well define each other. To find nirvana, is there not a need for disruption in interdependence though?
In the last few weeks, with several tragedies occurring in the world, ethnocentrism is very present and even when talking about social, political and economic issues as well as, art. The term art in the past, has been given the definition of being primarily based on aesthetic beauty, and not focused on the emotional construct that art also possesses. Similarly, gender roles encourage women to conform to their norms the same way society thinks art should just be an aspect of beauty. The emergence on performance art in the late sixties, was a way of challenging painting to add an emphasis on the feeling art gives through performance. Marina Abramovic, performance artist, uses her performances as a tool
Tibetan thanka[1] paintings are a wonderful example of the interconnectedness of religion and art. These images are “not meant to be the object of simple idolatry” (Jackson 11), but rather take on a more interactive role, which can be applied to nearly every facet of traditional Tibetan life. Tibetan Buddhism pervades all aspects of the creation and use of thanka paintings—in the training and requirements of the artists who create the paintings, in the physical creative process itself, in the iconography used, and in all the painting’s multiple functions. Tibetan thanka paintings, throughout their entire lifespan—from concept to consecrated image—help devotional religious activity for Tibetan Buddhism[2].
All throughout time people have used their imaginative minds to express some form of art, whether it be painting, drawing, sculpture, and dance, theatre, music or technology, this has happened all around the world. Furthermore, I think that the youth of the world have the biggest imagination because everything to them is new and they can’t help but imagine “what if” or “how”. Therefor that’s the power of imagination, and preferably for me I use it for art. Art to me is almost like an escape from everything negative in my life. Many say that art is beauty, and we say beauty ...